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You are here: Home / Jazz Lessons / Modern Improv / Whole Tone Scale-Lesson 3
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Whole Tone Scale-Lesson 3

Whole Tone Scale-Lesson 3

$9.99

Categories: Modern Improv, Scale Studies Tags: jazz improvisation, modern improvisation, playing outside, video lesson, whole tone scale
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Description

In this lesson entitled Whole Tone Scale-Lesson 3, we are taking a look at using the whole tone scale in a variety of diatonic augmented triad patterns over augmented triads and augmented dominant chords. 

In lesson 1 we talked about what the whole tone scale is, how to construct it, use it and practice it.  In lesson 2, I gave you a number of scale patterns to practice with the whole tone scale.  In lesson 3, we are looking at practicing and using whole tone scale patterns based off of diatonic augmented triads taken from the scale.

I give you a 3 page PDF with patterns that cover all 12 augmented triads and dominant chords with a #5. I also give you 12 play alongs that cover all 12 keys and take you from a major chord to a dominant chord with a #5 that you can use the whole tone patterns on.  I play each pattern for you on the soprano saxophone and show you how to practice them with the play alongs I have included.

(35 Minute Video Lesson,  3 page PDF of  whole tone diatonic triad patterns, 12 play alongs to practice patterns to and then resolve)

 

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Lesson Sample

https://public.neffmusic.com/Whole_Tone_Lesson_3_clip.mp4

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For anyone living in remote areas away from live jazz sax teachers, Neff is the way to go. In fact this is a great resource for anyone seriously interested in mastering the sax. I’ve never been disappointed in a lesson.
Oliver
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee

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I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
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John
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
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