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You are here: Home / Jazz Books (PDF Downloads) / Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)
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Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)

Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)

Rated 5.00 out of 5 based on 4 customer ratings
(4 customer reviews)

$14.99

Category: Jazz Books (PDF Downloads) Tags: Berg, Brecker, dominant licks, jazz improvisation, lines, modern lines, pattern, saxophone
  • Description
  • Reviews (4)

Description

An inside approach to outside playing using pentatonics, chromaticism, 3-tonic systems, 4-tonic system, tri-tone substitutions, whole-tone scales, diminished scales, altered scales, melodic minor scales and intervallic patterns to produce modern sounding lines in the style of Michael Brecker and Bob Berg.  Devastating Dominant Lines contains 75 16th note lines written out in all 12 keys that can be used over dominant tonalities.  These lines give the student functional ideas that weave in and out of the tonality to produce a modern and “outside” sound. ( if you are interested in the printed book it can be found here.)

Devastating Dominant Lines for Jazz and Funk Soloing

This PDF book is 138 pages long and is written out in all 12 dominant keys.

Included with this book are:

A 2 Hour and 4 Minute Video Lesson-a video lesson about the book, how to best practice from it and me explaining the concept involved for each line in the book.  I demonstrate the concepts using the soprano saxophone to a dominant play along track…………

This book is an excellent resource for intermediate to advanced students of jazz improvisation and will help you to develop some great modern lines that will amaze you friends and make your competition shudder………..

The lines in this book are not for the faint of heart, it will take a lot of practice and hard work to get them down.  Don’t give up,  stay focused and you too can master these modern devastating lines to amaze your friends, family and fellow musicians…………..

Remember,  use the power and knowledge these lines give you for good, not evil.  In the wrong hands these could cause severe damage and even brain trauma.  Overused, and other musicians might become jealous of your “awesomeness” and you might never get called for the gig again.  Used to the right degree though, and your future will be bright.

Have Fun,    Steve

PS.  This is a huge file to download of 371.9 MBs so please download from a stable high speed internet connection for best results.

4 reviews for Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)

  1. Avatar
    Rated 5 out of 5

    Eddie (verified owner) – August 8, 2018

    Having so much fun with these lines, really opening my ears and mind. Fingers too! Thanks Steve

  2. Avatar
    Rated 5 out of 5

    Joff England (verified owner) – October 13, 2018

    Just got the digital version of Devastating Dominant Lines which comes with a great 2 hour video of Steve playing the whopping 75 examples (written in all 12 keys) and chatting about the genesis of these killer lines. Some are from Bob Berg lots from Brecker and Coltrane and some are Steve’s own creations. What I love about this book is that Steve includes the implied harmony that each line creates over a static dominant, this gives you a real insight into the creative process of inventing similar lines for yourself, but trust me, you’re going to find it hard to avoid stealing these as they are. If you’ve been working on your chord tones and modes and are wondering how to now step outside with integrity then you’re gonna love this book.

  3. Avatar
    Rated 5 out of 5

    Luciano Florio – May 29, 2020

    The book that changed my life! I started listening to the minor devastasting lessons, but when the book came out I didn’t doubt to purchase it… this book comes with infinite possibilities of combining great patterns and sounds that will change the way that you hear music forever… Now I can interpret the intricate lines of the word class saxophonists… one possibility that I would like to share is to combine the same link transposing it to different keys… thanks Steve!

  4. Avatar
    Rated 5 out of 5

    Mark White – July 3, 2022

    Steve, thanks for sharing your jazz language in your books. I love your books titled “Devastating Minor Lines” and “Devastating Dominant Lines”. I had to take several years off from being a musician so I could be a single parent. Now I’m back to playing and your books gave me some good inspiration. I am good at both reading music and playing by ear, so your books really speed up the process of increasing my vocabulary.

    I actually couldn’t remember some of my old vocabulary or I didn’t feel good about some of my old vocabulary. I couldn’t reconnect with some of my old vocabulary (if that makes sense). But I immediately connected with some of the vocabulary that you shared.

    I plan on doing a lot of recording soon and I will share with you when I realize I’m using some of your vocabulary. I find that I integrate your vocabulary with mine very easily. I find that I can blend my vocabulary with yours and that’s why it works so well for me. I actually already knew some of your interval vocabulary. I think we got some of it from “Patterns for Jazz”. I found that book very useful for some vocabulary. I also remember learning interval vocabulary from modern sax players, and I realized that it was easy to make up your own interval lines. Anyway, thanks for your help.

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Testimonials

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B

Your material is great! I got your New Altissimo Lesson 6 months ago and I have learned more from that than in all my 44 years of playing! I appreciate your down to earth teaching method and I really appreciate the heart that you teach with. I have been a subscriber to your lessons for the past 6 months and I have learned a great deal. Over that period of time I have had some questions and you have never failed to respond. Thanks! I have already recommended your lessons to a number of players in… Read more

Michael Byington

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton

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