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You are here: Home / Jazz Lessons / Adding 9ths and 13ths to your Solos Lesson

Adding 9ths and 13ths to your Solos Lesson

$9.99

Categories: Chord Studies, Jazz Lessons Tags: adding 9ths and 13ths, jazz improvisation, saxophone, video lesson
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  • Lesson Sample

Description

In this lesson, I teach you how to start applying 9ths and 13ths to your jazz improvisations. The 9th and 13th of major, minor and dominant chords are great notes that can really open up the possibilities you have to create melodic lines and more interesting solos. These notes give you more harmonic colors to play with and utilize that will make your solos more interesting and compelling.

I give you a PDF with 16 great sounding melodic ideas involving the 9th and 13th in the lines. I teach you how to best practice this material in all 12 keys as well as major 7th, minor 7th and dominant 7th chords.

I demonstrate the concepts in this lesson on the tenor saxophone to chords played on the piano as well as a Giant Steps play along track and give you many tips on how to best practice these 9th and 13th lines. (PDF of 16 great sounding melodic ideas with the 9th and 13th in C major, 36 Minute Video Lesson)

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Lesson Sample

https://public.neffmusic.com/Adding_9ths_and_13ths_to_your_Solos_Lesson_Clip.mp4

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Testimonials

I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul

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