• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Tenor Mouthpiece Reviews / Tenor Medium Baffle Reviews / Bejamin Allen Dagradi Model Tenor Mouthpiece Review

Bejamin Allen Dagradi Model Tenor Mouthpiece Review

February 10, 2015 by Steve 10 Comments

Today, I am reviewing two more hard rubber tenor saxophone mouthpieces from Benjamin Allen. These are the 20TD model (also known as the Dagradi model after the great sax player Tony Dagradi).  Benjamin Allen was nice enough to send me 3 Dagradi mouthpieces to try and today I am reviewing two of those for you. (The 3rd one is a 9* tip and feels more open than I am used to……)

Benjamin Allen mentored under “Doc” Tenney and after Doc’s death decided to carry on his tradition and dedication to the mouthpiece making craft. I reviewed 3 of his 10E model tenor mouthpieces a couple of months ago which were also great mouthpieces……….

Benjamin Allen Dagradi Model Tenor Saxophone Mouthpiece

Here are some bullet points from Ben’s website about the Dagradi 20TD model tenor saxophone mouthpiece:

BULLET POINTS ABOUT THE DAGRADI MODEL:

Each Tony Dagradi Signature Model is played by a world-class saxophonist (Tony Dagradi himself).

        • The tip opening is 2.60mm, which is ~.10236″ for those who prefer U.S. style measurements.
        • The chamber size is “ML/L.”
        • The facing length is ML.
        • Each mouthpiece is handmade and hand adjusted to ensure each piece approaches playing perfection.
        • All steps are completed in the United States.
        • Each mouthpiece is made of American hard rubber–sorry, but there is no plastic in my pieces.

Here is also a snippet from Benjamin Allen’s website about the Dagradi 20TD mouthpiece:

“I had the distinct honor and privilege of directly working with Tony towards achieving this mouthpiece concept during the summer of 2013, and I am still in awe at Tony’s capacity to detect the most subtle mouthpiece changes. While many people can detect a slight baffle change, Tony could detect the slightest chamber alteration and could describe with great precision the impact of each change.

Then he could musically express the change and its impact on the mouthpiece’s responsiveness, harmonic complexity, brilliance, and overall sound quality. In short, the education he provided is unsurpassable–quite literally second to none.

Beyond Tony’s musical and technical virtuosity, Tony knows mouthpieces and has one of the most comprehensive mouthpiece and ligature collections around, which consists of a fraction of the mouthpieces he has tried. This mouthpiece was not only compared to the pieces in his collection, it was compared to the totality of his experience. I have altered tip rails, side rails, baffle and floor heights, chamber size and shape, and beak profile changes. I have varied the facing curve aspect ratios. I have changed the facing length, and I have moved up and down on the tip opening. Amazingly, Tony instantly detects almost every change, but sometimes I have to wait about 10 seconds for him to notice others. But while Tony is the perfect saxophonist for picking things apart, he keeps going back to the piece we initially developed together seven months ago.

So what is this piece, and what makes it great? Tony’s input sure as heck is foundational, but so is his expansive and dynamic repertoire. The mouthpiece has been thoroughly tested in every imaginable venue and gig New Orleans can provide, and this mouthpiece works perfectly in every single venue. Tony knows what players need and want, and it’s my very humble pleasure to provide a skill set to “engineer” a piece that satisfies his demands.”

Benjamin Allen Dagradi Model Tenor Saxophone Mouthpiece

When you open the package, the 20TD Dagradi mouthpiece looks like your average black hard rubber mouthpiece with the words “Benjamin Allen” and “New Orleans” engraved on the top.  When you turn the mouthpiece over and look at it in the light it looks perfect though. Not one ounce of asymmetry or imperfection.  The table, rails and tip look even and perfect.  The tip rail is thin and even as are the side rails and baffle.

This Dagradi model tenor saxophone mouthpiece has a higher rollover baffle than the Benjamin Allen 10E model I reviewed a couple months ago.   The baffle scoops down into what I would say is a medium-large chamber.   The side rails are scooped out smooth and evenly.

The two models I am reviewing today are both Dagradi models with a .10236 tip. (I call them 7*’s in the mouthpiece clips) Although .10236 is technically smaller than my usual .105 7* tip opening these two mouthpieces felt very comfortable and like .105 tips to me.   One mouthpiece is the standard Dagradi model and one is a version that is slightly more spread sounding.

 

Benjamin Allen Dagradi Model Tenor Saxophone Mouthpiece

OK,  on to reviewing the sound and playability of both these Dagradi models. The regular Dagradi model has a brighter focused sound in my opinion with loads of power when pushed.  It has a tight core of tone that gets brighter as you push it harder.  At soft or even medium levels the tone is hearty and rich to my ears although it does lean to the brighter side of a tenor tone.  It isn’t too bright though……….  I could easily play this on a jazz set although you would just have to be careful with pushing it too hard. I have played mouthpieces in the past  with high baffles like Guardalas, Sugals and Ponzols that sounded amazing on a loud dance set but were pretty rough to play in a quieter acoustic setting.  They would just get too loud and edgy when you pushed them.  This Dagradi mouthpieces seem like a great compromise to those other high baffle pieces.  It blends the power and edge of a baffle with a thick core sound that can be scaled back a bit more than other high baffled mouthpieces.  In my opinion it’s like a mix between the Otto Link concept and a high baffle concept………

The other aspect I like about the Dagradi model is the focus of the sound.  Sometimes with mouthpieces that try to do everything you get too spread of a sound that gets lost in the mix in live situations.  This Dagradi model seems to have enough core and center to the sound that I believe it would carry and cut through the mix of a live band in a great way! Of course, you never know until you get out there on a gig but in my office here the Dagradi seems to have that balance of power and tone many are looking for in a gigging mouthpiece……….It’s a great mouthpiece if you have to morph some straight ahead playing with funkier more modern soloing in my opinion.

The altissimo was easy to get and the mouthpiece responded well to expressive playing as far as bending and manipulating the notes.

The other Dagradi model I have played below is a more “spread” version. To my ears,the tone sounds fatter and indeed more spread when compared to the regular Dagradi.  It still has a nice focused core of sound but the outside edges of the tone are more diffused and spread.  This isn’t scientific obviously but that is how I perceive the sound while playing.  The more “spread” Dagradi is less edgy and punchy when pushed compared to the regular Dagradi model.  It’s almost like the edges of the tone are softer.

The intonation and evenness throughout the range of the horn was great on both mouthpieces.  They are very smooth sounding when playing fast which I really like.  As I played and recorded the sound clips I felt like I liked the spread Dagradi  more than the Regular Dagradi but interestingly enough I felt like I liked the regular Dagradi more when listening back to the clips.  Both were recorded exactly the same and with the same Rigotti Gold 2 1/2 strong reed and Marc Jean ligature.  I tried to keep the audio sample somewhat similar although there are differences………..You’ll have to listen for yourself to decide which one you liked more and why……..I’d be interested in knowing what you think in the comments below.

Benjamin Allen Dagradi Model Tenor Saxophone Mouthpiece

The Benjamin Allen Dagradi Tenor Saxophone Mouthpieces were wonderful to play. After reviewing 5 of Ben’s mouthpieces so far it is obvious that Ben knows what he is doing and was a great student of “Doc” Tenney!

If you like the sound of the clip below and the mouthpiece catches your interest then please contact Ben and give it a try. You can contact Benjamin Allen at his website at Allenmouthpieces.com.  Tell him Steve sent you………….Great work Ben!!

Let me know what you think in the comments below. Thanks, Steve

https://cdn.neffmusic.com/2015/February/BADagradiRGStandard70.mp3

Benjamin Allen Dagradi “Regular” Model Tenor Saxophone Mouthpiece

https://cdn.neffmusic.com/2015/February/BADagradiRGSpread69.mp3

Benjamin Allen Dagradi “More Spread” Model Tenor Saxophone Mouthpiece

Filed Under: Tenor Medium Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: 20TD, Benjamin Allen, review, sax mouthpiece, tenor saxophone, Tony Dagradi

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarMike Gallagher says

    February 10, 2015 at 2:24 pm

    Steve,
    Plenty of bite and pop to both.
    Thank you for your review.
    Ben’s mpcs are fabulous, my favorites.
    I have the two 20TDs in your review and the 10E, which is no slouch either.
    Love all of them.
    I liked your comment that the 20TDs are,”like a mix between the Otto Link concept and a high baffle concept….”
    They play fat with substantial power too, huge sound.

    Reply
    • SteveSteve says

      February 10, 2015 at 2:37 pm

      Mike, Yeah, they are great mouthpieces! Which 10E do you have the regular one or the brighter one that I reviewed. i really like both of them as well as both Dagradi models. the problem with them all playing so well is it is hard to decide which one I like the best………….

      Reply
  2. AvatarRichard van de Pol says

    February 10, 2015 at 5:08 pm

    Steve,
    Very nice reviews and ofcourse great playing. Like Mike says plenty of punch here.
    I have the regular 20TD and also use either Rigotti Golds or Regal Queen reeds on it.
    The clips of the 10E’s appear to be considerably softer. Did you use a different recording technique
    or is the Dagradi indeed that much louder?

    Reply
    • SteveSteve says

      February 10, 2015 at 5:46 pm

      Hi Richard,
      Yes, the Dagradi’s were quite a bit louder. I tried recording them at the same settings as the 10E’s but they were maxing out the mic settings. I turned down the gain to record them in the black and then later turned up the volume. I think I might have turned it up louder than the 10E recordings perhaps. I went in and turned the 10E recordings up to what I believe is the same level as the Dagradi. If you listen again to the 10E recordings they should be louder. Thanks, Steve

      Reply
  3. AvatarRichard says

    February 10, 2015 at 6:09 pm

    Steve, thanks for the volume level adjustment. Now they indeed compare much better.

    Reply
  4. AvatarMike Gallagher says

    February 15, 2015 at 5:25 pm

    Steve,
    I have the regular 10E.
    I tend to blow bright and the regular 10E sounds great for me.
    I get substantial volume from it.
    All of Ben’s mpcs play fabulously .
    I have a hard time too, deciding which to play,lol.
    Nice “problem” to have, I’d say.

    Reply
  5. AvatarArya Boustani says

    February 24, 2015 at 12:37 pm

    Hi Steve,
    Thanks for the review. So if you have to pick one, which one would it be. 10E or Dagradi?
    I think 10E sounds more classic. Dagradi sounds more modern, more animated, especially the spread version sound is more flexible so I imagine it has even more tonal possibilities. I imagine it has slightly longer facing curve. just guessing.

    Reply
    • SteveSteve says

      March 2, 2015 at 8:23 am

      Arya,
      You are exactly right in your comment about the Benjamin Allen pieces. I guess it depends on what direction you want to go. Personally, I’d go with the Dagradi but I have to play more modern pop solos at times so I need a mouthpiece that can get me there for those gigs……….. Steve

      Reply
  6. AvatarJim Warshauer says

    April 28, 2015 at 9:52 am

    I’ve been using my Dagradi full time since last August when I received it. I’ve tried hundreds of pieces over 40 years but this may be my favorite ever. I don’t even think about it anymore or about playing anything else no matter how good. Ben and Tony have achieved something special here.

    Reply
    • SteveSteve says

      April 28, 2015 at 3:05 pm

      That’s great to hear Jim. They are great pieces, no question about it…………

      Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Steve Neff

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
Two years later I began a search for a sax teacher and happened to come across Steve Neff when I was searching YouTube for sax teachers.  I went to neffmusic.com and was very impressed with the lessons Steve Neff was offering.  The concept of selecting lessons was an approach that I thought was unique and purchased a few lessons.  I liked the lessons so much that I signed-up for a 6 month package. I was very happy with all the lessons I selected.  I also purchased Steve’s book Mastering the B… Read more
Michael

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book) Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book) Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Mastering Altered Pentatonics (Digital PDF Book) Mastering Altered Pentatonics (Digital PDF Book)
    Rated 5 out of 5
    by Jim Ramsey
  • Practicing Double-Time Licks Lesson Practicing Double-Time Licks Lesson
    Rated 5 out of 5
    by Az Samad
  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Sale! Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)

    Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)

    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
    Add to cart
  • Sale! Mastering Altered Pentatonics (Digital PDF Book)

    Mastering Altered Pentatonics (Digital PDF Book)

    Rated 4.75 out of 5
    $26.98 Original price was: $26.98.$14.99Current price is: $14.99.
    Add to cart
  • Mastering Major Diatonic Patterns (Digital PDF Book)

    Mastering Major Diatonic Patterns (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)

    Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Devastating Minor Lines for Jazz and Funk Soloing (Digital PDF Book)

    Devastating Minor Lines for Jazz and Funk Soloing (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson

    Creating Modern II-V-I Lines with Simple Pentatonics Lesson

    Rated 5.00 out of 5
    $9.99
    Add to cart
  • Mastering the Blues Scale Vol. 1-Minor Chords (Digital PDF Book)

    Mastering the Blues Scale Vol. 1-Minor Chords (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Blues Scale Vol. 2-Dominant Chords (Digital PDF Book)

    Mastering the Blues Scale Vol. 2-Dominant Chords (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Dominant Bebop Scale (Digital PDF Book)

    Mastering the Dominant Bebop Scale (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Dominant Bebop Scale-Book 2 (Digital PDF Book)

    Mastering the Dominant Bebop Scale-Book 2 (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Major Bebop Scale & Sound (Digital PDF Book)

    Mastering the Major Bebop Scale & Sound (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)

    Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • The Best Embouchure for Tone, Intonation and Endurance Lesson

    The Best Embouchure for Tone, Intonation and Endurance Lesson

    Rated 4.91 out of 5
    $9.99
    Add to cart
  • The Best Major II-V-I Patterns (Digital PDF Book)

    The Best Major II-V-I Patterns (Digital PDF Book)

    Rated 4.94 out of 5
    $14.99
    Add to cart
  • The Best Minor II-V-I Patterns (Digital PDF Book)

    The Best Minor II-V-I Patterns (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • The New Ultimate II-V-I Primer-Major Keys (Digital PDF Book)

    The New Ultimate II-V-I Primer-Major Keys (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart

Footer

Recent Comments

  • Jeff Carsten on SYOS Lorenzo Ferrero Signature Model Tenor Saxophone Mouthpiece Review
  • Craig Incontro on Comparing Fifteen Tenor Saxophone Mouthpieces from Ellis Music in Vermont
  • Pega on SYOS Dayna Stephens Signature Model Soprano Saxophone Mouthpiece Review
  • Cimarron on Ken Okutsu Traditional Tenor Saxophone Mouthpiece Review
  • Ross Ramsey on Phil-Tone Topaz Alto Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2026