• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Attisound Black Mamba Brass Tenor Saxophone Mouthpiece Review

Attisound Black Mamba Brass Tenor Saxophone Mouthpiece Review

January 4, 2017 by Steve 4 Comments

Today, I am reviewing a mouthpiece made by Carlo Atti in Italy.  I had never heard of Attisound mouthpieces but Carlo contacted me last year and asked if I would be interested in reviewing some of his mouthpieces on my site.  I was curious after looking at some pictures and agreed to try them out.  He sent me a package with various sample mouthpieces to try.   The first mouthpiece to be reviewed  is an Attisound “Black Mamba” brass tenor saxophone mouthpiece (I say “Black Mambo” in the sound clip but it is “Mamba”).

Attisound Black Mamba Brass Tenor Saxophone Mouthpiece

The Attisound mouthpieces that I received were a mix of various tenor mouthpieces, an alto mouthpiece and a soprano mouthpiece.  I received two Black Mamba tenor sax mouthpieces both of which are 8* tip openings and have the same design.  One is this brass mouthpiece I am reviewing and the other is black aluminum which I will be reviewing shortly.

The Attisound Black Mamba tenor mouthpiece looks well made and plays great for me.  I have to admit that at first,  I had what I call “switching to a high baffle mouthpiece syndrome”.  I have written about this before but basically I encounter it when ever I make an abrupt switch from a low baffle large chamber mouthpiece to a high baffle small chamber mouthpiece.  I find that when I first switch from low baffle to high my tone sounds thin and super edgy and bright.  I’ve learned not to make snap judgements as it takes me some time to acclimate to the new mouthpiece and settle in with it.   As I play I tend to make small adjustments with embouchure, air and throat voicing to fatten the tone and adapt it to what I hear in my head. Which I feel like I did after a few hours of playing on the Black Mamba…………

Attisound Black Mamba Brass Tenor Saxophone Mouthpiece

The tip and rails of the Attisound Black Mamba don’t look particularly thin but they aren’t as wide as I have seen on other mouthpieces either.  My Rigotti and  Vandoren Java reeds matched perfectly with the tip curve of the mouthpiece which I always like. Every reed that I tried on all the Attisound mouthpieces sent got suction and retained it also.  That coupled with the fact that the mouthpieces played well for me makes me think that Carlos knows what he is doing when it comes to the facing curve.

Attisound Black Mamba Brass Tenor Saxophone Mouthpiece

The Attisound mouthpiece came with a Attisound ligature that could be used on all the tenor mouthpieces.  You can see the ligature in the pictures towards the bottom of the page.  The ligature is made out of stainless steel and fits the tenor mouthpieces perfectly.  My only complaint about the ligature is that it fits the mouthpiece body so exactly that you have to be very careful putting it on.  (I have double vision which doesn’t help me with that either…….). I accidentally shaved off a corner of a reed with it when putting it on.  Later, I found I could slide the ligature on more safely at a slight angle but then found that I was scratching one side of the brass mouthpiece with an edge of the stainless steel ligature.  I finally figured out that it was easier to leave the ligature on the mouthpiece, loosen it and slide the butt end of the reed underneath.  This was much easier for me.

I really liked the ligature although I would like to see some lines designed into the screw you tighten so you can get more of a grip on the screw and it is not as smooth.  I will say that the way the ligature is tightened by the screw on top works so well that it is hard to know how tight the ligature is on the reed.  At first I was tightening down the screw until it wouldn’t tighten anymore but soon realized that I was way over tightening the ligature.   With a few turns to loosen it the reed was still held on firmly and it improved the response of the reed greatly.

Attisound Black Mamba Brass Tenor Saxophone Mouthpiece

The Black Mamba has what I would consider a medium high baffle.  It shoots down from the tip in almost a straight line until it reaches the small chamber which has a scooped out entrance to the chamber.  You see these scooped out chambers in Berg Larsen mouthpiece quite often. These chambers are also commonly called “bullet” chambers.

Attisound Black Mamba Brass Tenor Saxophone Mouthpiece

I tried both Rigotti Gold as well as Vandoren Java reeds on the Black Mamba but there was something about the Java reeds that I just liked more than the Rigottis.   Rigotti reeds can sometimes be overly edgy for me on certain shorter facing curves and on the Attisound tenor mouthpieces I found that as well.  On one of my other Attisound mouthpiece reviews I will also post a clip with a Rigotti reed so you can hear what that sounds like also in comparison.

While listening to the sound clip you can hear how bright, edgy and focused the Black Mamba can get even in the first few seconds.  I recorded one clip but added a bit of reverb on the second clip so you can hear how that sounds also.

The intonation was great on the Black Mamba with nothing unusual to report.  Played at full blast I felt like it got a bit of a Lenny Picket vibe going to it.   Altissimo was really easy to get as would be expected on a higher baffled piece.  I felt like the whole range of the horn was smooth and even. Certain notes could easily be overblown when playing full blast which is a common rock sax affect (Ex. 1:33 in the clip……..).

Attisound Black Mamba Brass Tenor Saxophone Mouthpiece

I think the Black Mamba would be a great rock n’ roll, funk or blues sax tone if you like that bright edgier sound when soloing.  It can be dialed back a bit with less air and subtone on the lower notes also (Ex. 2:48  and 3:16 in the clip….).  Obviously, you have to have a preference for this brighter edgier tone at loud volumes but if you are into that scene then this could be a good mouthpiece to check out………

Attisound Black Mamba Brass Tenor Saxophone Mouthpiece

You can contact Carlo Atti on his website at www.attisoundmouthpiece.com.  I will be reviewing some of his other models shortly the black aluminum Black Mamba.  Tell him Steve sent you………….Great work Carlo!!

Let me know what you think in the comments below. Thanks, Steve

https://cdn.neffmusic.com/2017/AttiBMGold.mp3

Attisound Black Mamba Brass Tenor Saxophone Mouthpiece-Dry No Reverb

https://cdn.neffmusic.com/2017/AttiBMGoldReverb.mp3

Attisound Black Mamba Brass Tenor Saxophone Mouthpiece-Reverb

Disclosure: I received the sample mouthpiece mentioned above for free in the hope that I would try it and perhaps review it on my blog. Regardless, I only review mouthpieces and other saxophone related products that I enjoy and believe will be a good choice for other saxophone players to try also.    Steve Neff

Filed Under: Mouthpiece Reviews, Tenor High Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: ATTI, Attisound, black mamba, Italy, saxophone mouthpiece, tenor sax

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarAntonino says

    March 18, 2017 at 10:15 pm

    I liked it very much. I prefer the Mamba. Thank you Steve. Good luck in this year. Peace.

    Reply
  2. AvatarJeff Carpenter says

    April 25, 2018 at 6:02 pm

    I picked one of these up recently, and I love it. Much more vibrant than my Dukoff M. Thanks for all of the great reviews.

    Reply
  3. AvatarSalvatore Giugliano says

    February 11, 2020 at 10:57 am

    Io ho preso un black mamba 8* in allumino nero
    E che dire sono contentissimo …super
    Abbinando una silverstein
    legatura è il massimo..

    Translation:

    I got an 8 * black mamba in black aluminum
    And want to say I am very happy … Super!
    Matching a Silverstein
    ligature is the best ..

    Reply
  4. AvatarSalvatore Giugliano says

    February 11, 2020 at 11:00 am

    Grazie mille Steve..♥️

    Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Steve Neff

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
I have NEVER seen material like yours.  Amazing!!
Jerry
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony
Two years later I began a search for a sax teacher and happened to come across Steve Neff when I was searching YouTube for sax teachers.  I went to neffmusic.com and was very impressed with the lessons Steve Neff was offering.  The concept of selecting lessons was an approach that I thought was unique and purchased a few lessons.  I liked the lessons so much that I signed-up for a 6 month package. I was very happy with all the lessons I selected.  I also purchased Steve’s book Mastering the B… Read more
Michael
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book) Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book) Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Playing Outside-4 Tonic Dominant b9 Pentatonics-Lesson 1 Playing Outside-4 Tonic Dominant b9 Pentatonics-Lesson 1
    Rated 5 out of 5
    by Stuart
  • Mastering Altered Pentatonics (Digital PDF Book) Mastering Altered Pentatonics (Digital PDF Book)
    Rated 5 out of 5
    by Jim Ramsey
  • Practicing Double-Time Licks Lesson Practicing Double-Time Licks Lesson
    Rated 5 out of 5
    by Az Samad
  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Sale! Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)

    Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)

    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
    Add to cart
  • Sale! Mastering Altered Pentatonics (Digital PDF Book)

    Mastering Altered Pentatonics (Digital PDF Book)

    Rated 4.75 out of 5
    $26.98 Original price was: $26.98.$14.99Current price is: $14.99.
    Add to cart
  • Mastering Major Diatonic Patterns (Digital PDF Book)

    Mastering Major Diatonic Patterns (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)

    Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Devastating Minor Lines for Jazz and Funk Soloing (Digital PDF Book)

    Devastating Minor Lines for Jazz and Funk Soloing (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson

    Creating Modern II-V-I Lines with Simple Pentatonics Lesson

    Rated 5.00 out of 5
    $9.99
    Add to cart
  • Mastering the Blues Scale Vol. 1-Minor Chords (Digital PDF Book)

    Mastering the Blues Scale Vol. 1-Minor Chords (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Blues Scale Vol. 2-Dominant Chords (Digital PDF Book)

    Mastering the Blues Scale Vol. 2-Dominant Chords (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Dominant Bebop Scale (Digital PDF Book)

    Mastering the Dominant Bebop Scale (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Dominant Bebop Scale-Book 2 (Digital PDF Book)

    Mastering the Dominant Bebop Scale-Book 2 (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Major Bebop Scale & Sound (Digital PDF Book)

    Mastering the Major Bebop Scale & Sound (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)

    Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • The Best Embouchure for Tone, Intonation and Endurance Lesson

    The Best Embouchure for Tone, Intonation and Endurance Lesson

    Rated 4.91 out of 5
    $9.99
    Add to cart
  • The Best Major II-V-I Patterns (Digital PDF Book)

    The Best Major II-V-I Patterns (Digital PDF Book)

    Rated 4.94 out of 5
    $14.99
    Add to cart
  • The Best Minor II-V-I Patterns (Digital PDF Book)

    The Best Minor II-V-I Patterns (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • The New Ultimate II-V-I Primer-Major Keys (Digital PDF Book)

    The New Ultimate II-V-I Primer-Major Keys (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart

Footer

Recent Comments

  • Giuseppe C. on SYOS Max Ionata Signature Tenor Saxophone Mouthpiece Review
  • Mark White on The Boston Sax Shop Red Label Custom Tenor Saxophone Reeds Review
  • Steve on Morgan Kind of Blue Cannonball Adderley Alto Saxophone Mouthpiece Review
  • Steve on SYOS Max Ionata Signature Tenor Saxophone Mouthpiece Review
  • Steve on GetASax GS SLANT 7* Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2026