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You are here: Home / Jazz Books (PDF Downloads) / Mastering the Blues Scale Vol. 2-Dominant Chords (Digital PDF Book)
Mastering the Blues Scale Vol. 2-Dominant Chords (Digital PDF Book)

Mastering the Blues Scale Vol. 2-Dominant Chords (Digital PDF Book)

Rated 5.00 out of 5 based on 4 customer ratings
(4 customer reviews)

$14.99

Category: Jazz Books (PDF Downloads) Tags: blues scale, dominant chords, jazz improvisation, jazz saxophone, licks, patterns
  • Description
  • Reviews (4)

Description

“Just play the blues scale!” All across the country, you hear this advice given in every band room. Students sit with blank looks on their faces as band directors tell them to use this or that blues scale on their solo. The advice usually doesn’t go much further than that and many kids end up playing solos that they are less than happy about. What many of these students need is a jump start. A few examples of what to play and how to play it………..Here you go!

In Mastering the Blues Scale Volume 2, I demonstrate using the Blues Scale to create great blues licks you can use over dominant grooves on the blues, funk or rock and roll. I show you how to go about getting your blues vocabulary together as you greatly improve your technique with these essential blues licks and scales. Play along with this book at your own pace, as you learn hundreds of great sounding and easily adaptable blues licks and patterns in all 12 keys. Playing these patterns is a fun and exciting way to make that transition from knowing the Blues Scale, to actually having it in your ears and under your fingers.

These blues licks combine many of the idiomatic sequences, intervals and finger patterns, you really need to have down, if you want to get burning on the blues scale. If you are stuck playing your blues scales straight up and down, practicing these licks will soon have you playing with the technique and flexibility required to be able to play what you hear.

Mastering the Blues Scale Volume 2 Dominant Chords has 127 great blues licks in all 12 keys. It is a PDF file that you can download immediately so you can get to work. I have also included two sample mp3’s of the G7 lines in the book. One for alto sax and one for the tenor sax. The alto track is 29 minutes long and the tenor is 24 minutes long. I have had many requests for audio samples that students can listen to as they work on the book. I think these will be a real benefit for those who want to hear how I play the licks and play along with me.

https://www.neffmusic.com/images/mp3/Blues%20Book%20mix%20demo.mp3

Here is a mixed sample of the alto and tenor mp3.

Thanks,

Steve Neff

This book is a pdf file and can be opened and printed immediately after you download it. The exercises are written in all 12 keys and are great concepts for any musician involved in jazz improvisation. 2 mp3’s are provided for alto and tenor saxophone of all 127 licks in the key of G7.

4 reviews for Mastering the Blues Scale Vol. 2-Dominant Chords (Digital PDF Book)

  1. Avatar
    Rated 5 out of 5

    Paul Maine – March 18, 2012

    I have often been told that the blues scale and its close cousin the minor pentatonic scales were the money scales. I currently live in Austin Texas and Austin calls itself the live music capital of the world. I’m currently gigging with a jazz band and three other bands that includes a lot of blues tunes. I get far fewer jazz gigs than I get blues gigs so my experience bears out my money scale comment. I get to play with many other horn players in town and most of them use the same old tired minor blues scale and every solo sounds pretty much the same. You get the idea – boring. In the past I have purchased some Blues method books but have been generally disappointed with them – until now. I have found many of Steve’s other books very helpful so I wanted to give his new “Mastering the Blues Scale Volume 2: Dominant Chords” book a try.

    The book contains 127 Blues Licks in all 12 keys and uses a hybrid scale that includes both the major and minor blues scales. The licks are super cool and includes licks for beginners through the expert level. Most of the licks sound even cooler if the are double timed. I have been playing through the licks and internalizing them. When I’m at I gig I am not thinking – I going to play Neff Blues Lick 42. I am however internalizing the licks I like the best and then I can call upon them as part of my subconscious and it has really improved my soloing and has got me out of the minor blues scale rut that so many are trapped in.

    In summary, this is a very practical book to improve your blues chops.

    Thanks again Steve for another wonderful book!

  2. Avatar
    Rated 5 out of 5

    steve – March 23, 2012

    Steve, just a brief note to let you know how much I am enjoying mastering the major blues vol 2. I found it fairly easy to read,and challenging. I am 66 and having been playing Tenor (amateur) forever, and for the first time, I am actually creating solos using your book as a base. I play in a local classic rock band in upstate NY, and my band mates have all noticed the difference. Although i have taken lessons, unfortunately, I don’t have the right amount of time, Your book is perfect for me.
    I know I will be contacting you for my next “phase” . Thank you sincerely for putting the musical zip back into my life!

  3. Avatar
    Rated 5 out of 5

    Paul (verified owner) – November 13, 2014

    Hi, I purchased your product because of how real and sincere you are. Plus, your materials are so well organized and thought out. And the licks are melodic and creative. The only book I’d ever found that was helpful in terms of building vocabulary is the Lennie Niehaus blues volume. You’re in good company.

    I was touched by the story of your health. I’m glad you’re doing well!

    • Steve

      Steve – November 13, 2014

      Thanks Paul. I hope you get a lot from the book! If you have any questions feel free to ask. Thanks, Steve

  4. Avatar
    Rated 5 out of 5

    Peters – October 7, 2016

    In love with this

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Testimonials

Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray

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