Theo Wanne Gaia 3 Metal Tenor Saxophone Mouthpiece Review

July 16, 2019 by Steve 36 Comments

I was excited to hear that Theo Wanne was releasing a new tenor saxophone mouthpiece called the Gaia 3 a few months ago and asked Theo if I could review it. I had reviewed the original Gaia tenor saxophone mouthpiece back in 2009 and it was one of the best tenor saxophone mouthpieces I had reviewed in my opinion. Original Gaia Tenor Mouthpiece Review It had a beautiful lush, smooth as butter tone that I absolutely loved, but at the end of my time with the original Gaia tenor mouthpiece, I decided to send it back rather than purchase it because I felt like the original Gaia didn’t have the brightness and power I needed as a working sax player.

Years later, Theo came out with a Gaia 2 tenor sax mouthpiece which I tried also. Unfortunately, I didn’t review that tenor sax mouthpiece, but I remember the Gaia 2 sax mouthpiece was brighter and had more power than the original Gaia but I felt it had lost the round, fat, lush character in the tone that I loved about the original Gaia tenor sax mouthpiece. I ended up returning the Gaia 2 mouthpiece also………

That brings us to the Gaia 3 tenor saxophone mouthpiece that I am reviewing today. I was very excited to try this tenor sax mouthpiece out and see where Theo and his team had taken the Gaia 3 concept to.

Theo Wanne Gaia 3 7* Metal Tenor Saxophone Mouthpiece

Theo Wanne sent me a gold plated Gaia 3 tenor sax mouthpieces as well as a hard rubber Gaia 3 tenor sax mouthpiece to check out. Both saxophone mouthpieces are 7* tip openings which is my preferred tip opening on tenor sax mouthpieces with low to medium height baffles these days.

The mouthpieces were shipped with the usual high standards of the Theo Wanne company. Each mouthpiece comes in a perfectly designed box with stylish gold printing on it with all the details of the mouthpiece inside. Inside the box is a beautiful leather looking mouthpiece case. Each mouthpiece has a ligature included with it as well as a high quality perfectly designed card with specific direction on how to adjust the ligatures, the affects on the saxophone tone when the ligature is in different positions and directions on how to change the pressure plates on the ligatures.

The mouthpieces come with a reed replacer cap which is on the mouthpiece where the reed goes and the ligature is tightened down on the reed replacer cap to protect the mouthpiece in shipping and when you are not playing it. Although the reed replacer cap is a cool idea, the Gaia 3 mouthpiece does not come with a “regular” mouthpiece cap that you slide on the mouthpiece over the reed and around the ligature. This is a bit surprising as Theo has dialed in every detail pertaining to his mouthpieces and yet there is no mouthpiece cap for these mouthpieces as of yet! (*I did find that a Vandoren leather mouthpiece cap for metal mouthpieces I have fit on the Gaia 3 and around the ligature perfectly so that is what I have been using with this mouthpiece over the last month.)

Theo Wanne Gaia 3 7* Metal Tenor Saxophone Mouthpiece

As you can see below, the ligature on the Gold Gaia 3 mouthpiece is connected to the mouthpiece through screws on the ligature that tighten into holes on the sides of the mouthpiece. The mouthpiece comes with a hex screwdriver that can be used to loosen these screws and move the ligature forward or backwards in relation to the reed and mouthpiece table.

I personally liked the ligature in the middle hole setting of the five holes as it puts the ligature plate towards the rear of the reed allowing the reed to vibrate and flex freely but not so far back that I feel it might not put enough pressure on the reed to seal. I did experiment with the ligature up closer towards the reed tip but felt like the middle hole placement was the best for me.

Although I really like the built in ligature on the gold Gaia 3 tenor mouthpiece, it is really best if you have a set reed strength you use and get the ligature in the right position for you. Many times when I am putting on new reeds, I tend to play around with the adjustment of the ligature to try to positively affect the reed response for the better. You can’t do this easily with the Theo Wanne built in ligature because you have to loosen the screws and then tighten them back up in the new spot. Although, if I was playing this mouthpiece all the time and figured out my favorite brand and reed strength, I would have no problem using the built in ligature all the time if it responded well with the reeds.

Theo Wanne Gaia 3 7* Metal Tenor Saxophone Mouthpiece

Even before you look at the mouthpieces themselves, everything about the Theo Wanne packaging and presentation just speaks to quality and high standards. Just the process of opening the package and unpacking the mouthpiece brings about an excitement and anticipation that this mouthpiece you are about to play is going to be amazing!

Here is how the Theo Wanne website (save 15% by using this link) describes the new Gaia 3 tenor saxophone mouthpiece:

The GAIA 3 lends itself well to a traditional Jazz taste, but due to its amazing flexibility, it is at home in any style of playing. It comes in 24K gold plated or a unique thin-body premium hard rubber which has amazing vibratory qualities.

The GAIA 3 has a medium roll-over Shark Gill™ baffle, precision-sculpted inner sidewalls, and our True-Large-Chamber™ which is similar to the vintage mouthpieces of the 1940s but more evolved in design. Take a close look at our baffles, rails, and True-Large-Chambers™, you will see they are manufactured with a quality and accuracy higher than any other mouthpiece ever made, vintage or new!

SOUND

Built to outplay Theo’s very best Vintage Florida Otto Link. Theo succeeded!!!
Inspired by the genius of Dexter Gordon.
Full, rich, and fat traditional sound with a big projection and plenty of edge.

DESIGN

Includes our True Large Chamber! Rounded inner side walls all the way to the tip. Perfectly sculpted roll-over baffle.
Crafted to the highest accuracy in the history of saxophone mouthpieces.
Designed by Theo Wanne, the foremost expert on the design and manufacturing of vintage and new mouthpieces.

DETAILS

Case: Beautiful Leatherette Case!
Serial Number: Includes serial number showing care given to your mouthpiece.
Plating: Reticulated 24K Gold plating with highlights on globe logo on metal mouthpiece.
Premium Hard Rubber: The Hard Rubber GAIA 3 uses the finest vintage style hard rubber on the planet!
Ligature: The metal GAIA 3 includes our integrated two-point contact 24K Gold Plated Liberty Ligature and Alive Gold pressure plate. The Hard Rubber GAIA 3 includes the Enlightened Ligature, rated #1 ligature in the world. To truly individualize your sound, try our premium Pressure Plates, which fit all of our mouthpieces and ligatures!.
Cap: Patented Reed Replacer Cap. The most secure cap in the world.
Bite Pad: User Replaceable Bite Pads allow you to peel and stick on new bite pads. Try our varying hardness bite pads to personalize the feel.

Theo Wanne Gaia 3 7* Metal Tenor Saxophone Mouthpiece

The mouthpiece itself has a beautiful gold engraving and a perfect looking symmetry and beauty to it. The mouthpiece engraving is as perfect as can be. Not a flaw or mistake anywhere. Each mouthpiece has a unique serial number on it which I really love as I know which mouthpiece is mine and if I decide to sell a mouthpiece everyone knows from the serial number that this is the mouthpiece I reviewed on my site.

The tip, rails, baffle, table and chamber all look perfect as well. Smooth, even, symmetrical…….flawless. The sidewalls are scooped out and the baffle is a medium height long rollover baffle that ends at a scooped out curve where the large chamber begins. To give you an idea of the size of the chamber, it is larger than a typical Otto Link chamber. Of all my mouthpieces, I think the chamber is closest in size to a NY Otto Link tenor mouthpiece I have in my collection but might be even bigger with the scooped out section at the chambers entrance.

The new Gaia 3 tenor sax mouthpiece has a new baffle design with what Theo calls a “Shark Gill baffle”. You can see these lines in the picture below. Matt Ambrose at Theo Wanne mouthpieces describes the new Gaia 3 mouthpiece like this on a SOTW (Sax on the Web) post about the mouthpiece:

The Gaia 3 is the culmination of a LOT of experimentation, prototypes, and trial and error. Theo figured out kind of a break-through in rollover baffle design that is really significant. I’m usually pretty conservative when talking about our mouthpieces and new features and designs because I’m sensitive to the fact that too much sensationalism can be seen as hype—this is not hype. More projection, more complex tone, super quick response, the Gaia 3 is a significant step forward in my opinion. There are some chamber geometry changes as well, and also notable are the precision grooves in the baffle (see picture below). We have experimented with acoustics and airflow for many years and developed this design to augment the efficiency of the mouthpiece. We are really proud of the Gaia 3.

Here is Theo’s take on the Gaia 3 tenor mouthpiece in his own words from the same post on SOTW (Sax on the Web):

In many ways I consider the GAIA 3 to be my crown jewel of mouthpiece design to date. It has a large chamber with a roll-over baffle mouthpiece like an Otto Link. But the similarities actually end there; it is otherwise a very different mouthpiece. It has a very uniquely shaped large chamber, the window is much wider and longer, the baffle is an all-together new design too. I’m not talking about the obvious shark-gill baffle lines, but the shape of the baffle both side to side and lengthwise. A lot of research and development went into this mouthpiece, and as a company we are very proud of it.

I know the shark-gill baffle is the obvious visible feature, so I’ll mention that it works with boundary layer effect similar to how a sharks rough skin helps it glide faster through water, or how the dimples on a golf ball help it travel with less resistance through the air. I’ve enjoyed experimenting with this principle as many of the effect of it are counter intuitive, which makes experimenting fun

We launched the GAIA 3 at the NAMM show and have gotten just great feedback since. Often I wonder if others will like a new design as much as I do when designing it, however, the GAIA 3 feedback has been overwhelmingly positive. Just now got an email about the GAIA 3 from Jan Garbarek, so figure I’d share: “The GAIA 3 played perfectly right from the very first note. A little bit like coming home, really. Once in a while it happens. Its simply a great piece, congratulations! A leap forward from my point of view. Sometimes I get all excited about a piece, but then, when I play it in an actual concert, I recognize weaknesses, and I realize it will take too much work and no guarantees to try to overcome the problem areas. That hasn’t happened here. All I find so far are possible areas to explore and develop. Kind of inspiring, actually….”.

Theo Wanne Gaia 3 7* Metal Tenor Saxophone Mouthpiece

I play tested the Theo Wanne Gaia 3 tenor mouthpiece with some Rigotti Gold 3-3 1/2 tenor saxophone reeds as well as some Boston Sax Shop 2 1/2-3 saxophone reeds that I have been using over the last few months also. Both brands of reeds lined up perfectly with the tip rail of the Gaia 3 and played great.

I provided five sound clips with a variety of reeds below as I think the tone was slightly different when using the different reeds. I know five is a lot but I honestly had a hard time figuring out which reed and clips I liked the best. I probably recorded 10 clips but in the end decided to post four of them and one with reverb added.

The 1st was with a Rigotti Gold 3 Light reed and is just me noodling.
The 2nd was with a BSS (Boston Sax Shop) 2 1/2 reed (although the BSS 3 reed was killer also…..)
The 3rd clip is with a Rigotti Gold 3 1/2 Light reed. It started as me noodling but then I went into the Max Ionata solo on “Home at Last” that I have been trying to memorize.
The 4th clip is more noodling on another Rigotti 3 1/2 reed but then I go into a repetitive groove that I thought was kind of neat although I way overplayed it. Sorry!
The 5th clip is the same as the 4th clip but with reverb added just for the heck of it.

Theo Wanne Gaia 3 7* Metal Tenor Saxophone Mouthpiece

So, what did I think of the new Gaia 3 tenor sax mouthpiece? I thought it played incredibly well. At a soft volume, the Gaia 3 mouthpiece has a smooth lushness that reminds me of the original Gaia mouthpiece that I absolutely loved. When pushed, the Gaia 3 tenor mouthpiece can play with much more volume than the original Gaia. With a harder reed like the Rigotti Gold 3 1/2 Light it can really wail! Although the extra volume can be substantial, the Gaia 3 tenor sax mouthpiece doesn’t get overly bright or edgy like many mouthpieces do when you push them. It seems to me that the more I pushed it, the more focused and in your face it would get which is what you want in a working sax players mouthpiece.

I felt like the Gaia 3 mouthpiece also had a great balance between being focused in tone but also a tone that is fat in character and substance. The softer reeds gave it a more smooth, fat and lush tone and the harder reeds gave it a more complex and overtone full tone with more highs to my ear.

There was a quality to the sound that is hard for me to put into words also. The richness and character made me feel like I was listening to something original, authentic and real. The tone seemed like it had multiple layers to it perhaps. I’m not even sure what all this means but this is how I felt listening back to different parts of the clips.

The tone was even throughout the range of the horn which made faster lines sound really even and smooth. The altissimo was easy to play and the intonation was excellent.

Theo Wanne Gaia 3 7* Metal Tenor Saxophone Mouthpiece

I really think Theo Wanne hit a home run with this new Gaia 3 tenor saxophone mouthpiece. There was a round smoothness to the original Gaia that I absolutely loved but I felt like it didn’t have the power I wanted. The Gaia 2 had more of the power but I felt like it lost the round smoothness I loved with the original. With the Gaia 3 mouthpiece, I hear the smoothness and lushness in the tone that I loved with the original but also the power that is easily available when it is pushed.

I felt like the Rigotti Gold reeds gave the Gaia 3 tenor sax mouthpiece a little more brightness and edge while the Boston Sax Shop reeds gave it a bit of a darker huskier tone. The harder Rigotti 3 1/2 reeds were still easy to play and didn’t get all stuffy and tubby sounding like harder reeds can sometimes do on other mouthpieces. Listen to the sound clips below and decide for yourself. (The Star Wars quote in clip 4 and 5 was not on purpose but once I was in to it, it was too late to escape Darth Vader’s calling……..)

The coolest thing I love about the Gaia 3 tenor sax mouthpiece is that I feel like there is a lot of exploration to do with it. Many mouthpieces that I review, I play them and feel like I have them figured out. How they sound, what they can do, etc……. I feel like if I played the mouthpiece for years it would still be pretty much the same result.

Even though I have been playing the Gaia 3 for a month, I feel like there is a lot of exploration still to do with it. This is exciting for me because I feel like if I keep playing it and working with it that new avenues and pathways will be opened up. I think part of that feeling stems from the fact that it is so reed friendly. I still don’t know which reed is the best because so many reeds play so well on it. This is exciting for me because I have a feeling I won’t get bored with it.

Theo Wanne Gaia 3 7* Metal Tenor Saxophone Mouthpiece

Next up to review is the hard rubber Gaia 3 which I found to be a bit darker sounding than the metal Gaia 3 mouthpiece. After reviewing the hard rubber Gaia 3 mouthpiece, I hope to do a side by side review of both Gaia 3 tenor sax mouthpieces by playing the same songs and lines on both sound clips so that we can compare and talk about the differences between a metal mouthpiece and a hard rubber mouthpiece that look and feel identical to me. Does the material make a difference? We will see………

If you like the sound and look of the new Gaia 3 tenor sax mouthpiece by Theo Wanne, you can find them at Theowanne.com (save 15% by using this link). I have agreed to be an affiliate for Theo Wanne as of this review so if you purchase a Gaia 3 tenor saxophone mouthpiece from this link, neffmusic.com will receive a small commission on the sale. (This helps to pay for my site and keep the saxophone related reviews and articles coming to you…..).

If you are lucky enough to play a Gaia 3 tenor saxophone mouthpiece or have any other thoughts or comments, I would love to hear what you think in the comments below. Thanks, Steve

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