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You are here: Home / Jazz Lessons / Scale Studies / The Diminished Scale: Lesson 1
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The Diminished Scale: Lesson 1

The Diminished Scale: Lesson 1

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 045 Category: Scale Studies Tags: diminished scale, jazz improvisation, jazz theory, video lesson
  • Description
  • Reviews (2)
  • Lesson Sample

Description

The Diminished Scale is a fantastic sound that provides endless opportunities to the jazz musician. This is the scale that defined the post bebop era and is now an integral part of the jazz language. In this first introductory lesson on The Diminished scale, I teach you the 3 diminished Scales and show you how to utilize them over both diminished and dominant chords. I discuss various ways of conceptualizing the Diminished Scale, so that you can move on past simply trying to understand the scale and start getting this fantastic sound under your fingers and into your playing. I explain and demonstrate how the three Diminished Scales can be played in a variety of ways, from the patterns that all players utilize, to a more intervallic approach that will make sure you need never sound cliched.
I explain and play numerous examples for you as I discuss how I practice these scales over the different chords and use them on tunes. I show you how you can start to really get these scales down and how, by doing so, the whole language of modern jazz starts to make a lot more sense. When you understand and become proficient with the Diminished scale, all those Bird, Stitt and Coltrane solos start to make so much more sense. A command of the Diminished Scale will give your playing that hip, more mature sound you hear from all the great players. This lesson comes with a PDF sheet that includes the three Diminished Scales, as well as the various patterns and progressions I demonstrate. There’s enough material here to get you started and keep you going for quite a while as you discover a whole new world of sound.  (Audio & PDF)

2 reviews for The Diminished Scale: Lesson 1

  1. Avatar
    Rated 5 out of 5

    C.N. – April 4, 2009

    Steve! I have never been able to understand and get a hold of the diminished scale. Until now! Once again, your explanation, demonstrations, and pdf. file has cleared the way for me to develop my use of the diminished scale. You have the gift of Outstanding Performance and Superb Instruction! Thank you Steve! C.N.

  2. Avatar
    Rated 5 out of 5

    Jay Richardson – December 10, 2009

    Steve, I’ve purchased four of your lessons and have thoroughly enjoyed and learned from them. My schedule is hectic, but I’m able to listen to them while I travel and I’m about to order another. So far I’ve purchased:
    – II V I Licks
    – 1 Bar blues
    – Triadic Pairs 2×2 (Maj & min)
    – Diminished Scales

    Great stuff please keep it up!

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Lesson Sample

https://public.neffmusic.com/Diminished%20Scale%20Lesson%201%20clip.mp4

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Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton

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