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Beautiful Love Approach Note Lesson

Beautiful Love Approach Note Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 369 Category: Approach Notes Tags: approach notes, Beautiful Love, enclosures, jazz improvisation, leading tones, video lesson
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  • Reviews (1)
  • Lesson Sample

Description

This lessons idea originates from a skype lesson I had the other day. The student had practiced for many months from my “Approach Note Velocity” books and in the lesson we played “Beautiful Love”. I was surprised to not hear any of the approach note lines! When I talked to him about using them on this minor tune, he said it was hard to traverse the chords and he only used the approach note lines on static chords. I thought this would be a great lesson to do for this student as well as any others out there that are not sure how to use these over moving chords on a minor tune. In this lesson, I show you a simple but effective way to apply the E minor approaches to “Beautiful Love” without worrying about the chords. The approach note lines have a unique quality about them in that they are always moving and resolving. I show you how you can just open the book to the E minor section and go to town playing over a minor jazz tune. These lines sound so complex that even if you are not “nailing” the changes, it sounds like you are. To get the most out of this lesson, you will need my “Approach Note Velocity” book for minor keys. (34 minute video)

1 review for Beautiful Love Approach Note Lesson

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    Rated 5 out of 5

    miguel (verified owner) – July 23, 2014

    Hola
    por favor indiqueme como descargo Beautiful Love Approach Note Lesson.Ya lo he pagado.

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I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
Thanks so much for putting all this great learning material out there. I don’t often have the time to take a lesson with a teacher, so the ability to download lessons is really invaluable. My playing has improved enormously (I think :)) – and the lessons are so varied there’s always something to be inspired by. Incredible value too!
Roger
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray

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