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You are here: Home / Jazz Books (PDF Downloads) / Mastering the Blues Scale Vol. 2-Dominant Chords (Digital PDF Book)
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Mastering the Blues Scale Vol. 2-Dominant Chords (Digital PDF Book)

Mastering the Blues Scale Vol. 2-Dominant Chords (Digital PDF Book)

Rated 5.00 out of 5 based on 4 customer ratings
(4 customer reviews)

$14.99

Category: Jazz Books (PDF Downloads) Tags: blues scale, dominant chords, jazz improvisation, jazz saxophone, licks, patterns
  • Description
  • Reviews (4)

Description

“Just play the blues scale!” All across the country, you hear this advice given in every band room. Students sit with blank looks on their faces as band directors tell them to use this or that blues scale on their solo. The advice usually doesn’t go much further than that and many kids end up playing solos that they are less than happy about. What many of these students need is a jump start. A few examples of what to play and how to play it………..Here you go!

In Mastering the Blues Scale Volume 2, I demonstrate using the Blues Scale to create great blues licks you can use over dominant grooves on the blues, funk or rock and roll. I show you how to go about getting your blues vocabulary together as you greatly improve your technique with these essential blues licks and scales. Play along with this book at your own pace, as you learn hundreds of great sounding and easily adaptable blues licks and patterns in all 12 keys. Playing these patterns is a fun and exciting way to make that transition from knowing the Blues Scale, to actually having it in your ears and under your fingers.

These blues licks combine many of the idiomatic sequences, intervals and finger patterns, you really need to have down, if you want to get burning on the blues scale. If you are stuck playing your blues scales straight up and down, practicing these licks will soon have you playing with the technique and flexibility required to be able to play what you hear.

Mastering the Blues Scale Volume 2 Dominant Chords has 127 great blues licks in all 12 keys. It is a PDF file that you can download immediately so you can get to work. I have also included two sample mp3’s of the G7 lines in the book. One for alto sax and one for the tenor sax. The alto track is 29 minutes long and the tenor is 24 minutes long. I have had many requests for audio samples that students can listen to as they work on the book. I think these will be a real benefit for those who want to hear how I play the licks and play along with me.

https://www.neffmusic.com/images/mp3/Blues%20Book%20mix%20demo.mp3

Here is a mixed sample of the alto and tenor mp3.

Thanks,

Steve Neff

This book is a pdf file and can be opened and printed immediately after you download it. The exercises are written in all 12 keys and are great concepts for any musician involved in jazz improvisation. 2 mp3’s are provided for alto and tenor saxophone of all 127 licks in the key of G7.

4 reviews for Mastering the Blues Scale Vol. 2-Dominant Chords (Digital PDF Book)

  1. Avatar
    Rated 5 out of 5

    Paul Maine – March 18, 2012

    I have often been told that the blues scale and its close cousin the minor pentatonic scales were the money scales. I currently live in Austin Texas and Austin calls itself the live music capital of the world. I’m currently gigging with a jazz band and three other bands that includes a lot of blues tunes. I get far fewer jazz gigs than I get blues gigs so my experience bears out my money scale comment. I get to play with many other horn players in town and most of them use the same old tired minor blues scale and every solo sounds pretty much the same. You get the idea – boring. In the past I have purchased some Blues method books but have been generally disappointed with them – until now. I have found many of Steve’s other books very helpful so I wanted to give his new “Mastering the Blues Scale Volume 2: Dominant Chords” book a try.

    The book contains 127 Blues Licks in all 12 keys and uses a hybrid scale that includes both the major and minor blues scales. The licks are super cool and includes licks for beginners through the expert level. Most of the licks sound even cooler if the are double timed. I have been playing through the licks and internalizing them. When I’m at I gig I am not thinking – I going to play Neff Blues Lick 42. I am however internalizing the licks I like the best and then I can call upon them as part of my subconscious and it has really improved my soloing and has got me out of the minor blues scale rut that so many are trapped in.

    In summary, this is a very practical book to improve your blues chops.

    Thanks again Steve for another wonderful book!

  2. Avatar
    Rated 5 out of 5

    steve – March 23, 2012

    Steve, just a brief note to let you know how much I am enjoying mastering the major blues vol 2. I found it fairly easy to read,and challenging. I am 66 and having been playing Tenor (amateur) forever, and for the first time, I am actually creating solos using your book as a base. I play in a local classic rock band in upstate NY, and my band mates have all noticed the difference. Although i have taken lessons, unfortunately, I don’t have the right amount of time, Your book is perfect for me.
    I know I will be contacting you for my next “phase” . Thank you sincerely for putting the musical zip back into my life!

  3. Avatar
    Rated 5 out of 5

    Paul (verified owner) – November 13, 2014

    Hi, I purchased your product because of how real and sincere you are. Plus, your materials are so well organized and thought out. And the licks are melodic and creative. The only book I’d ever found that was helpful in terms of building vocabulary is the Lennie Niehaus blues volume. You’re in good company.

    I was touched by the story of your health. I’m glad you’re doing well!

    • Steve

      Steve – November 13, 2014

      Thanks Paul. I hope you get a lot from the book! If you have any questions feel free to ask. Thanks, Steve

  4. Avatar
    Rated 5 out of 5

    Peters – October 7, 2016

    In love with this

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Testimonials

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.

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