• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Alto Mouthpiece Reviews / Alto High Baffle Reviews / Absolute Color Line Alto Saxophone Mouthpiece Review

Absolute Color Line Alto Saxophone Mouthpiece Review

February 22, 2021 by Steve 2 Comments

Today, I am reviewing a new alto saxophone mouthpiece from Absolute mouthpieces in Italy.  This is neon yellow Absolute Color Line 7 alto saxophone mouthpiece.   These Absolute Color Line saxophone mouthpieces also come in neon blue as well as neon red as you can see in the photo below.

Absolute Color Line Neon Yellow, Neon Red and Neon Blue Alto Saxophone Mouthpiece

I have to admit that these neon color Absolute alto saxophone mouthpieces are really triggering my memories of playing with a “Lite Brite” when I was a little kid.  These mouthpiece have that same neon color as those magical pegs I used to proudly create works of glowing colored artwork with.

              

Absolute Color Line Neon Yellow Alto Saxophone Mouthpiece

Here is some more details from the Absolute website about the Absolute Color Line alto saxophone mouthpiece:

“We are pleased to present our brand new series of colored mouthpieces, with a truly beautiful image but not only … The material used is particularly resonant and the low roof and the middle chamber give excellent sound power while remaining very easy to manage and in tune. As always, they are machined with excellent quality CNC machines with equipment specially designed and manufactured by us for the perfect and delicate processing that these require. They are also all checked and finished perfectly by hand, with a perfectly flat table and a variety of openings (6-.075, 7-.085, 8-.095)

–Absolute Mouthpiece Website

Absolute Color Line Neon Yellow Alto Saxophone Mouthpiece

The Absolute Color Line alto saxophone mouthpiece looks really cool. It is translucent which means that light can pass through it and you can kind of see through the mouthpiece to a certain extent.

The mouthpiece is light in weight and I’m told that these mouthpieces are made of a cast acryllic called Plexyglass.  The are machined from solid bar stock of this material and then are checked and finished by hand.

The Absolute logo in engraved into the top of the mouthpiece body with ABSOLUTE and ITALY engraved on the shank of the mouthpiece.  The tip opening of 7 is engraved on the rear of the table of the mouthpiece.

Absolute Color Line Neon Yellow Alto Saxophone Mouthpiece

As you can see in the photos, the table and rails look flat and pretty even.  There are milling or cutting lines on the table and baffle area but the area feels pretty smooth to the touch.  The tip rail is not exactly even but it is close.  On the mouthpiece I am reviewing, the very top of the tip rail curve is a little thinner and flatter than the rest of the tip curve but it was still easy to line up reeds and did not affect playability that I could tell.

The baffle is what I would call a high baffle that has a bullet chamber cut into it at the end as it enters a small chamber.  The sidewalls are straight and the roof of the chamber area is pretty thick.

The beak of the mouthpiece is an average height and feels similar in height and shape to a typical Meyer alto saxophone mouthpiece beak to me.  I believe the body of the mouthpiece is a little bit thinner in diameter than a Meyer alto sax mouthpiece but the same alto sax ligatures that fit on a Meyer alto saxophone mouthpiece fit on the Absolute Color Line alto sax mouthpiece as well.

Absolute Color Line Neon Yellow Alto Saxophone Mouthpiece

The Absolute Color Line alto saxophone mouthpiece played incredibly well for me.  I was actually quite surprised by the tone and response it produced,  I have to be honest in writing that I thought this alto mouthpiece would be incredibly bright and edgy when I was first looking at it.  The baffle is high and the chamber is really small.  Those two elements combined usually make for a pretty loud, bright and edgy mouthpiece but that was not the case with this Absolute Color Line mouthpiece.

The 7 tip opening which is a .085 on the Absolute website did not feel at all like an .085 tip opening to me but maybe that is because of the higher baffle on this mouthpiece.  It played perfectly for me with a Roberto’s 2 1/2 medium reed.

Absolute Color Line Neon Yellow Alto Saxophone Mouthpiece

The Absolute Color Line alto saxophone mouthpiece was nothing like I thought it would be. It had a pleasantly light and delicate sound to it that had a bright round singing quality to it that I really loved.  The Absolute alto sax mouthpiece definitely is on the brighter side of the alto tone spectrum but the tone is more reminiscent of a brighter Paul Desmond kind of tone than a bright and edgy Dave Sanborn kind of tone.  I really dug the light beautiful tone of the Absolute Color Line mouthpiece.

In my mind, the main strength of this mouthpiece is it’s unique tone.  I’m not sure I have ever tried an alto mouthpiece with this particular kind of tone before which I found really unique.  Although the tone is brighter, it has a beauty to it that is easy and enjoyable to listen to in my opinion.  The smoothness and beauty of the tone almost make me want to play classical music with it which I start leaning towards during a few moments in the sound clips below.

The brightness of the tone while still being smooth makes me think this would be a great mouthpiece for smooth jazz sax playing also. I’m not sure this mouthpiece would be the best for really loud gigs where many alto sax player go for more of that overblown “Sanborn” alto tone.  I tried going for an overblown “Sanborn” kind of alto sound while practicing but it didn’t feel comfortable to me on this mouthpiece.  It felt like I couldn’t get all the air needed for that type of sound through the small opening of the chamber of the mouthpiece.

The intonation on the Absolute Color Line alto saxophone mouthpiece was very good in my opinion.  Usually high baffle alto mouthpiece can tend to make certain notes on my Selmer Reference 54 alto saxophone really sharp but that was not the case with this Absolute alto mouthpiece.

Another interesting fact about this mouthpiece is that I had to push it onto my cork almost to the end of the cork.  I was surprised by this because high baffle, small chamber mouthpieces will tend to play sharper and will need to be placed further out on the neck cork.  Not so with this mouthpiece.

Absolute Color Line Neon Yellow Alto Saxophone Mouthpiece

The Absolute alto saxophone mouthpiece was very smooth up and down the range of the saxophone.  The high notes were crisp and bright while still having a roundness to them I really liked.  The low notes were not as fat and rich as some other alto sax mouthpieces with larger chambers but the low notes came out surprisingly easy for a high baffled mouthpiece.

On the clips at the bottom of the review,  I tried to show a variety of different sounds that the Absolute alto sax mouthpiece could get when I was playing it.  As is my habit lately, I have added an additional clip with added reverb as well.  This is the same as the “no effects” clip but the added reverb gives you an idea of how the Absolute alto saxophone mouthpiece might sound in a hall, large room or recording studio with some reverb added to the sound.

Absolute Color Line Neon Yellow Alto Saxophone Mouthpiece

If you like the sound and look of the Absolute Color Line alto saxophone mouthpiece, you can order one of them from the Absolute website.  They are very reasonably priced at the time of this review and I would consider this mouthpiece a great option for any alto saxophone player that digs this kind of sound on the alto sax.

If you have played or end up playing a Absolute Color Line alto saxophone mouthpiece or have any other thoughts or comments about this review, I would love to hear what you think in the comments below.  Thanks,  Steve

*To hear the most detail from these clips it is best to listen to them from a computer with nice audio speakers or headphones rather than from an iPhone or laptop speakers.  It makes a world of difference!

https://cdn.neffmusic.com/2021/AbsoluteColor.mp3

Absolute Color Line Alto Saxophone Mouthpiece-Roberto’s 2 1/2 Medium Reed-No Effects

https://cdn.neffmusic.com/2021/AbsoluteColorReverb.mp3

Absolute Color Line Alto Saxophone Mouthpiece-Roberto’s 2 1/2 Medium Reed-Reverb Added

Disclosure:  I received the sample mouthpiece reviewed above for free in the hope that I would try it and perhaps review it on my blog. Regardless, I only review sax mouthpieces that I enjoy playing and believe will be good for other saxophone players to try also.     Steve

Filed Under: Alto High Baffle Reviews, Alto Mouthpiece Reviews, Mouthpiece Reviews Tagged With: Absolute, alto sax, Color Line, Italy, jazz saxophone, mouthpiece, neon yellow, review

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarAngelo - LI, NY says

    March 11, 2021 at 7:01 pm

    Since I can not read Italian can you tell your audience what the price is of this piece?
    Does it come with a cap or lig?
    Do they make Tenor or Soprano pieces?
    What is your opinions on this Absolute verses the Syos Alto pieces?

    Reply
    • SteveSteve says

      March 11, 2021 at 7:51 pm

      Angelo,
      At the top right on the Absolute website you can choose the language from Italian to English. The mouthpiece sells for 145 euros. That is 174 in US currency on the day that I am writing this comment. I’m not sure about cap and ligature. I am assuming it doesn’t because mine didn’t come with a cap and ligature and the Absolute page for the mouthpiece doesn’t say anything about a cap and ligature. I do see a color line for soprano and tenor on their website but have not tried those models.

      As far as the comparison to the Syos pieces you would have to look at my reviews and listen to the sound clips. I have done a number of reviews on different SYOS alto pieces and can’t compare them all to the Absolute. They are all different and as you can hear on the clips, they all play well for me. I personally like the colored acrylic smooth feel of the Absolute over the textured feel of the SYOS mouthpieces but it really has to do with what your preferences are. Hope this helps, Steve

      Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Steve Neff

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

For anyone living in remote areas away from live jazz sax teachers, Neff is the way to go. In fact this is a great resource for anyone seriously interested in mastering the sax. I’ve never been disappointed in a lesson.
Oliver

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
I have NEVER seen material like yours.  Amazing!!
Jerry
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray

Your material is great! I got your New Altissimo Lesson 6 months ago and I have learned more from that than in all my 44 years of playing! I appreciate your down to earth teaching method and I really appreciate the heart that you teach with. I have been a subscriber to your lessons for the past 6 months and I have learned a great deal. Over that period of time I have had some questions and you have never failed to respond. Thanks! I have already recommended your lessons to a number of players in… Read more

Michael Byington
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book) Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book) Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Playing Outside-4 Tonic Dominant b9 Pentatonics-Lesson 1 Playing Outside-4 Tonic Dominant b9 Pentatonics-Lesson 1
    Rated 5 out of 5
    by Stuart
  • Mastering Altered Pentatonics (Digital PDF Book) Mastering Altered Pentatonics (Digital PDF Book)
    Rated 5 out of 5
    by Jim Ramsey
  • Practicing Double-Time Licks Lesson Practicing Double-Time Licks Lesson
    Rated 5 out of 5
    by Az Samad
  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Sale! Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)

    Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)

    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
    Add to cart
  • Sale! Mastering Altered Pentatonics (Digital PDF Book)

    Mastering Altered Pentatonics (Digital PDF Book)

    Rated 4.75 out of 5
    $26.98 Original price was: $26.98.$14.99Current price is: $14.99.
    Add to cart
  • Mastering Major Diatonic Patterns (Digital PDF Book)

    Mastering Major Diatonic Patterns (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)

    Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Devastating Minor Lines for Jazz and Funk Soloing (Digital PDF Book)

    Devastating Minor Lines for Jazz and Funk Soloing (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson

    Creating Modern II-V-I Lines with Simple Pentatonics Lesson

    Rated 5.00 out of 5
    $9.99
    Add to cart
  • Mastering the Blues Scale Vol. 1-Minor Chords (Digital PDF Book)

    Mastering the Blues Scale Vol. 1-Minor Chords (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Blues Scale Vol. 2-Dominant Chords (Digital PDF Book)

    Mastering the Blues Scale Vol. 2-Dominant Chords (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Dominant Bebop Scale (Digital PDF Book)

    Mastering the Dominant Bebop Scale (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Dominant Bebop Scale-Book 2 (Digital PDF Book)

    Mastering the Dominant Bebop Scale-Book 2 (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Major Bebop Scale & Sound (Digital PDF Book)

    Mastering the Major Bebop Scale & Sound (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)

    Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • The Best Embouchure for Tone, Intonation and Endurance Lesson

    The Best Embouchure for Tone, Intonation and Endurance Lesson

    Rated 4.91 out of 5
    $9.99
    Add to cart
  • The Best Major II-V-I Patterns (Digital PDF Book)

    The Best Major II-V-I Patterns (Digital PDF Book)

    Rated 4.94 out of 5
    $14.99
    Add to cart
  • The Best Minor II-V-I Patterns (Digital PDF Book)

    The Best Minor II-V-I Patterns (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • The New Ultimate II-V-I Primer-Major Keys (Digital PDF Book)

    The New Ultimate II-V-I Primer-Major Keys (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart

Footer

Recent Comments

  • Atilla YILMAZ on Geller Blackbird Ebonite Tenor Saxophone Mouthpiece Review
  • Andrej Domazetovic on Will the Real Michael Brecker’s Sax Mouthpiece Please Stand Up?
  • Steve on Tenor Madness New EBII Tenor Mouthpiece Review
  • FILIPPO POLLICITA on Tenor Madness New EBII Tenor Mouthpiece Review
  • Steve on BetterSax Burnin’ Metal Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2026