RS Berkeley Legends Dexter Gordon Tenor Sax Mouthpiece

Today, I am reviewing another RS Berkeley Legends tenor saxophone mouthpiece that was sent to me by Les Silver at RS Berkeley.  RS Berkeley has come up with the revolutionary idea of trying to find mouthpieces that were played and loved by jazz legends (deceased and still living)………and then copying them exactly so that we could try an exact replica of the mouthpiece that one of our hero’s played.  It’s an exciting concept (yet very scary because if we play the exact mouthpiece our hero played and still sound like crap ……….well,  let’s just say it’s a wake up call……..)

I have previously reviewed two RS Berkeley Legend mouthpieces when they used to be made by Drake Mouthpieces (current RS Berkeley Legends mouthpieces are no longer made by Drake……….),  the Stan Getz model and the Bird model (Charlie Parker played this one……) This new one is the Dexter Gordon model.

RS Berkeley Legends Dexter Gordon Tenor Sax Mouthpiece

The first thing that amazed me about that Dexter Gordon model tenor sax mouthpiece is that it has a .080 tip opening!  This is quite small in relation to modern tenor saxophone tip sizes so I thought it was a mistake.   I emailed Les at RS Berkeley  to make sure this was correct and he said that the mouthpiece Dexter was playing that they copied was indeed a .080 tip opening.   WHAT!!!   Dexter with the hugest sound on the face of this earth was playing on a 5 tenor mouthpiece!!……….Impossible! (OK, maybe Dexter was just awesome!!!!)

Here is a snippet from the RS Berkeley website on the Legends mouthpieces:

“Legends Series mouthpieces are officially licensed reproductions modeled after the originals used by the world’s most iconic musicians. Production of the Legends Series line begins with and features 3D scanning and post processing services by Konica Minolta’s 3D Scanning Labs, state of the art laboratory.  Konica Minolta technicians take highly precise scan data, which captures the unique characteristics of each original mouthpiece, enabling them to match the exact geometry of the original. Once the scan is completed, the data is paired with specialized software to clean, align and create high quality CAD models. From an archival standpoint, Konica Minolta’s 3D scan models of the mouthpieces are exact representations of the original. The entire process is overseen by RS Berkeley’s master mouthpiece maker and designer, Jack Onque, who oversees every element of production from design to finishing, ensuring the highest quality and accuracy of each reproduction.”

RS Berkeley Legends Dexter Gordon Tenor Sax Mouthpiece

I took the Dexter Gordon model out of the shipping container and saw that it had signs of wear and tear.  I believe this was a prototype that they ship around to players so they can try it out.   It had a multitude of scratches and scuff marks on it as you can see from the pictures.

It has nice even side rails and a thin tip rail.   The Dexter Gordon model has a rollover baffle that slides down into what I would consider a large chamber.  The side rails are scooped out and the chamber is smooth with no imperfections.  The side of the mouthpiece is engraved with “DEXTER” in cursive engraving.

RS Berkeley Legends Dexter Gordon Tenor Sax Mouthpiece

How does the Dexter model play?  Well, I have to admit that my preconceived idea of it was that it just wouldn’t work for me.  I don’t think I have ever played an .080 tip on the tenor saxophone except when I reviewed the RS Berkeley Drake Stan Getz model  (which also was a pleasant surprise……).   You always hear stories of your heroes playing small tip size mouthpieces and think……..that’s impossible!  How did they get that huge sound on a  .080 tip? (admit it you have thought this…….)

The review of this mouthpiece wasn’t easy for me.  All of my reads are 2 1/2 and 3’s for the most part.  I tried a few of those and they played like a wet paper towel would. The 3 1/2’s  weren’t much better.  I had to dig down into the dark recesses of my reed reserves………….  I found a number of old Vandoren ZZ 4’s that I had from around 12 years ago.  I had to dig them out of my reed vault and clean the cobwebs off them.   I tried a couple and the third one was the charm.   This is the one I used on the recording and I felt it worked well with this mouthpiece.

RS Berkeley Legends Dexter Gordon Tenor Sax Mouthpiece

The first thing I was surprised by was the volume I could get out of this mouthpiece.     This was no pea shooter sounding mouthpiece.  I could get respectful volume out of it.   Even to the point of I dare say a “wailing” volume.  The highs had a nice brightness to them that rang out and the lows were fat and full.  I do think this recording is a great example of the focus and core a smaller tip opening can give to a sound.  To me, it has a nice  round core of compressed sound that is rich and powerful.  If you listen to my clips of more open mouthpiece I think you can hear that the tone is a little more spread and diffuse in comparison to this sound clip perhaps.  That’s my impression anyways.  Also, the altissimo notes were beautiful, sweet and round sounding which they usually aren’t on wider tip openings…..

The RS Berkeley Dexter Gordon Legends series tenor saxophone mouthpiece was great to play. If you like the sound of the clip below and the mouthpiece catches your interest then give it a try. You can contact Les Silver at his website at  Tell him Steve sent you………….Great work Les and everyone at RS Berkeley!!

Let me know what you think in the comments below. Thanks, Steve

RS Berkeley Legends Dexter Gordon Tenor Sax Mouthpiece

Steve About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for the last 30 years. He is the author of many effective jazz improvisation methods as well as founding the popular jazz video lesson site


  1. Great sound, Steve. Nice focus without rough edges. Was this done on your (regular) SELMER SBA tenor? That might explain the “focused” sound. Try it with a Conn 10M. The result might be different.
    Anyway the sound wasn’t too dark. Rounded focused sound good for traditional jazz.

    • Hi Adrian,
      Yes, that clip was done on my normal SBA. I used to have a great 10M years ago but sold it along the way………..

  2. Avatar Larry Gelberg says


    I can’t believe I just found your website. We briefly played together in a sax quartet with Patrick Osbourne like a decade ago. You sound great – thanks for the Dex mpc review. Glad to see things are going well for you.

    Hope to get to play with you again someday,

    • Larry, It’s good to hear from you. I remember playing with you guys. That was a lot of fun. I would love to play again but now I’m way up in northern Vermont about 3 hours from you……….. I hope things are going well and you’re still playing!!

  3. Hi Steve I found this interview Dexter did with Les Tomkins in the early 60’s-

    ‘Do I have more technique and facility now than in those earlier years? Yes, I think so. I’ve made very few changes in mouthpieces and reeds. During the time of “The Chase,” I had an Otto Link mouthpiece which had been made for me and I used that until it got stolen around ‘52 or so. That’s when I got the mouthpiece I have now. However, they’re both metal mouthpieces. So in the last 17 or 18 years or so I guess I’ve had just the two mouthpieces.I use a medium strength reed. I’ve been using a La Voz for several years. It’s made in California and I think it’s the best reed on the market myself. It’s pretty consistent……Actually this present mouthpiece of mine is relatively small. It’s just medium–size—a five–star. It’s been straightened out a little bit, but it’s not a big mouthpiece. It blows very free and gets a nice substantial sound. Most people are surprised because they think it’s a much larger mouthpiece than it is. They think it’s maybe an eight or nine or something like that, but it’s not. So that’s why I say it’s the projection that counts.’

    • Thanks James. I appreciate the quote from the interview and just found it online after you posted.

      One paragraph that is interesting that was left out of the quote above is:

      “I kinda feel sorry for guys that constantly go through the mouthpiece and reed scene. I wonder how they do it. It must be a real panic scene. Naturally the mouthpiece, the reed and the horn you use are all very essential, but basically your tone, your sound is inside of you. You hear it before you produce it. The real ingredient of the sound is within the individualthe way he hears things.”

      So I’m not sure what mouthpiece he is talking about that is a 5* but Dexter’s sound in the 60’s was killer and if he said he played on a 5* at least that is proof that it can be done on that smaller tip…………

  4. Hey Steve,

    DAYUM! This is as good as I have ever heard you. Sounds incredible. Is a switch to a .80 tip opening in your future? Jeff

    • Hi Jeff,
      Although it felt good to play it and I liked the sound a lot I think I will stick with my 7* tips. The true test is going out and using it on a gig……….

  5. Hi Steve,
    love reading your mouthpiece reviews, this is just interested to see what your favorite mouthpiece is.

    • Andrew,
      I’m sort of like Jay Leno with cars! He has a ton of cars that he collects and I have a ton of mouthpiece that I have. I don’t really have an over all favorite but I do have favorites in different categories. When you are dealing with well made mouthpieces I find that many can do the job and play great and they each have their own personality and strengths that I like. All a bit different and unique. Steve

  6. What I miss in this review is how Dexter played on his mouthpiece. As far as I know he played with his underlip not folded but wide open. That explains the typical rough Gordon sound. The tip of a mouthpiece is a very personal thing. I play with a very small tip opening since I was 12 and still cannot handle wider tips……..

    • Yes, that is true. I did a series of lessons on Dexter playing Lady Bird where I talk about the video of him playing and what it reveals……….If you do a search on the site for “The Style of Dexter Gordon” you should find it. Steve

  7. Avatar Cor Van der Mey says

    Thanks Steve, great!

    • If you don’t want to get the lesson or transcription just do a search on Youtube for Dexter and Lady Bird. The video is killin’ and shows close ups of his embouchure. Steve

  8. Avatar Cor Van der Mey says

    Thanks, it’s over obvious, I can’t play like that, you?

  9. Avatar JoseLuis Sandoval says

    Thank you, Steve, for bringing this mouthpiece to my attention. I love Dexter and need to try his model mouthpiece. I play a Berg Larsen 110/1M but it’s a bit bright, although I love the way it projects. The Dexter model will equal the projection and dim the brightness considerably. I’m going to contact Les Silver and try out the mouthpiece. Thanks again! Sky bless you!…

  10. Avatar Paul Schneidmill says

    Steve, thanks for the great review of LTD’s mouthpiece replication. I’m uncertain if you addressed the ligature you used with your set-up with your review and audio. Are you able to share that?


    Paul Schneidmill

  11. Hi Steve,
    on my strange looking finger placement: It is because of playing a Conn 10m which is not made for the “balanced action” of a jazz musician.
    Thanx for Your great idea of anylizing my style and share it.
    Keep on.

  12. Steve, I’ll be always with You all.
    at 17:23 to see my left hand finger placement on a Mark 6.

  13. Avatar per jonasson says

    Hi Steve!
    Dexter has been my greatest idol since I first started to listen to jazz, before I started to play sax myself. It’s hard to resist trying this mouthpiece! It’s quite expencive though, and I’m sort of happy with my current mouthpiece (Aizen LS Kurogane 8), but when I can’t resist any more, when my curiosity finally crushes my financial discipline (which I don’t have at all…) which one would you recommend me trying? The original one with the small opening 0.80″ or the more medium sized 0.100″ that is also availiable?
    What are the possible possitives and negatives whith a smaller opening?

    • I personally really dug the smaller tip opening. I also tried the .100 tip opening but did the review on the .080 because I liked it more. I felt like it had more of that focused Dexter vibe to the sound. The problem with a smaller tip opening is that you can only get so much air though the opening so volume might be an issue if you play in loud playing situations. At the same time, with a smaller tip you can usually play on harder reeds so many times you can get more volume from the harder reeds. Bottom line, you have to try it for yourself to find out if it will work for you. Steve

  14. Always love your reviews!

    I’ve got a question on small tips and soft reeds….

    What is it about your approach to embouchure that you find small tips needing much harder reeds?

    Are you biting or using a lot of lower lip pressure?

    Thanks Steve!

    • Swerdy, I wouldn’t say this is my approach but rather it is common among all sax players to experience this. If I play on a 7* tenor mouthpiece (.105) and use a 2 1/2 reed, that same reed will feel much softer on a 6 tip opening (.090). The reed is a lot closer to the tip rail and doesn’t have to bend as far to make contact with it which makes it easier to blow. Many times when I play a smaller tip a reed that is too soft, it will feel like a wet noodle. It will have no character to the sound and will be really bright and “blatty”. It will many times close up when I blow hard also. I don’t believe I bite or use too much lip pressure but my embouchure follows what I have been taught by the great sax teachers I have had over the years. Hope this answers your questions. Steve

  15. Hello Steve,
    There is a 7 tip available of the same mouthpiece available, ever tried that one?
    How can we be sure that this is an exact copy of the Dexter Gordon mouthpiece? I suppose it’s a copy of the Dukoff mouthpiece and not the Link he played on in the seventies?

    • Hi Leo, I only reviewed the .080 because that was the exact copy of the Dexter mouthpiece which was also at .080. Obviously the .100 is not an exact copy as far as tip opening and facing curve but I believe the chamber and baffle are the same as the original piece. I think RS Berkeley made this piece to attract more players that play in the .100-.105 range of tip opening. When you change the tip opening and facing curve you get a piece that plays differently than the original obviously. Not saying it is better or worse but just different. Steve

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