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You are here: Home / Jazz Lessons / Ear Training / Developing Relative Pitch-Lesson 3
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Developing Relative Pitch-Lesson 3

Developing Relative Pitch-Lesson 3

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 099 Category: Ear Training Tags: ear training, hearing, intervals, jazz improvisation, video lesson
  • Description
  • Reviews (1)
  • Lesson Sample

Description

If you have listened to any of my lessons so far you have probably realized that singing is not my strong point. Non the less it is an important and integral part of developing your ear. I have had many students over the years that were afraid to sing or did not want to. This is my best attemt to show you the benefits of singing and how it can improve your ear if you work on it. i give you specific things that you can work on as well as tips on how to practice them. I always tell students that my ear and voice has always been the biggest obstacle for me to overcome and if I can sing and hear certain things than anyone can    (Video)

1 review for Developing Relative Pitch-Lesson 3

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    Rated 5 out of 5

    Anon – February 10, 2011

    By the way, I really appreciate your singing. I was in a masters class last summer with Wycliff Gordon. He stressed the importance of singing. I told him I had a problem with this since I can not sing which he promptly sat down at the piano and played a line and asked me to sing it. I surprised myself, although not in tune, was able to get the idea across. Thanks for singing on your lessons, it helps support those who “can’t sing”.

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Lesson Sample

https://public.neffmusic.com/Developing%20Relative%20Pitch%20Lesson%203-Singing%20clip.mp4

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Testimonials

I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee
I have NEVER seen material like yours.  Amazing!!
Jerry
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John

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