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You are here: Home / Jazz Lessons / Stylistic Lessons / The Style of Dexter Gordon-Lady Bird Lesson 2
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The Style of Dexter Gordon-Lady Bird Lesson 2

The Style of Dexter Gordon-Lady Bird Lesson 2

$9.99

Category: Stylistic Lessons Tags: Dexter Gordon, jazz saxophone, Lady Bird, tenor sax, transcription, video lesson
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Description

This is a new series of lessons based off the playing and style of the great tenor saxophone player Dexter Gordon. Dexter Gordon had one of the most recognized saxophone sounds of all time. Most sax players can instantly recognize his sound, style and technique within second of hearing him.

In this series of lessons, we will focus on different aspects of Dexter Gordon’s playing including sound, phrasing, licks, embouchure and other varied techniques. I will talk about each of these concepts in depth and how to best implement them in your own playing. In these first 3 lessons, I will begin to walk you through a transcription I made of a great 9 chorus Dexter solo over the Tadd Dameron standard Lady Bird. This solo is from a Youtube video of a concert Dexter Gordon played in Belgium in 1964 and is a great example of Dexter’s phenomenal playing. I demonstrate all the concepts discussed on the tenor saxophone. (31 Minute Video Lesson, 9 chorus solo transcription in Bb)

1 review for The Style of Dexter Gordon-Lady Bird Lesson 2

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    Eef van der Burg – July 6, 2016

    Hi Steve,

    The thing with Dexter touching on the edge of the pearls while playing is because he had big hands. You see that often . Thanks for all of your good work. Regards Eef van der Burg.

    • Steve

      Steve – July 10, 2016

      Thanks, I’m not sure I understand that. If his hands were so big wouldn’t they lap over the pearls not barely be on the edges of them?

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Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!

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