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You are here: Home / Jazz Lessons / Ear Training / Ear Training-Hearing Minor 7th Chords Lesson
Ear Training-Hearing Minor 7th Chords Lesson

Ear Training-Hearing Minor 7th Chords Lesson

$9.99

SKU: 210 Category: Ear Training Tags: ear training, hearing minor 7th chords, jazz improvisation, video lesson
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Description

Ear Training is one of the most important things to practice as a jazz musician.  It is of primary importance to train your ears to be able to hear different keys and chords.  In this lesson I take you through a half hour of drills to test your ability to figure out what minor 7th chords I am playing.  I also mix in Major 7th chords so that you can hear the difference.  This is a great lesson that you can play over and over again to get better at hearing the tonality of a chord and to help you figure out what major or minor scale to play over it. (33 Minute Video Lesson)

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Lesson Sample

https://public.neffmusic.com/Ear%20Training-Hearing%20Minor%207th%20Chords.mp4

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I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul

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Jean-Eric
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Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
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