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You are here: Home / Jazz Lessons / Approach Notes / Autumn Leaves-Approach Note Velocity Combinations Lesson
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Autumn Leaves-Approach Note Velocity Combinations Lesson

Autumn Leaves-Approach Note Velocity Combinations Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 402 Category: Approach Notes Tags: approach notes, Autumn Leaves, jazz improvisation, saxophone, video lesson
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  • Reviews (1)
  • Lesson Sample

Description

In this lesson, I show you how to use my “Approach Note Velocity” book on a tune like “Autumn Leaves”.

I show you how to use the lines in the book in the keys of C Major and A Minor over “Autumn Leaves”.  Learning these lines and approaches can give the improviser a very modern and cool sound to their solos.  Instead of worrying about each chord and change, you can instead play lines in the key center of the tune you are improvising on.  By navigating between C Major and A minor you can create some great lines that sound hip and amazing.

This lesson comes with 2 play alongs for “Autumn Leaves” .  One is at 120 bpm to practice the lines slower and one is at 160bpm to practice them faster.

To get the most out of this lesson you will need my  book “Approach Note Velocity Vol.1 & 2” to get the most out of this lesson as it is not included.

I demonstrate all the lines from the book on the tenor saxophone. (28 Minute Video Lesson)

1 review for Autumn Leaves-Approach Note Velocity Combinations Lesson

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    Rated 5 out of 5

    Hugh – December 3, 2013

    I downloaded your lesson on using approaches over ‘Autumn Leaves’, and have watched it a couple of times. I think this lesson looks great: previously I have been practicing the combination over static chords, but this lesson has the advantage of applying them to IIVs, and makes you practice major and minor combinations together. I can see myself spending a lot of time with this
    .

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Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward

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