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You are here: Home / Sax Lessons / Sax Articulation / Basic Jazz Articulation for the Saxophone Lesson 2
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Basic Jazz Articulation for the Saxophone Lesson 2

Basic Jazz Articulation for the Saxophone Lesson 2

$9.99

SKU: 119 Category: Sax Articulation Tags: articulation, sax lesson, saxophone, tonguing, video lesson
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Description

If you want to learn how to play jazz saxophone, you can’t afford to overlook this essential lesson. Proper Jazz Articulation is what makes your lines swing. If you’re just beginning to learn to play jazz, or perhaps you’re a self taught player who’s always struggled with getting your playing to sound authentic and convincing, this lesson will set you on the right path.

I start with the very basics and guide you through learning to swing, just as I would if you were sitting in the studio next to me. I talk you through the difference between playing in a classical style and playing swinging jazz. I demonstrate these ideas on my saxophone as I explain them, so you can hear exactly what proper jazz articulation sounds like as you learn to do it too. I talk about the most effective way to tongue, or articulate the notes, to achieve the proper swing feel.

This is a continuation of the “Basic Jazz Articulation” lesson.  I know from experience that it takes many students  quite a few lessons to nail down the concept of jazz articulation.  In this lesson I repeat some of the thoughts from lesson 1 as well as adding some new insights and a fresh perspective to the topic.  I demonstrate on Donna Lee on a Virtuoso tenor sax and JVW STM link.  Practice the ideas in this lesson with my lesson on Improving your Time and Improving your Swing with 2&4 and soon you’ll be playing with that authentic swing feel. (29 minute video)

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Lesson Sample

https://public.neffmusic.com/Basic%20Jazz%20Articulation%20Part%202%20clip.mp4

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Testimonials

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

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