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You are here: Home / Sax Lessons / Sax Technique / Great Saxophone Technique-The Chromatic Scale Lesson 2
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Great Saxophone Technique-The Chromatic Scale Lesson 2

Great Saxophone Technique-The Chromatic Scale Lesson 2

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 172 Category: Sax Technique Tags: chromatic scale, practice habits, saxophone technique, video lesson
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  • Reviews (1)
  • Lesson Sample

Description

Many times my students will ask me how I can play so fast………..I always respond “Practice”.  In this lesson I take you through some exercises that I have student work through who need to learn the chromatic scale.  I take you through each step of the exercises and show you how to practice them from the very beginning and build up speed.  I also include many tips on playing them with good technique as well as how to use the metronome with them.  It is important to really get these fundamentals of a solid technique down so that later you will have fewer weaknesses in your playing.  I talk about the best alternate fingering to use and give you some “Inside” tips on how to develop the best hand position and finger movement.  I demonstrate everything on the tenor saxophone.  This is Lesson 2 of a 2 part lesson on the chromatic scale.  Enjoy!  (Video)

1 review for Great Saxophone Technique-The Chromatic Scale Lesson 2

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    Rated 5 out of 5

    Soruyo – February 10, 2011

    After working on this lesson as well as the first one for a couple of weeks you really feel control over your hands and fingers. Your instrument really responses when you want to. Working on this every day and making it part of your practice routine is something that shows benefits right away.

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Lesson Sample

https://public.neffmusic.com/Great%20Technique-The%20Chromatic%20Scale%20Lesson%202%20clip.mp4

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After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick

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