• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Saxophone Stuff / The “Reed Geek” Universal Reed Tool

The “Reed Geek” Universal Reed Tool

March 5, 2013 by Steve 4 Comments

Back in December, I was lucky enough to get a Reed Geek “Universal” Reed Tool to try out.  Anyone that has been to my house for lessons has probably noticed the shoe boxes on my shelves in my studio.  These shoe boxes are filled with every reed I have ever tried and not liked in the past 13 years.  I have never had a lot of patience with reeds.  If I  try a brand new one and it is too hard I throw it in the box.  If it is too soft…….throw it in the box.  Too stuffy…….in the box.  As you can imagine, I have quite a bit of money invested in these useless reeds……….

You may ask “Steve, why are you saving them?”  Well, the way I figure it, I will be  getting old someday.  By that point reeds will probably cost 15-20 bucks a reed.  I will be retired and on a fixed income  so I won’t have a lot of spare cash to buy reeds when ever I need them.  I also envision myself having a lot of time on my hands.  So…….while I sit at the beach figuring out what to do with my golden years, I will have all the time in the world to work on my thousands of bad reeds……….

Because I have never really had the patience for reed work, I have never invested in any tools for that purpose up until now.  Besides a reed clipper and some sandpaper,  the Reed Geek is the first reed working tool I have bought and have used.   When I first got it in the mail, I had no idea what it would look like.  When I opened the package I was a bit unimpressed.  There was a little plastic container and inside was what looked like a small long rectangle of metal.  I thought “This is it?”………as I examined the rectangle of metal, I could see that it had some curious and interesting edges on it in different places.  I was a bit skeptical that this thing could do anything but I pushed past those feelings and watched the videos from the Reed Geek website to learn how to use the Reed Geek. (I have provided the videos below for you to check out)

The first thing I tried to do was to flatten the back of a reed.  If you have visited my website before, you know that I love to play and review mouthpieces.  I play hundreds of mouthpieces every year!  When you play a mouthpiece, the reed conforms to the shape of that mouthpieces table and rails.  That’s fine if all you do is play on the same mouthpiece all day, but when you try to switch to a different mouthpiece and use the same reed it can be problematic.  Many times the reed will play horribly on the new mouthpiece.  Many times, it also won’t seal  when trying the suction test on it.  All of the reeds in my shoe boxes have been tried with some mouthpiece I have owned in the past so many of them won’t seal on a new mouthpiece.  This is where flattening the back of the reed comes in handy.  If you can flatten the back of the reed you then can play it on a new mouthpiece and it should work great.

I watched the video and tried scraping the reed back myself.  My first try was unsuccessful and the reed still would not play or get suction.  I figured I had not done it enough so I took the reed off and tried again more vigorously.  This time when I tried the reed it played great!  It got a good seal and I ended up playing it for another week afterwards.  This was a reed that I was ready to throw in the trash because it would not play at all.  I was very excited about this.   I have tried this procedure on  5 other reeds that were warped since then and it worked every time to make the reed playable for me.

GeekBannerVert. - red background

The “Reed Geek” Universal Reed Tool

The next video below shows you how to balance the heart of the reed.  I think this procedure takes a little more art and experience.  I have tried it a number of times and it does indeed get the reed playing better but………so far the reeds I have worked on seem softer to me when I play them afterwards.  I have to find that balance of how much to take off I think.  I also think it would be easier to work on harder reeds as they would become softer and then hopefully be perfect.

Here’s some information on the Reed Geek from the Reed Geek website:

The Most Simple and Effective Tool of its Kind

The ReedGeek® “Universal” Reed Tool was designed to help all woodwind players (both students and professionals),  adjust single and double reeds to achieve better reed performance more simply and accurately than any other reed tool on the market today. It has quickly become an industry leader and is used by the world’s top woodwind professionals.

Although simplistic in appearance, the ReedGeek® “Universal” Tool’s machining is anything but… Utilizing state of the art technology ReedGeeks are made from the highest grade true U.S. steel blends and are heat-treated and machined to tolerances closer than any reed tool available.

Experience the benefits of a truly flat reed

The ReedGeek® “Universal” Reed Tool enhances reed performance by rapidly and accurately flattening reed tables. Other methods for flattening reed tables, are less effective, take longer and produce less consistent results. Within 10 minutes of training, players will notice a dramatic improvement in efficiency (ease of sound production), sonic quality and responsiveness in their reeds. Users of the tool will find more “good” reeds in a box and the reeds will perform longer and more consistently over their lifetime. In effect, the tool more than pays for itself soon after purchase!

More than flattening… A True “Universal” Tool

With its proprietary true edge-retention technology and superior U.S. steel blends the ReedGeek rivals even the most expensive reed knives sold today, with no sharpening required and no dangerous knife blade to slice delicate fingertips. On this miracle bar all edges are created equal and can be used by both single and double reed players as one would use traditional knives to adjust and balance reeds.

The tip of the tool features a gentle proprietary radius that can be used for precision scraping, including balancing the tip, adjusting the heart or other fine adjustments. The radius allows single-point contact for scraping very precise areas of the reed quickly. On each side of the scraper blade, there is a blade designed specifically to adjust or modify the rails of the reed. These blades quickly define the desired rail profile.

 


Getting the best from your mouthpiece & reed…

The two main reasons for poorly performing reeds are:

1. Reed warpage

2. Imbalances at the tip and side-rails (see instruction page)

Most commercial reeds will have or develop lateral warpage of the reed table either from the factory or when the reed comes in contact with moisture. In this defective state, the reed will not seal correctly along the critical area of the mouthpiece. This area extends along the mouthpiece’s side rails to just below where the mouthpiece window and table meet. When the Reed Geek is properly used in daily reed maintenance and reed preparation, the reed and mouthpiece will perform much more cohesively as a unit.  This unit will have the reed positioned snugly against the mouthpieces’ table, side and tip rails creating a temporary vacuum.It is this vacuum and subsequent release (pop) that maximizes the vibration and response of both the reed and mouthpiece, contributing to improved tone quality, articulation, and control.

Newreedgeekpic2

The “Reed Geek” Universal Reed Tool

You can check out the videos below to get more information on the Reed Geek and how to use it.  I think it is a great tool that is small and efficient.  It can fit in your sax case easily and be there for you when you get those reeds in every box that refuse to work for you.  Check out the Reed Geek website for more information and to purchase one yourself.  Have fun working on all those reeds………….Steve

Reed Geek Overview with Dave Sanborn

Flattening the Back of a Reed Part 1

Flattening the Back of a Reed Part 2

Rail Adjustor Scrape Radius Tutorial

Filed Under: Saxophone Stuff Tagged With: clarinet reeds, Reed Geek, reed working tool, saxophone reeds

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarSheridan says

    March 8, 2013 at 11:32 pm

    Steve I also have one of these, hands down, best investment out there for any reed player. the hundreds of dollars saved by having this little investment is sooo worth it!

    Reply
  2. AvatarJerry says

    March 14, 2013 at 1:52 pm

    How can i get one of these?

    Reply
    • stevesteve says

      March 14, 2013 at 3:18 pm

      He sells them on ebay.

      Reply
  3. AvatarAndrew Bowie says

    April 5, 2013 at 4:13 pm

    A must have. Saves me a fortune in reed costs. I adjust a lot, so I need a good tool for this. Where it also scores is after playing a lot on a reed, you give it a gentle scrape both on the back and the front to remove accumulated gunge. This can have a remarkable effect on reed response. Buy one. I have had mine quite a long time and even though the edges are no longer quite as sharp, they still do the job as well as before.

    Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Steve Neff

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
Two years later I began a search for a sax teacher and happened to come across Steve Neff when I was searching YouTube for sax teachers.  I went to neffmusic.com and was very impressed with the lessons Steve Neff was offering.  The concept of selecting lessons was an approach that I thought was unique and purchased a few lessons.  I liked the lessons so much that I signed-up for a 6 month package. I was very happy with all the lessons I selected.  I also purchased Steve’s book Mastering the B… Read more
Michael
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book) Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book) Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Playing Outside-4 Tonic Dominant b9 Pentatonics-Lesson 1 Playing Outside-4 Tonic Dominant b9 Pentatonics-Lesson 1
    Rated 5 out of 5
    by Stuart
  • Mastering Altered Pentatonics (Digital PDF Book) Mastering Altered Pentatonics (Digital PDF Book)
    Rated 5 out of 5
    by Jim Ramsey
  • Practicing Double-Time Licks Lesson Practicing Double-Time Licks Lesson
    Rated 5 out of 5
    by Az Samad
  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Sale! Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)

    Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)

    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
    Add to cart
  • Sale! Mastering Altered Pentatonics (Digital PDF Book)

    Mastering Altered Pentatonics (Digital PDF Book)

    Rated 4.75 out of 5
    $26.98 Original price was: $26.98.$14.99Current price is: $14.99.
    Add to cart
  • Mastering Major Diatonic Patterns (Digital PDF Book)

    Mastering Major Diatonic Patterns (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)

    Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Devastating Minor Lines for Jazz and Funk Soloing (Digital PDF Book)

    Devastating Minor Lines for Jazz and Funk Soloing (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson

    Creating Modern II-V-I Lines with Simple Pentatonics Lesson

    Rated 5.00 out of 5
    $9.99
    Add to cart
  • Mastering the Blues Scale Vol. 1-Minor Chords (Digital PDF Book)

    Mastering the Blues Scale Vol. 1-Minor Chords (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Blues Scale Vol. 2-Dominant Chords (Digital PDF Book)

    Mastering the Blues Scale Vol. 2-Dominant Chords (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Dominant Bebop Scale (Digital PDF Book)

    Mastering the Dominant Bebop Scale (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Dominant Bebop Scale-Book 2 (Digital PDF Book)

    Mastering the Dominant Bebop Scale-Book 2 (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Major Bebop Scale & Sound (Digital PDF Book)

    Mastering the Major Bebop Scale & Sound (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)

    Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • The Best Embouchure for Tone, Intonation and Endurance Lesson

    The Best Embouchure for Tone, Intonation and Endurance Lesson

    Rated 4.91 out of 5
    $9.99
    Add to cart
  • The Best Major II-V-I Patterns (Digital PDF Book)

    The Best Major II-V-I Patterns (Digital PDF Book)

    Rated 4.94 out of 5
    $14.99
    Add to cart
  • The Best Minor II-V-I Patterns (Digital PDF Book)

    The Best Minor II-V-I Patterns (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • The New Ultimate II-V-I Primer-Major Keys (Digital PDF Book)

    The New Ultimate II-V-I Primer-Major Keys (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart

Footer

Recent Comments

  • Robbie on Rico Metalite M7 and M9 Tenor Saxophone Mouthpiece Review
  • Ferran on “My Favorite Things” Solo- Theo Wanne Gaia Soprano Mouthpiece
  • Stefano on Mouthpiece Cafe Bergonzi Slant Tenor Mouthpiece
  • Atilla YILMAZ on Geller Blackbird Ebonite Tenor Saxophone Mouthpiece Review
  • Andrej Domazetovic on Will the Real Michael Brecker’s Sax Mouthpiece Please Stand Up?

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2026