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You are here: Home / Jazz Books (PDF Downloads) / Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)
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Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)

Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$14.99

Category: Jazz Books (PDF Downloads) Tags: bebop scale, jazz improvisation, jazz method, licks, minor ii-7b5 V7b9, patterns, steve neff
  • Description
  • Reviews (2)

Description

“Mastering the Minor ii-7b5 V7b9 Bebop Scale” is a new approach to learning to play great jazz lines over a minor ii-V progression.  If you have worked out of my “Mastering the Dominant Bebop Scale” book, you know that the bebop scale and the “bebop links” that can be added to it can be a powerful tool that can be used to create great sounding lines using the language of the jazz greats from the past.
In this new book, I apply the principles of the bebop scale to a minor ii-7b5 V7b9 progression.   I start with a bebop scale for these chords that sounds great and teach you what notes to start on.  After that, I teach you 47 great bebop links to add to these scales.  These “bebop links” are short melodic ideas that sound great when added to the minor ii-7b5 V7b9 bebop scale.  They add melodic content to the jazz lines being improvised while creating new and fresh directions and textures.
Lastly, I show you 12 three note “resolution links” that can be added to the ends of your lines to help you resolve to the minor i chord.  These are great pieces of the jazz language that can be memorized so that you will never have a problem resolving your lines again.

Mastering the Minor ii-7b5 V7b9 Bebop Scale

Click for Demonstration Video

Like all my other books, this book is transposed into all 12 keys.  It also includes 24 play along tracks to practice along with in all 12 keys.  Lastly, I have included an overview video lesson that goes with this book to help you understand how to use each section for maximum benefits. (If you have bought a physical copy of this book and don’t have the play alongs or video lesson, feel free to contact me via my site at www.neffmusic.com and I can get them to you)
If you have already realized the benefits of the dominant and major bebop scales, you know that these concepts can give you an abundance of possibilities to use over major and dominant chords.  Now, these same concepts can finally be applied to minor ii-7b5 V7b9 progressions.  Work out of this book for a few months and you will always have an abundance of ideas and lines to pull from over these minor progressions.
I am very excited about this book and hope you enjoy it as much as I do.     Steve Neff
Included:
211 page PDF book in all 12 keys
24 Play Along Tracks
50 Minute Video Overview Lesson on the Book

2 reviews for Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)

  1. Avatar
    Rated 5 out of 5

    Paul Maine (verified owner) – March 5, 2018

    I have purchased all of Steve’s books and I have been waiting for his book on using a bebop scale over a minor II V I progression. I purchased my copy the day Steve announced his new book. The past couple of days I have been working on getting the new scale in my head and in my hands for just one minor two five. It really started getting interesting when I started adding Steve’s links to parts of the scale and then using his resolutions. I next pulled up backing tracks for Blue Bossa and tried just a few of the new things I’m learning from Steve’s book – I am now able to play some very cool lines over the minor two five changes!
    Steve also includes ( with the book purchase ) nice backing tracks to isolate all twelve keys and a video where he explains it all.

    If you would like to “up your game” on playing over the minor two five changes – this book is for you!

  2. Avatar
    Rated 5 out of 5

    Ali Afrookteh (verified owner) – April 3, 2018

    Over the years I have, like a lot of musicians, purchased a number of books, only to find them gathering dust on my shelf after a few weeks. The content is limited or requires a large amount of time to extract any useful information.

    Steve’s new book is definitely different. It is well written, easy to use (especially on iPads) and provides a great way to play through minor II V sequences. I am a regular gigging musician who has a full time day job, so practice time is tight. Steve’s book clearly explains a great way to structure your practice over changes that appear everywhere in the jazz repertoire. He gives you a method to individually craft your lines and add depth to your playing.

    Yes, you will have to put effort into this, but unlike a lot of jazz education materials, this one pays off in spades.

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By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil

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