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Modern Minor 6th Pentatonic Lines Lesson

Modern Minor 6th Pentatonic Lines Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

Category: Modern Improv Tags: jazz education, minor 6th pentatonics, modern jazz improvisation, pentatonics, video lessons
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  • Reviews (1)
  • Lesson Sample

Description

In Modern Minor 6th Pentatonic Lines Lesson,  I move past the concept of minor 6th penatonics (which I introduced you to in my Pentatonics-Lesson 2-Minor 6th Pentatonics Lesson) and give you 9 killer minor 6th pentatonic lines that I use often on dominant chords and minor chords.

These 9 lines are written out in all 12 keys and help to give the improviser a unique and modern sound. I show you how I practice these lines to a play along track on the soprano saxophone so you can hear how each line sounds at different speeds. I teach you the importance of not just memorizing each line but the technique of making it your own by repetition and changing it constantly while practicing.

The Minor 6th pentatonic is a must have tool for any serious student of modern jazz improvisation and this lesson gives you cool lines that you can’t find anywhere else! (31 minute video,12 PDF sheets in all 12 keys)

1 review for Modern Minor 6th Pentatonic Lines Lesson

  1. Avatar
    Rated 5 out of 5

    Niklas – September 2, 2015

    Hi

    This lesson was my first encounter with the minor 6th pentatonic scale. The lines in it gave me lots of inspiration to continue working on this pentatonic since its sound is very refreshing to me.
    I also feel that it lends itself very well to making up shape based patterns.
    In retrospective I can see that this material has had great impact on what I can do on e.g. a jazz blues where it fits excellently.
    Motivation is key and by picking only a few of the lines and apply them to a blues was very much fun also surprisingly effective changing my playing.

    I think that even if you are not inclined towards learning whole licks parts of the lines here are really generic and very nice to have under your fingers.

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Testimonials

Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
Tony

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete

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