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You are here: Home / Jazz Lessons / Modern Improv / Chord Substitution Lesson 2-The Tritone Lesson
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Chord Substitution Lesson 2-The Tritone Lesson

Chord Substitution Lesson 2-The Tritone Lesson

$9.99

SKU: 196 Category: Modern Improv Tags: chord substitutions, modern jazz improvisation, tritone sub, video lesson
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Description

The tritone substitution refers to replacing a chord with another chord that is a tritone away.  A tritone is 3 whole steps ( or 6 half steps) away from the original chord.   For example, a tritone away from C is F#.  A tritone away from F# is back to C.  When we talk about tritone substitutions in this lesson we are talking about using this concept on the dominant chords.  On a ii-V-I progression like Dm7-G7-CMaj7 we would substitute Db7 for G7 to make the progression Dm7-Db7-Cmaj7 which creates a downward bass movement.  Sometimes this substitution will happen in the rhythm section but even if it doesn’t, it sounds really cool when a soloist uses it in their improvisation.

In this 2nd lesson on chord substitutions I teach you all about these tritone substitution.  I teach you how to think about this common substitution and use it in your jazz improv.  Once you master this concept you can  come up with some great lines that will sound hip and modern.  This lesson comes with a PDF sheet with some detailed lines using this concept.  I play all the examples on the soprano saxophone with a background so you can hear what they sound like. (31 Minute Video Lesson & PDF)

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Lesson Sample

https://public.neffmusic.com/Chord_Substitution_Lesson_2-Tritone.mp4

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I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
Two years later I began a search for a sax teacher and happened to come across Steve Neff when I was searching YouTube for sax teachers.  I went to neffmusic.com and was very impressed with the lessons Steve Neff was offering.  The concept of selecting lessons was an approach that I thought was unique and purchased a few lessons.  I liked the lessons so much that I signed-up for a 6 month package. I was very happy with all the lessons I selected.  I also purchased Steve’s book Mastering the B… Read more
Michael

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
I have NEVER seen material like yours.  Amazing!!
Jerry

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