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You are here: Home / Jazz Lessons / Approach Notes / Approach Note Freedom Intro Lesson
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Approach Note Freedom Intro Lesson

Approach Note Freedom Intro Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 091 Category: Approach Notes Tags: approach notes, jazz improvisation, jazz lines, video lesson
  • Description
  • Reviews (1)
  • Lesson Sample

Description

There is nothing cooler than having your approach notes mastered!  Back about 10 years ago, I had decided that I really needed to get my act together and start practicing again.  I decided to pick one main focus and to practice like crazy.  The area of jazz improvisation I picked was Approach Note patterns.   I wrote out every conceivable approach note pattern I could think of in the key  of C and started practicing.  Soon I found myself totally freed up and liberated from playing my old cliche lines and patterns.  I was playing new lines and ideas and my technique was better than ever……..

Out of that experience came my “Approach Note Velocity” books.  As I started giving online video lessons, I started receiving requests to do some lessons on this approach note concept.   This is a new series that I’m starting to teach how to work through the “Approach Note Velocity” material.  In this series I will take you step by step through the process in each lesson.   I have found that many students enjoy how the approach note concept sounds but when it comes to applying it to their playing it can be difficult.  This  will be a step by step lesson series where I walk you through the process of how to learn and integrate these concept into your own playing.  In order to get the most out of this series you will need the “Approach Note Velocity” books, Jamey Aebersold Vol. 24 “Major and Minor”and  Jamey Aebersold Vol. 21 “Getting it Together”.  This an introductory lesson where I talk about the concept and how the lessons will progress.  I demonstrate the materials on alto for this lesson.

In order to get the most out of these lessons you should  already have a good grasp of your scales and chord tones in all keys.  If you master the material within these lessons and books, you will find a freedom and dexterity throughout all 12 keys that you never had before.  (31 Minute Video Lesson)

1 review for Approach Note Freedom Intro Lesson

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    Rated 5 out of 5

    Gerardo Avila – February 3, 2010

    This is just what I´ve always dreamed about! Now I´m working on other lessons series, but as soon as I can begin with this ones I definitely will. Everything becomes so clear……thanks Steve!

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Lesson Sample

https://public.neffmusic.com/Approach%20Note%20Freedom%20Intro%20clip.mp4

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Testimonials

Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!

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