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You are here: Home / Jazz Lessons / Ear Training / Developing Relative Pitch-Lesson 3

Developing Relative Pitch-Lesson 3

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 099 Category: Ear Training Tags: ear training, hearing, intervals, jazz improvisation, video lesson
  • Description
  • Reviews (1)
  • Lesson Sample

Description

If you have listened to any of my lessons so far you have probably realized that singing is not my strong point. Non the less it is an important and integral part of developing your ear. I have had many students over the years that were afraid to sing or did not want to. This is my best attemt to show you the benefits of singing and how it can improve your ear if you work on it. i give you specific things that you can work on as well as tips on how to practice them. I always tell students that my ear and voice has always been the biggest obstacle for me to overcome and if I can sing and hear certain things than anyone can    (Video)

1 review for Developing Relative Pitch-Lesson 3

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    Rated 5 out of 5

    Anon – February 10, 2011

    By the way, I really appreciate your singing. I was in a masters class last summer with Wycliff Gordon. He stressed the importance of singing. I told him I had a problem with this since I can not sing which he promptly sat down at the piano and played a line and asked me to sing it. I surprised myself, although not in tune, was able to get the idea across. Thanks for singing on your lessons, it helps support those who “can’t sing”.

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Lesson Sample

https://public.neffmusic.com/Developing%20Relative%20Pitch%20Lesson%203-Singing%20clip.mp4

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Testimonials

Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre

Your material is great! I got your New Altissimo Lesson 6 months ago and I have learned more from that than in all my 44 years of playing! I appreciate your down to earth teaching method and I really appreciate the heart that you teach with. I have been a subscriber to your lessons for the past 6 months and I have learned a great deal. Over that period of time I have had some questions and you have never failed to respond. Thanks! I have already recommended your lessons to a number of players in… Read more

Michael Byington

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John

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