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The Style of Charlie Parker-Blues Soloing

The Style of Charlie Parker-Blues Soloing

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

Category: Stylistic Lessons Tags: alto saxophone, blues, Charlie Parker, jazz sax, Omnibook
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  • Reviews (2)

Description

Charlie Parker, Bird.  Every sax player should know that name!  He was one of the greatest saxophone players of all time.  He transformed jazz in his day.  If you took a poll of sax players on who was the greatest sax player to ever live………… Charlie Parker would be at the top of that list.

When I was in high school, one of my first jazz books  I studied out of was the Omnibook.  I was in way over my head but for 3-4 years I practiced out of that book diligently. At first I had no idea why these lines and melodies sounded so good but over time I grew to love and appreciate the complexity and beauty of Birds lines.

In this video lesson, I teach you how to take Bird licks from “Nows the Time” 1 and 2 and “Billies Bounce” and use them in your blues soloing.  It is a simple concept but not enough students internalize these great licks so that they can use them in their own playing.

Just by getting a few of these killer blues licks down, you can really transform you soloing over the blues.  The concepts I talk about in this lesson can be used with any blues solo that you want to work on.

To get the most from this lesson you will need to get the Charlie Parker Omnibook as well as an original recording of Nows the Time and Billies Bounce to work with. (31 Minute Video Lesson)

2 reviews for The Style of Charlie Parker-Blues Soloing

  1. Avatar
    Rated 5 out of 5

    David Machin (verified owner) – September 24, 2016

    As usual, amazing stuff. Steve pulls a few licks from a Parker solo. He then shows how to use them over a blues. He just shows what you can do with a few great ideas. I like how he just keeps it clear and simple. My guess is you would not have to be a very advanced player just get one or two of these licks under control and then use them. I never knew how to use these Parker solos in my own playing. I certainly know where to start now.

  2. Avatar
    Rated 5 out of 5

    Dietmar Floegel (verified owner) – September 18, 2018

    really this is a great lesson to study Charlie parker licks and apply them to a blues playalong. Especially i like your alto playing very much, your phrasing and articulation and your raw alto tone.You have this Charlie Parker moment in your Sound which is not so easy to find. i bought a halleonard Charlie parker playalong book, the Saxophone Player plays Parker like smooth jazz, that sounds so intimidating.

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I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
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I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul
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Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
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Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike
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First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
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Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
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Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B
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Your material is great! I got your New Altissimo Lesson 6 months ago and I have learned more from that than in all my 44 years of playing! I appreciate your down to earth teaching method and I really appreciate the heart that you teach with. I have been a subscriber to your lessons for the past 6 months and I have learned a great deal. Over that period of time I have had some questions and you have never failed to respond. Thanks! I have already recommended your lessons to a number of players in… Read more

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It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
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Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
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