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You are here: Home / Jazz Lessons / Modern Improv / Minor ii-7b5-V7b9 Substitution Lesson 1
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Minor ii-7b5-V7b9 Substitution Lesson 1

Minor ii-7b5-V7b9 Substitution Lesson 1

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

Category: Modern Improv Tags: chord substitutions, improvisation, jazz lesson, minor ii-V progressions, video
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  • Reviews (2)
  • Lesson Sample

Description

Here is another lesson on the dreaded minor ii-V-i progression.  In this lesson I show you 6 possible chord substitution ideas that you can use over a minor ii-V-i.

The first one is a trade secret that most intermediate jazz players do not even know about.  I did not know about it for probably 20 years and then when I found out it immediately improved my minor ii-V playing 100%.

Subtitutions 2-6 are more related to outside playing and altered tensions over the underlying chords.

I demonstrate all the examples on the soprano saxophone and have included a PDF and play along for you to practice these concepts over in concert D minor.(35 Minute Video Lesson, PDF of 6 substitutions to work on in concert D minor and a ii-V-i play along in concert D minor to practice over)

2 reviews for Minor ii-7b5-V7b9 Substitution Lesson 1

  1. Avatar
    Rated 5 out of 5

    soruyoavila (verified owner) – February 7, 2014

    Great! just amazing! God…if I just could play half of that! I will definetly start trying using this concepts on my playing.

  2. Avatar
    Rated 5 out of 5

    Merritt Smith (verified owner) – February 15, 2014

    Man this is really awesome. I got a lot out this one. I’ve been working on the diminished
    scale quite a bit trying to incorporate it more in my playing. This lesson was huge help because I could really focus on sounds I’ve been hearing but unable to articulate. Thanks for another great lesson Steve.

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Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
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I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
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I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
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It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
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I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

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Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
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