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You are here: Home / Jazz Lessons / 4 Note Groupings / 4 Note Groupings Lesson 1

4 Note Groupings Lesson 1

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SKU: 272 Category: 4 Note Groupings Tags: 4 note groupings, jazz improvisation, video lesson
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Most jazz improvisation teachers will teach on 4 note groupings at one point or another.  I had a few teachers as I was growing up that taught me this way.  I remember studying out of “Patterns for Jazz” when I was a kid and working on 4 note groupings in every key.  I also studied it with the great jazz improvisation teacher Jerry Bergonzi as well as learning about them at Berklee.

To be honest, every time I studied this method when I was younger, I hated it.  It wasn’t until years later, as I look back, that I realize the great benefit that these studies had for me.  In this video series,  I will try to teach you this concept in a way that is appealing and understandable.

In this first lesson on 4 note grouping, I focus on taking a simple 4 notes from a chord and showing you all 96 permutations of these 4 notes.  I talk about how I went about choosing which of these I worked on by playing them and judging them on there melodic strength (this is subjective).  I show you how to work through the patterns and how to pick out the best ones for you.  I also stress the importance of thinking of these as melodic fragments rather than number patterns (which was my mistake when I was younger)

This is the first lesson in a series of lessons on this topic.  As we move through the series you will discover how to use these 4 note groupings as melodic material to use in your improvised solos.  This is a great lesson to learn about all the possibilities that a simple four notes can give you. (34 Minute Video Lesson)

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I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
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Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
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After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
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