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You are here: Home / Jazz Lessons / Bebop Scales / Connecting Dominant Bebop Lines-Lesson 1
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Connecting Dominant Bebop Lines-Lesson 1

Connecting Dominant Bebop Lines-Lesson 1

$9.99

SKU: 244 Category: Bebop Scales Tags: dominant bebop scale, jazz improvisation, saxophone, video lesson
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Description

This is a great lesson for those of you who have been working on the Major and Dominant Bebop Scale material.  One of the hardest things to get down in the study of these scales and links is connecting your lines from one chord to another. You could be sounding great playing over a C7 chord but when you get to the next chord you find yourself at a loss on how to connect the line you have created.  In this lesson I teach you a concept to help with that.  I show you how to connect your lines through the use of a 1/2 step chromatic approach to a chord tone of the next chord.  It’s a rather simple concept but takes some getting use to to implement in a flowing and relaxed way.   I show you how to practice this through the circle of fifths and how to choose the notes you want to approach.  I have been working on this myself over the past couple weeks and am excited to see the possibilities it allows.  Enjoy! (Audio,Video & PDF) (25 minutes)

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Lesson Sample

https://public.neffmusic.com/Connecting%20Dominant%20Bebop%20Lines-Lesson%201%20clip.mp4

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I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
I have NEVER seen material like yours.  Amazing!!
Jerry
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter

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