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You are here: Home / Jazz Lessons / Approach Notes / Autumn Leaves-Approach Note Velocity Combinations Lesson
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Autumn Leaves-Approach Note Velocity Combinations Lesson

Autumn Leaves-Approach Note Velocity Combinations Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 402 Category: Approach Notes Tags: approach notes, Autumn Leaves, jazz improvisation, saxophone, video lesson
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  • Reviews (1)
  • Lesson Sample

Description

In this lesson, I show you how to use my “Approach Note Velocity” book on a tune like “Autumn Leaves”.

I show you how to use the lines in the book in the keys of C Major and A Minor over “Autumn Leaves”.  Learning these lines and approaches can give the improviser a very modern and cool sound to their solos.  Instead of worrying about each chord and change, you can instead play lines in the key center of the tune you are improvising on.  By navigating between C Major and A minor you can create some great lines that sound hip and amazing.

This lesson comes with 2 play alongs for “Autumn Leaves” .  One is at 120 bpm to practice the lines slower and one is at 160bpm to practice them faster.

To get the most out of this lesson you will need my  book “Approach Note Velocity Vol.1 & 2” to get the most out of this lesson as it is not included.

I demonstrate all the lines from the book on the tenor saxophone. (28 Minute Video Lesson)

1 review for Autumn Leaves-Approach Note Velocity Combinations Lesson

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    Rated 5 out of 5

    Hugh – December 3, 2013

    I downloaded your lesson on using approaches over ‘Autumn Leaves’, and have watched it a couple of times. I think this lesson looks great: previously I have been practicing the combination over static chords, but this lesson has the advantage of applying them to IIVs, and makes you practice major and minor combinations together. I can see myself spending a lot of time with this
    .

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Testimonials

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)

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