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You are here: Home / Jazz Lessons / II-V-I Patterns / Best II-V-I Patterns Lesson 3
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Best II-V-I Patterns Lesson 3

Best II-V-I Patterns Lesson 3

$9.99

Category: II-V-I Patterns Tags: II-V-I, jazz improvisation, jazz patterns, saxophone, video lesson
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Description

The II-V-I progression is one of the most common progressions in jazz.  A number of years ago, I wrote my popular  “The Best II-V-I Patterns”  book.  This book is a collection of the best II-V-I patterns that I have come across in my 30 years of playing and teaching. While there has been much praise and accolades for the book since it’s release, many beginner and intermediate students have not understood how to work out of the book for the most benefit.  I have received many emails asking how to use the book to become a better improviser and jazz player. I released my “Best II-V-I Overview Lesson” to address many of these questions in a short 33 minute lesson but at this time, I feel it would be good to go into more depth with the book and how I study and teach out of it.

In this series of lessons, I show you exactly how I work out of the book myself as well as teach from it.  I cover all of the steps and tips that I can think of on how to best practice and master the material in the Best II-V-I Patterns Books. I play through each of the patterns in the book and then teach in depth about how to think about the patterns as well as the best ways to practice them. These are great companion lessons to my “Best Major II-V-I”  books.  I recommend getting the books in order to get the most out of these lessons.

I play examples 8-12 on the tenor saxophone. In lesson 3 of this series, I teach you the importance of learning a jazz vocabulary based off of II-V-I’s as well as tips and strategies to best learn from “The Best II-V-I Patterns”. I teach you the importance of learning to vary and change the patterns as you master them so that you can use them while improvising in a fluid and dynamic way.(35 Minute Video Lesson)

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Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter
Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
Tony
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric

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