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You are here: Home / Jazz Lessons / Blues Scales / 12 Great A7 Dominant Blues Licks Lesson
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12 Great A7 Dominant Blues Licks Lesson

12 Great A7 Dominant Blues Licks Lesson

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 048 Category: Blues Scales Tags: blues licks, blues scale, jazz improvisation, patterns
  • Description
  • Reviews (2)
  • Lesson Sample

Description

The dominant chord is one of the most important and frequently encountered chords in all styles of music.  From Jazz to Rock, from Funk to Pop, learning to play over the Dominant Seventh chord is an essential requirement for any player.

In this lesson,  I show you 12 great blues licks using the Blues Scales you’re already familiar with, to create great sounding lines over a Dominant Seventh chord.  Listen and then play along with the blues licks on the PDF sheet included with the lesson.  I demonstrate each blues lick a number of times on the tenor saxophone, so that you can hear the phrasing, inflections and style of each lick.  I also demonstrate and discuss adding different notes to the basic Blues Scale to create more modern hip sounding lines.  I demonstrate how to handle the different notes of the Blues Scale over a Dominant sound.  I talk about the inherent tension of the Dominant Chord and how you can learn to create and resolve tension in your solo.  I demonstrate this concept on my tenor sax, so that you can actually hear how each note wants to resolve. I also explain what is happening in each blues lick and why different notes of the scale want to resolve in different ways.  Once you hear and understand this idea, rather than just memorizing these blues licks, you’ll learn how to create your own great sounding blues licks based upon this concept.
I also discuss my approach to practicing and internalizing these blues licks and give you ideas for making your practice enjoyable as well as productive by using play-along tracks and blues, pop and funk tunes you might have in your collection.

This lesson makes a great follow up to my earlier Blues Lessons and will really get you using the Blues Scale in a whole new way.  (30 Minute Audio Lesson)

2 reviews for 12 Great A7 Dominant Blues Licks Lesson

  1. Avatar
    Rated 5 out of 5

    C.N. – July 4, 2009

    Wow!!!!!!!!!! Do you need some ideas to add to your blues repertoire? If you do, start right here! You won’t need anything else for quite a while. I really enjoy this lesson! (actually, I enjoy all of them) But, this one, Wow!!!!!!!!!!!! Thank you Steve! C.N.

  2. Avatar
    Rated 5 out of 5

    Greg – September 26, 2018

    Hi Steve
    Today I’ve been playing through a lesson that you created on A7 blues licks and it provided the missing link for me between major and minor blues. How you’ve emphasized the 4th and flat 7th brings an authentic dominant blues sound alive. I just wanted to say thank you for a terrific lesson and I’m glad you are still teaching and sharing what works so clearly.

    I’m going to buy your dominant blues book and pick up a few more brilliant ideas.

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Lesson Sample

https://public.neffmusic.com/12%20Blues%20Licks%20clip.mp4

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Testimonials

I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane

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