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You are here: Home / Jazz Lessons / Approach Notes / Autumn Leaves-Approach Note Velocity Combinations Lesson

Autumn Leaves-Approach Note Velocity Combinations Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 402 Category: Approach Notes Tags: approach notes, Autumn Leaves, jazz improvisation, saxophone, video lesson
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  • Reviews (1)
  • Lesson Sample

Description

In this lesson, I show you how to use my “Approach Note Velocity” book on a tune like “Autumn Leaves”.

I show you how to use the lines in the book in the keys of C Major and A Minor over “Autumn Leaves”.  Learning these lines and approaches can give the improviser a very modern and cool sound to their solos.  Instead of worrying about each chord and change, you can instead play lines in the key center of the tune you are improvising on.  By navigating between C Major and A minor you can create some great lines that sound hip and amazing.

This lesson comes with 2 play alongs for “Autumn Leaves” .  One is at 120 bpm to practice the lines slower and one is at 160bpm to practice them faster.

To get the most out of this lesson you will need my  book “Approach Note Velocity Vol.1 & 2” to get the most out of this lesson as it is not included.

I demonstrate all the lines from the book on the tenor saxophone. (28 Minute Video Lesson)

1 review for Autumn Leaves-Approach Note Velocity Combinations Lesson

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    Rated 5 out of 5

    Hugh – December 3, 2013

    I downloaded your lesson on using approaches over ‘Autumn Leaves’, and have watched it a couple of times. I think this lesson looks great: previously I have been practicing the combination over static chords, but this lesson has the advantage of applying them to IIVs, and makes you practice major and minor combinations together. I can see myself spending a lot of time with this
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I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
Thanks so much for putting all this great learning material out there. I don’t often have the time to take a lesson with a teacher, so the ability to download lessons is really invaluable. My playing has improved enormously (I think :)) – and the lessons are so varied there’s always something to be inspired by. Incredible value too!
Roger
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete

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