• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Transcriptions / Now THIS is How You Solo on a Blues! Tim Green Alto Sax Transcription

Now THIS is How You Solo on a Blues! Tim Green Alto Sax Transcription

March 29, 2017 by Steve 7 Comments

Here is another killin’ transcription from a 10th grade student of mine here in Vermont, Jack Egan.  About a month ago, I shared an incredibly hard transcription on the site that Jack had done on Vincent Herring’s solo on “All the Things You Are”. Around that time, I shared another recording with Jack of a Youtube clip of Tim Green tearing up a blues on alto sax. This clip was sitting in a folder on my desktop entitled “Transcription Cue”.  That’s where I put all the amazing clips I find on the internet that I feel need to be transcribed someday.  Anyways, Jack was digging this clip as much as I did so again I threw out the challenge, “You should figure it out for your next transcription.” “Ok” he replies nonchalantly………..

Last week, Jack told me he had finished the transcription (after telling me he had made All-State Jazz Band here in Vermont!  Woohoo!) and then a few days later he emailed me the transcription. Upon looking at it,  all I could think was “Wow! This was a lot harder than I thought.”  Triplets, 16ths, 32nd notes, 32nd note triplets……..all mixed up and all over the place. Many of these rhythms were probably the first time Jack had encountered them.  Nevertheless,  Jack figured them out and finished the whole solo!  Again, I say “Wow!”   Great job Jack!  Check it out:

Last Page of Tim Green’s Solo on Blue Monk from Jack’s Manuscript Book

Back to the solo, I first heard Tim Green in the 2008 Thelonious Monk Competition where he came in second place. I later purchased his 2013 recording “Songs from This Season” which I loved but haven’t checked him out more than that until randomly finding the Youtube clip below one day.  He has my attention again that is for sure.

The title of this blog post states “Now THIS is how you solo on a blues!!”  Tim is bringing it on this solo! For me, it’s a great example of soloing on a blues with jazz vocabulary but also feeling and emotion.  During the solo you can hear people yelling and calling out almost like it is Gospel service.  People are moved and can’t help but yell out! This solo isn’t just about technical acrobatics but about feelings and expression.  It’s about the music coming out of the horn and moving the audience emotionally.  I  love it!

Tim does a masterful job combining so much classic bebop vocabulary with classic blues vocabulary.  He balances the flashy lines with the emotional maturity that slows down and holds out a note because it should be held out.  He slows down and repeats lines and ideas not to impress but to convey a feeling and build a story in his solo.  Masterful!

I’ve been playing this solo for the last three days and absolutely love it.  There is so much to gain from delving into it and learning from it.  I hope you find it as rewarding as I have to listen to, play with and learn from.  Great job to Tim Green for the fantastic solo and thanks again to Jack Egan for the transcription! If you want to check out more of Tim Green visit his website at www.timgreenmusic.com.  I can’t wait to hear more from this great young player.


Tim Green Amazing Alto Saxophone Solo on Blue Monk
Blue Monk-Tim Green Alto Sax Solo Eb

*If you would like to support me here at neffmusic.com, you can do so on the support page of my store by debit or credit card.   Any support is appreciated and will go towards keeping this site running, saxophone reeds, mouthpiece patches, coffee, and towards justifying the many hours I spend on providing free transcriptions to the saxophone community!   Thanks,   Steve

Filed Under: Transcriptions Tagged With: alto sax, Jack Egan, jazz saxophone, solo transcription, the blues, Tim Green

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. Avatarfiippo alibrandi says

    March 31, 2017 at 10:18 am

    Amazing solo! bravissimo Jack, Tim and you Steve 🙂 – now I am going to spend the whole weekend on that transcription….

    Reply
  2. AvatarRob Payne says

    April 3, 2017 at 2:22 am

    “He slows down and repeats lines and ideas not to impress but to convey a feeling and build a story in his solo.”

    This is a very perceptive comment as it reminded me of something I read a number of years ago in a Stan Getz biography. There was this story in the book about how when Lester Young and Sonny Stitt were traveling together in a bus while on tour in a band and Sonny Stitt was practicing some new licks and he turned to Lester Young and asked him what he thought of it. Lester Young replied that you need to tell a story. This subtle put down by Young made me chuckle because Stitt was very competitive, or so I’ve read, and of course Young was right because music is a language and if it’s a language then you should be conveying a story when you improvise whatever your approach may be. Something similar I read in a Parker biography was that when on the road in a band and they were at a bar or someplace like that and Parker was listening to some Country Western music. Someone asked Parker why he was listening to such corny fare and Parker replied that he liked it because it was telling a story. Sometimes when I hear players running through a bunch of licks that’s exactly what it sounds like to me. I’m playing this lick, now I’m playing this lick, and now I’m playing this lick, etc. so I don’t hear a story being told, just a bunch of licks. Then I fall asleep. And who’s going to argue with Lester Young and Charlie Parker?

    Reply
    • AvatarJeffrey D Todd says

      November 7, 2021 at 11:35 am

      I think what Lester said was, “Crazy man, but can you sing me a song?”

      Reply
    • AvatarGiuseppe C. says

      November 9, 2021 at 5:18 am

      I agree with you Steve, and also with Rob.
      Sometimes, when I feel a display of technique disjoint from “feeling”, necessary to tell a story, and to tell “ourselves”, what we feel and want to communicate, I begin to feel nothing, I get bored, however technically masterful it may be the musician.
      Honestly, I don’t think this could be the case with the Sonny Stitt I know … he tells a lot and never bores me; as well as a great storyteller is Dexter Gordon, etc.
      Tim Green, also using and combining some blues and bebop vocabulary, tells a lot, I like him because he plays what he feels, has a feeling and has so much to say that he wouldn’t even need to use licks … And I like what I perceive: his joy of playing what he feels; and that he feels so urgently that he starts playing before the other musicians start doing … and the enthusiasm to express the many things he feels and having to choose among the many things he feels … and the enthusiasm that, inevitably because he is sincere, he transmits to other musicians and to the public!
      Bravo Tim!
      And bravo Jack.
      Giuseppe C.

      Reply
  3. AvatarGiuseppe C. says

    November 9, 2021 at 9:20 am

    Sorry, errata: with reference to my previous comment where I describe Dexter Gordon as a “storyteller” (term which I now realise is currently used by someone with negative meanings, such as those who tell lies), I wanted to specify that, perhaps due to my poor knowledge of English, I have used this term which, currently, could be misinterpreted in a negative sense, which I did not mean; I meant to say that Dexter Gordon, and other saxophonists, I like them so much precisely because, in addition to their technique, they have the gift of the feeling and, therefore, of telling a story when they play.
    Giuseppe.

    Reply
    • SteveSteve says

      November 9, 2021 at 9:26 am

      No worries Giuseppe. I think everyone gets what you are referring to with the word “storyteller”. I never thought of the negative meaning of this word at all because of the context that you put it in. It’s all good. Steve

      Reply
      • AvatarGiuseppe C. says

        November 10, 2021 at 5:21 am

        Thanks Steve,
        always kind.
        Giuseppe.

        Reply

Leave a Reply to Steve Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John
Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
Tony
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland

Footer

Recent Comments

  • Perry on Will the Real Michael Brecker’s Sax Mouthpiece Please Stand Up?
  • Steve on Will the Real Michael Brecker’s Sax Mouthpiece Please Stand Up?
  • Perry on Will the Real Michael Brecker’s Sax Mouthpiece Please Stand Up?
  • Dominique on Otto Link Super Tone Master Florida V Tenor Saxophone Mouthpiece Review
  • Felipe on Drake Jerry Bergonzi Master Series Power Resonance 7* Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025