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You are here: Home / Jazz Lessons / Ear Training / Developing Relative Pitch-Lesson 3
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Developing Relative Pitch-Lesson 3

Developing Relative Pitch-Lesson 3

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 099 Category: Ear Training Tags: ear training, hearing, intervals, jazz improvisation, video lesson
  • Description
  • Reviews (1)
  • Lesson Sample

Description

If you have listened to any of my lessons so far you have probably realized that singing is not my strong point. Non the less it is an important and integral part of developing your ear. I have had many students over the years that were afraid to sing or did not want to. This is my best attemt to show you the benefits of singing and how it can improve your ear if you work on it. i give you specific things that you can work on as well as tips on how to practice them. I always tell students that my ear and voice has always been the biggest obstacle for me to overcome and if I can sing and hear certain things than anyone can    (Video)

1 review for Developing Relative Pitch-Lesson 3

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    Rated 5 out of 5

    Anon – February 10, 2011

    By the way, I really appreciate your singing. I was in a masters class last summer with Wycliff Gordon. He stressed the importance of singing. I told him I had a problem with this since I can not sing which he promptly sat down at the piano and played a line and asked me to sing it. I surprised myself, although not in tune, was able to get the idea across. Thanks for singing on your lessons, it helps support those who “can’t sing”.

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Lesson Sample

https://public.neffmusic.com/Developing%20Relative%20Pitch%20Lesson%203-Singing%20clip.mp4

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By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
Thanks so much for putting all this great learning material out there. I don’t often have the time to take a lesson with a teacher, so the ability to download lessons is really invaluable. My playing has improved enormously (I think :)) – and the lessons are so varied there’s always something to be inspired by. Incredible value too!
Roger
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric

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