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You are here: Home / Jazz Lessons / Dominant Blues Approach Note Mastery-Lesson 3
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Dominant Blues Approach Note Mastery-Lesson 3

Dominant Blues Approach Note Mastery-Lesson 3

$9.99

Categories: Approach Notes, Jazz Lessons Tags: 12 bar blues, approach notes, dominant chords, jazz improvisation, saxophone, video lesson
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Description

Dominant Blues Approach Note Mastery is a new series of lessons that takes a fresh approach to learning all of your dominant approach note lines and resolutions in all 12 keys over a standard 12 bar blues form.

In this series we will be applying the approach patterns and lines from my “Approach Note Velocity” books to a standard 12 bar blues progressions in all 12 keys. The goal of these lessons is for the student to master each of these approach patterns as well as learning how to apply these lines and jazz vocabulary to chord changes as you go.

I teach in depth about how to apply these lines to each chord in a standard 12 bar blues and the reasons behind each choice of approach note line. I demonstrate all the lines on the soprano saxophone and give you tips and ideas on how to best practice and eventually master them in all 12 keys.

Lesson 3 continues where lesson 1 and 2 let off with an approach note line that I feel gives the student a great tool to travel from chord tone to chord tone through any chord progression. This lesson works with the same approach line as lesson 1 and 2 but introduces a new twist to the line that gives the improviser the ability to jump and turn the line in different directions. In future lessons, we will be linking a variety of approach note lines to each other to create flowing running lines that weave in and out of the tonality to create interesting shapes and sounds over the chord changes of a 12 bar blues that can also be applied to a variety of standard chord progressions as well.

This will be a long series but I hope to add some elements to these lessons that will make learning the approach note lines a bit easier and more interesting along the way. (35 Minute Video Lesson, 4 PDF pages of approach note lines over a 12 bar blues, 3 play along tracks at 85, 110 and 140 bpm, chords progression PDF sheets of play along for concert, Bb and Eb instruments)

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Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul

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