• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Soprano Mouthpiece Reviews / Theo Wanne Gaia Soprano Saxophone Mouthpiece

Theo Wanne Gaia Soprano Saxophone Mouthpiece

November 21, 2010 by Steve 12 Comments

Today, I have the Theo Wanne Gaia soprano saxophone mouthpiece up for review.  It is made of hard rubber and I believe it is a .065 tip opening ( that is what I had asked for……..the markings on the table say 7 x 113 but I have no idea what that means).  I have tried a bunch of Theo Wanne mouthpieces and all of them were excellent!  It is obvious that he has a high standard of quality when he produces them.  This soprano mouthpiece is no exception.  It came with the usual Theo Wanne packaging of a blue box with a picture of the mouthpiece on the outside. On the inside, is a leather zippered pouch that has the mouthpiece, liberty ligature, reed replacement cap,  an extra ligature plate and a screwdriver to replace the ligature plate with.

When I first opened the package my first thought was that this mouthpiece had a larger chamber.  I was a bit nervous when I saw this because I haven’t really dug large chambered soprano mouthpieces up to this date.  Some of them were good but just not my thing. I prefer the focused tone and projection of a small chambered soprano mouthpiece.   It was larger than my Selmer Soloist and Riffault mouthpieces but not as large as some of the other large chambered soprano mouthpieces I have tried.  I was curious to try it.

Theo Wanne Gaia Soprano Saxophone Mouthpiece

When I played it, I was surprised to find that my Vandoren Java 3 reed felt too soft on it. I have been using these on my Riffault soprano mouthpiece that is a .065 and they offer a nice resistance. On the Gaia they felt softer. I opened up a new one and put that on and it was a little better. If I buy one of these I think I might have to go with 3 1/2 Java reed.  From the moment I played it I loved it.  It has a focused sound that is midway between bright and dark but the bigger chamber gives it a nice fatness and thickness to the sound that I loved.  The baffle is a high rollover  which means that’s it’s high up near the tip and then rolls down into the chamber.  The rollover baffle gives the mouthpiece some nice punch and power.  The intonation is as perfect as I have seen on my Yamaha YSS-62 Soprano.  I was actually surprised how in tune it was.  Every note was right on.

I played it for 5 minutes before I recorded this clip and it was a joy to play. Very easy for me to play.  The low notes sound fat and kind of grainy to me which I love and the high notes are controlled, fat and thick sounding.  It’s a great mix of the full fat sound that projects and fills the room.   In this clip, I’m messing around with the changes to “There Will Never Be Another You”.  I felt right at home with this mouthpiece. I’m hoping I can buy this one I am trying. If not, I will be buying one soon enough. Great work Theo!  Check out www.theowanne.com to get one yourself and watch the video of Theo talking about this mouthpiece!

Audio Player

https://www.neffmusic.com/images/mp3/TWGaiaSoprano.mp3
00:00
00:00
00:00
Use Up/Down Arrow keys to increase or decrease volume.

Filed Under: Soprano Mouthpiece Reviews Tagged With: Gaia mouthpiece, large chamber, sax, soprano saxophone, Theo Wanne

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarGa ry says

    November 21, 2010 at 8:15 pm

    Sounds great! I also am using a Riffault soprano mouthpiece I have no idea what the tip size is ( it shows R-4 on the side) Thank you so much for the review

    Reply
  2. AvatarTarsis says

    November 21, 2010 at 9:45 pm

    WOW man, now I have to buy one of these….sweet, sweet sound.
    Great job on the changes too…as always.

    Reply
  3. AvatarDavid says

    November 25, 2010 at 6:13 am

    Very sweet sound, maybe a little nasal

    Reply
  4. AvatarNT says

    January 3, 2011 at 2:16 pm

    My guess would be that the 7 X 113 is a 7 tip opening (0.065) and 113 is a serial number. Just a guess on my part.

    By the way you sound great on the recording!!!
    NT

    Reply
  5. AvatarDayton Eckerson says

    April 4, 2011 at 8:41 am

    Great sound and really nice lines over those changes!

    Reply
  6. AvatarFrank Zona says

    October 13, 2012 at 1:07 pm

    Hey Steve

    Well I just received my Theo Gaia Soprano mpc (#7), you told me to drop you a line when it came in.

    Only played it for a few minutes and already the difference is profound !!

    The tone is awesome, it feels good in the mouth, response is fast and even in all registers. Even those pesky palm keys speak.

    I should have bought this over a year ago when it was a toss up between the Theo and a vintage Dukoff. I chose the Dukoff and here I am finally with the Theo. I even had the Dukoff worked on, which improved it but it’s no match for this Theo.

    What pushed me to make this purchase was seeing your video with your Theo on Soprano. So I thought, if Steve is playing it (and I know you try a lot of mpcs) it’s gotta be good !

    Now I have Theo’s on all my horns, Durga on Tenor, Kali on Alto and now this Gaia for Soprano.

    BTW, hope you are recovering well and thanks for all those lessons, they have really helped.

    Regards

    Frank Zona

    PS: Played it on the gig last night, (broke the rule of never bringing new equipment to a gig, lol). It really was a pleasure to play and even received great comments from my band. I ended up playing more Soprano than I normally do.
    As far as ratings it gets 5 stars across the board.

    Reply
  7. AvatarAngel says

    September 4, 2013 at 11:03 am

    Hi! I got a gaia 6 recently and was surprised at how easy it was to play. Maybe too bright at times and buzzy. I am playing it now with alexander superial #3 reeds. I would like to take out the buzz and some of the brightness too. Any recomendations?

    Reply
    • stevesteve says

      September 7, 2013 at 3:20 pm

      Angel, I have heard the Rico Select Jazz reeds are a bit darker in sound. I have one box for alto and they are darker than my Rigotti and Vandoren Java reeds.

      Reply
  8. AvatarDouglas Hachiya says

    March 11, 2016 at 2:40 am

    Steve

    What has been the darkest sounding soprano mouthpiece that you’ve played on?

    Reply
    • SteveSteve says

      March 18, 2016 at 10:20 am

      Doug,
      I’m not sure? In my mind I think they all had a similar amount of brights in the sound. I seem to remember do a review of a Morgan soprano mouthpiece that I thought was pretty dark. I seem to remember it having a big chamber I believe………… Steve

      Reply
  9. AvatarMelchi says

    May 17, 2018 at 3:29 pm

    Steve,

    What ligature(s) are you using with this mouthpiece? I just picked one of these up second hand from SOTW. I really like it, but the outer diameter is a bit narrower than any of my other soprano mouthpieces, and I haven’t been able to find a ligature that is small enough to fit it as tightly as I would like.

    Reply
    • SteveSteve says

      May 17, 2018 at 4:37 pm

      Hi Melchi, I say what ligature I am using on most of the reviews on the site right at the beginning of the recordings. On this, I am using the Theo Wanne Liberty ligature that came with the mouthpiece. Steve

      Reply

Leave a Reply to Tarsis Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

1 2 3 4 5
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
1 2 3 4 5
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul
1 2 3 4 5

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
1 2 3 4 5

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B
1 2 3 4 5
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
1 2 3 4 5
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John
1 2 3 4 5
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee
1 2 3 4 5
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
1 2 3 4 5
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
1 2 3 4 5

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony
1 2 3 4 5
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
1 2 3 4 5
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
1 2 3 4 5
I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
Stephen
1 2 3 4 5
I have NEVER seen material like yours.  Amazing!!
Jerry
1 2 3 4 5
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
1 2 3 4 5
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
1 2 3 4 5
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete
1 2 3 4 5
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella
1 2 3 4 5
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter
1 2 3 4 5

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
1 2 3 4 5

Your material is great! I got your New Altissimo Lesson 6 months ago and I have learned more from that than in all my 44 years of playing! I appreciate your down to earth teaching method and I really appreciate the heart that you teach with. I have been a subscriber to your lessons for the past 6 months and I have learned a great deal. Over that period of time I have had some questions and you have never failed to respond. Thanks! I have already recommended your lessons to a number of players in… Read more

Michael Byington
1 2 3 4 5
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob
1 2 3 4 5

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter
1 2 3 4 5
Two years later I began a search for a sax teacher and happened to come across Steve Neff when I was searching YouTube for sax teachers.  I went to neffmusic.com and was very impressed with the lessons Steve Neff was offering.  The concept of selecting lessons was an approach that I thought was unique and purchased a few lessons.  I liked the lessons so much that I signed-up for a 6 month package. I was very happy with all the lessons I selected.  I also purchased Steve’s book Mastering the B… Read more
Michael
Start
Stop
NextPrev

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland

Footer

Recent Comments

  • tuc on Can You Play Jazz on a Selmer S80 Classical Tenor Saxophone Mouthpiece?
  • Craig on Sax Mouthpiece Reviews and Morality
  • Ted on Otto Link LA Tenor Saxophone Mouthpiece Review
  • Arya Boustani on Otto Link Super Tone Master V 7* Tenor Saxophone Mouthpiece Review
  • Steve M on Otto Link Super Tone Master V 7* Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025