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The Secret to Fast Jazz Articulation Lesson

The Secret to Fast Jazz Articulation Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 121 Category: Sax Tone Tags: jazz articulation, jazz sax, saxophone, tonguing, video lesson
  • Description
  • Reviews (1)
  • Lesson Sample

Description

In this lesson I reveal what is an amazing tip for fast jazz articulation. I am excited about this lesson because What I talk about in it is something that I recently discovered that I did while articulating fast jazz phrases. I talk in depth about what is called “Ghost Tonguing” and how it helps me to tongue and articulate fast jazz passages.  (Video & Audio)

1 review for The Secret to Fast Jazz Articulation Lesson

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    Rated 5 out of 5

    Ken Tyler – November 11, 2011

    Hi there Steve, I downloaded this video some time ago when I was working on my basic articulation. I found the Basic Jazz Articulation lessons really helpful at that time but its taken me a long time to really integrate those skills. Now that my basic articulation is improving I noticed that my bebop lines were sounding really clunky. This was the missing link! It’s a very powerful technique with loads of applications and it’s starting to help my lines sound better all over again. I find it difficult to do – when I think about it, everything else goes haywire but when I don’t think about it I forget to do it! Basic bebop themes are starting to sound right now – still not there but sounding more fluent. Like you, I noticed that I was already doing it without realizing on some tunes I know really well. I couldn’t find anything on ghost tonguing at all on the web, then this came up and I realized I already had it. It was too soon before for me to appreciate but now I realize what a great lesson this is. Thanks a lot for all your lessons and continuing inspiration – you’re a genius man!

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Lesson Sample

https://public.neffmusic.com/The%20Secret%20to%20Fast%20Jazz%20Articulation%20clip.mp4

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Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
Stephen
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick

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