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You are here: Home / Jazz Lessons / Bebop Scales / Mastering the Bebop Scale Review-Blues in All Keys Lesson 1
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Mastering the Bebop Scale Review-Blues in All Keys Lesson 1

Mastering the Bebop Scale Review-Blues in All Keys Lesson 1

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

Category: Bebop Scales Tags: 12 keys, bebop scale, blues, dominant chords, jazz education, video lesson
  • Description
  • Reviews (2)
  • Lesson Sample

Description

This is a new lesson series that I’m working on to review all the elements of the “Mastering the Dominant Bebop Scale Lesson Series” within a standard Blues progression. The goal of this series is to give a student a comprehensive way to review all that they have learned from my “Mastering the Dominant Bebop Scale” book and lesson series. We will be playing all the bebop scales to a simple 12 bar blues form that travels through all 12 keys. In future lessons we will also be using multiple bebop links as well as various resolution links to navigate through the blues progression in a cool way.

Using the blues in all 12 keys is a great way to master and review the elements of the bebop scale but also to master the form of the blues in all 12 keys. Review is so important to learning and retaining a concept that I thought it was important to give a follow up series for that purpose. This series is not for beginner players or those new to the bebop scale but for those who have worked through my book and already mastered many of the elements. This is a terrific way to further your mastery of the bebop scale concept as well as improving your technique and facility on your instrument.

In lesson 1, we are focusing on just playing the bebop scales to the blues progression by starting on the different chord tones. I show you how to vary your lines rhythmically and also how to make the exercises more simple or harder just by slowing down or speeding up your lines. As a side benefit, when you are done with this series, you will definitely have your standard blues progression down! The lesson comes with a play-along blues progression that travels through all 12 keys one chorus at a time. I have also provided a PDF of the progression to look at for Bb,Eb and C instruments if you need to. I demonstrate the different concepts with the play-along with my alto saxophone. (32 Minute Video Lesson, Blues in 12 keys play along, PDF of blues changes for C,Eb and Bb Instruments)

2 reviews for Mastering the Bebop Scale Review-Blues in All Keys Lesson 1

  1. Avatar
    Rated 5 out of 5

    Andy Geiger – August 6, 2014

    Dear Steve,

    I signed up for the gold coupon discount lesson series, and watched my first two today: Bebop Scales on the Blues and “Softly As In A Morning Sunrise”. I enjoyed both of them, and had a two hour blowing session learning “Softly…”. I know these lessons are going to be a big jump opportunity for me, especially if I practice!

    I am retired, and my passion is playing my tenor. I live in the country, so playing opportunities are slim, but I’m working on it.

    Thanks for the wonderful website and the great lessons.

    Andy Geiger

  2. Avatar
    Rated 5 out of 5

    Steve Nye (verified owner) – September 24, 2022

    Great job on this one – an enjoyable and challenging tool to work on fundamentals – elegant simplicity. I’ve been using this daily – definitely recommended!

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Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
I have NEVER seen material like yours.  Amazing!!
Jerry
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric

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