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You are here: Home / Sax Lessons / Sax Articulation / Basic Jazz Articulation for the Saxophone Lesson 2
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Basic Jazz Articulation for the Saxophone Lesson 2

Basic Jazz Articulation for the Saxophone Lesson 2

$9.99

SKU: 119 Category: Sax Articulation Tags: articulation, sax lesson, saxophone, tonguing, video lesson
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Description

If you want to learn how to play jazz saxophone, you can’t afford to overlook this essential lesson. Proper Jazz Articulation is what makes your lines swing. If you’re just beginning to learn to play jazz, or perhaps you’re a self taught player who’s always struggled with getting your playing to sound authentic and convincing, this lesson will set you on the right path.

I start with the very basics and guide you through learning to swing, just as I would if you were sitting in the studio next to me. I talk you through the difference between playing in a classical style and playing swinging jazz. I demonstrate these ideas on my saxophone as I explain them, so you can hear exactly what proper jazz articulation sounds like as you learn to do it too. I talk about the most effective way to tongue, or articulate the notes, to achieve the proper swing feel.

This is a continuation of the “Basic Jazz Articulation” lesson.  I know from experience that it takes many students  quite a few lessons to nail down the concept of jazz articulation.  In this lesson I repeat some of the thoughts from lesson 1 as well as adding some new insights and a fresh perspective to the topic.  I demonstrate on Donna Lee on a Virtuoso tenor sax and JVW STM link.  Practice the ideas in this lesson with my lesson on Improving your Time and Improving your Swing with 2&4 and soon you’ll be playing with that authentic swing feel. (29 minute video)

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Lesson Sample

https://public.neffmusic.com/Basic%20Jazz%20Articulation%20Part%202%20clip.mp4

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Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert

Your material is great! I got your New Altissimo Lesson 6 months ago and I have learned more from that than in all my 44 years of playing! I appreciate your down to earth teaching method and I really appreciate the heart that you teach with. I have been a subscriber to your lessons for the past 6 months and I have learned a great deal. Over that period of time I have had some questions and you have never failed to respond. Thanks! I have already recommended your lessons to a number of players in… Read more

Michael Byington
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith

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