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You are here: Home / Jazz Lessons / Bebop Scales / Mastering the Dominant Bebop Scale Lesson 7
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Mastering the Dominant Bebop Scale Lesson 7

Mastering the Dominant Bebop Scale Lesson 7

$9.99

SKU: 144 Category: Bebop Scales Tags: dominant bebop scale, fast jazz lines, jazz improvisation, video lesson
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Description

In this series of lessons I take you step by step through the process of mastering the dominant bebop scale. The dominant bebop scale is a vital ingredient to mastering the bebop style. I take you from the very beginning of learning the scales and how to practice them all the way through to adding bebop links to the scales as well as resolution links. In this 7th lesson we talk about  how to practice the scale starting on all the chord tones and traveling around the circle of 5ths using shapes that change direction. I teach you how to use these shapes and practice them for use in your soloing.The goal of this lesson series is for you too be completely comfortable with this scale in all keys and to have mastered dozens of bebop phrases and licks. By the end of this series your bebop language will be transformed. You will need my book “Mastering the Dominant Bebop Scale ” to get the most out of these lessons. Enjoy!   (Video & Audio)

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Lesson Sample

https://public.neffmusic.com/Mastering%20the%20Dominant%20Bebop%20Scale%20Lesson%207%20clip.mp4

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I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia
For anyone living in remote areas away from live jazz sax teachers, Neff is the way to go. In fact this is a great resource for anyone seriously interested in mastering the sax. I’ve never been disappointed in a lesson.
Oliver

Your material is great! I got your New Altissimo Lesson 6 months ago and I have learned more from that than in all my 44 years of playing! I appreciate your down to earth teaching method and I really appreciate the heart that you teach with. I have been a subscriber to your lessons for the past 6 months and I have learned a great deal. Over that period of time I have had some questions and you have never failed to respond. Thanks! I have already recommended your lessons to a number of players in… Read more

Michael Byington
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
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