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You are here: Home / Sax Lessons / The Style of Michael Brecker-Lesson 9-Alternate Fingering Licks
The Style of Michael Brecker-Lesson 9-Alternate Fingering Licks

The Style of Michael Brecker-Lesson 9-Alternate Fingering Licks

$11.99

Categories: Sax Lessons, Sax Tone Tags: altered fingerings, false fingerings, lesson, Michael Brecker, overtones, saxophone, voicing
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  • Lesson Sample

Description

Michael Brecker blew my mind back in the mid eighties when I first heard a recording of him in my college dorm room.  The sounds I heard that day were like nothing  I had heard out of a saxophone up until that day.  Brecker’s use of altissimo, overtones, altered fingerings as well as his aggressively burning technique just floored me that day. I could not figure out how anyone could play this way on the saxophone!

Later that year, I went to a Steps Ahead concert in Buffalo NY in the hopes that if I saw Michael Brecker in person, that I could decipher what he was actually doing.  I remember being so excited to finally see him live. I watched him play the whole concert but I was sadly disappointed that I could not figure out what he was doing.  His fingers were just moving too fast!

Over the years I have figured out many of his classic altered finger licks but about a month ago, I decided to take a closer look at what he was doing with these licks.  I started finding videos on Youtube of the licks I thought sounded amazing and slowing them down to 1/4 the speed.  I found that I could more clearly see his fingers and hear the notes he was playing at this speed.

In this compilation of lessons, I share 11 killer Michael Brecker alternate fingering licks with you as well as a video lessons on each lick. I show you how to finger the alternate fingerings and what I think Brecker is doing. I demonstrate all 11 licks on the tenor saxophone and teach you what I need to do to be able to play these lines.  These licks are usually only for subscribers of the site but I thought I would give you all a chance to check them out.   I will be adding more of these types of licks as well as Killer Altissimo licks in the future.   I am excited to be learning these licks as well and have been learning something new from Michael everyday!   You can see some examples of these types of licks on this page.

I demonstrate all the concepts in this lesson on the tenor saxophone. (11 Video Lesson, 11 Looped Videos of Brecker playing the lick, 5 Videos of the PDFs of the licks)

Examples of some of the Licks covered in the lessons:

https://s3.amazonaws.com/cdn.neffmusic.com/2019/BreckerAltFingerLick11.mp4

Lick 11

https://s3.amazonaws.com/cdn.neffmusic.com/2019/BreckerAltFingerLick10.mp4

Lick 10

https://s3.amazonaws.com/cdn.neffmusic.com/2019/BreckerAltFingerLick8.mp4

Lick 8

https://s3.amazonaws.com/cdn.neffmusic.com/2019/BreckerAltFingerLick7.mp4

Lick 7

https://s3.amazonaws.com/cdn.neffmusic.com/2019/Brecker_Classic_Alt_Lick5.mp4

Lick 5

 

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Lesson Sample

https://public.neffmusic.com/BreckerAltFingerLick11LessonClip.mp4

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Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony
Two years later I began a search for a sax teacher and happened to come across Steve Neff when I was searching YouTube for sax teachers.  I went to neffmusic.com and was very impressed with the lessons Steve Neff was offering.  The concept of selecting lessons was an approach that I thought was unique and purchased a few lessons.  I liked the lessons so much that I signed-up for a 6 month package. I was very happy with all the lessons I selected.  I also purchased Steve’s book Mastering the B… Read more
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I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
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Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
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I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
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Thanks

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P
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

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