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You are here: Home / Jazz Lessons / Blues Scales / Dominant Double Blues Scale Mastery Lesson
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Dominant Double Blues Scale Mastery Lesson

Dominant Double Blues Scale Mastery Lesson

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 185 Category: Blues Scales Tags: blues scale, jazz improvisation, tenor saxophone, video lesson
  • Description
  • Reviews (2)
  • Lesson Sample

Description

This is a pretty cool solo on how to use  what I call the double blues scales over a dominant tonality.  I go into detail on how use two blues scale over a dominant chord. For example, if you are playing over A7, I show you how to use the F# blues scale going up and the A blues scale coming down.  I also show you which notes to band and how to resolve the lines.  I have written out a PDF in each of the 12 keys with the blues scales on them.  Your job is to learn the lines, master the scales and develop some great blues licks of your own.  I demonstrate everything on my tenor sax.(Audio & Video)

2 reviews for Dominant Double Blues Scale Mastery Lesson

  1. Avatar
    Rated 5 out of 5

    Peter Rawlings – May 9, 2010

    I just watched your Dominant Double Blues lesson – it is very clear, and easy to understand. It’s such a simple concept, and yet it sounds so good when applied. Thank you very much. This is the first lesson of yours I’ve tried. I will definitely be back for more!
    best regards,
    Peter Rawlings

  2. Avatar
    Rated 5 out of 5

    Matt D. – July 6, 2010

    I absolutely love this lesson. I only had a chance to shed this for a couple of hours before I had to play at church yesterday and it has improved my playing already.

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Lesson Sample

https://public.neffmusic.com/Dominant%20Double%20Blues%20Scale%20Mastery%20clip.mp4

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I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric

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