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You are here: Home / Jazz Lessons / Bebop Scales / Dominant Bebop Scale Around the Circle Lesson
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Dominant Bebop Scale Around the Circle Lesson

Dominant Bebop Scale Around the Circle Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 015 Category: Bebop Scales Tags: bebop scale, circle of fifths, jazz improvisation, practice patterns, video lesson
  • Description
  • Reviews (1)
  • Lesson Sample

Description

The circle of fifths is a fundamental progression that is a must for every serious jazz student to master.  In the majority of jazz standards the chords move in this circle of fifth pattern.  C,F,Bb,Eb,Ab,etc…………..  Memorizing this pattern and being able to navigate it while improvising  is one of the most important things you can learn to do as a jazz student and improviser.  Once you master the circle of fifths, you can practice every pattern and concept through this pattern to make sure you can play it in every key.

In this lesson, I teach you how to practice the dominant bebop scale in every key by practicing around the circle of fifths. I take you through the process of how to create patterns and play them through every key.  This is a great method to learn all your keys as well as all your resolution links. By practicing in this way,  you will become fluent in every key while mastering the common circle of fifths so that you will never forget it.  I demonstrate everything throughout the lesson on the saxophone. This lesson also includes a pdf of 7 patterns as examples as well as a pdf of the circle of fifths for reference. (28 Minute Audio Lesson)

 

1 review for Dominant Bebop Scale Around the Circle Lesson

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    Rated 5 out of 5

    Sneeky Jones – July 16, 2009

    I enjoyed Neff’s Bebop scale around the 5ths lesson. This lesson picks up right where the original bebop lesson ends. Having the scale under my fingers, learning various ways to use links and create altered lines, now knowing the proper ways to practice this type stuff… it’s all coming together now! I just love how he gives us the outline on how to learn how to really improve. Why stop with just the circle of 5ths. I’ll remember this lesson, and incorporate it into my daily routine.

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Lesson Sample

https://public.neffmusic.com/DBS%20Around%20the%20Circle%20clip.mp4

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Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe

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