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You are here: Home / NeffMusic News / NEW Book-Devastating Dominant Lines for Jazz & Funk Soloing

NEW Book-Devastating Dominant Lines for Jazz & Funk Soloing

July 12, 2018 by Steve 2 Comments

Great news!  I just finished a new book this week that I am very excited about.  The new book is called “Devastating Dominant Lines for Jazz & Funk Soloing” and is similar in concept to my best selling “Devastating Minor Lines” book.

Video Demonstration of a few of the Devastating Lines

Here is a description:

An inside approach to outside playing using pentatonics, chromaticism, 3-tonic systems, 4-tonic system, tri-tone substitutions, whole-tone scales, diminished scales, altered scales, melodic minor scales and intervallic patterns to produce modern sounding lines in the style of Michael Brecker and Bob Berg.  Devastating Dominant Lines contains 75 16th note lines written out in all 12 keys that can be used over dominant tonalities.  These lines give the student functional ideas that weave in and out of the tonality to produce a modern and “outside” sound.

Devastating Dominant Lines for Jazz and Funk Soloing

Digital PDF Version of “Devastating Dominant Lines for Jazz & Funk Soloing”14.99

Printed Version of “Devastating Dominant Lines for Jazz & Funk Soloing”29.99

This PDF book is 138 pages long and is written out in all 12 dominant keys.

Included with this book are:

A 2 Hour and 4 Minute Video Lesson-a video lesson about the book, how to best practice from it and me explaining the concept involved for each line in the book.  I demonstrate the concepts using the soprano saxophone to a dominant play along track…………

This book is an excellent resource for intermediate to advanced students of jazz improvisation and will help you to develop some great modern lines that will amaze you friends and make your competition shudder………..

The lines in this book are not for the faint of heart, it will take a lot of practice and hard work to get them down.  Don’t give up,  stay focused and you too can master these modern devastating lines to amaze your friends, family and fellow musicians…………..

Remember,  use the power and knowledge these lines give you for good, not evil.  In the wrong hands these could cause severe damage and even brain trauma.  Overused, and other musicians might become jealous of your “awesomeness” and you might never get called for the gig again.  Used to the right degree though, and your future will be bright.

Have Fun,    Steve

PS.  This is a huge file to download of 371.9 MBs so please download from a stable high speed internet connection for best results.

Devastating Dominant Lines for Jazz and Funk Soloing

Digital PDF Version of “Devastating Dominant Lines for Jazz & Funk Soloing”14.99

Printed Version of “Devastating Dominant Lines for Jazz & Funk Soloing”29.99

Filed Under: NeffMusic News Tagged With: Berg, Brecker, dominant licks, Jazz Improvisation, lines, modern lines, pattern, saxophone

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarMiles Griffiths says

    July 13, 2018 at 9:59 am

    Hello Steve, Your new book sounds terrific! I’ll be putting in an order for a hard copy soon. Great job! Can’t wait to open it up and start practicing ??

    Reply
  2. AvatarNelson Lewis says

    August 13, 2018 at 10:20 pm

    Steve, this is one of the best books to date. I think that watching the video that you made and also understanding where the lines are derived from is awesome, especially for those of us who don’t have a great musical theory background. In my opinion, this book is worth more than you are selling it for….. especially with the video that is included. I know this was a lot of work to put this book together (as are all of your books) Thank you for continuing to come up with new ideas that gives the rest of us new ideas. Great teacher

    Nelson

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I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
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Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

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I've learned more from you than anyone else in my 40 years of playing.
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Karin
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
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I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

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Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
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Thanks

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Michael Byington

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John Leclerc
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Pierre
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
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