• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Tenor Mouthpiece Reviews / Tenor Low Baffle Reviews / Ted Klum Focustone Standard Model Tenor Saxophone Mouthpiece

Ted Klum Focustone Standard Model Tenor Saxophone Mouthpiece

July 18, 2013 by Steve 11 Comments

Today, I m reviewing a Ted Klum Focustone Standard Model.  It has a .108 tip opening.  I am lucky that I could borrow this from a friend on SOTW (Sax on the Web).  This is one of his favorite mouthpieces but he let me have it for a few weeks so I could do a review of it.

Ted Klum Focustone Standard Model Tenor Saxophone Mouthpiece

Ted Klum’s mouthpieces always look amazing.  On first glance, this Focustone looks a lot like an Otto Link.  It’s got the rings around the shank and although it doesn’t have a ridge on top, it has an outline of the Otto Link ridge that looks a lot like it on first glance.  The table, rail, tip and baffle look beautiful.  This one has a little bit of wear because it is being lovingly played but still looks great. It has a high rollover baffle that slopes down into a large chamber.  The height of the baffle is similar to a baffle you would see in a Florida Link or Early Babbitt metal Link.  The baffle has a scooped shape that you can see clearly in the fourth picture I’ve posted below.  The craftsmanship is perfect.  No ridges or unevenness can be seen anywhere inside the mouthpiece.

Ted Klum Focustone Standard Model Tenor Saxophone Mouthpiece

The Ted Klum Focustone came with a Brancher metal ligature which I used for these sound clips.  I tried two different reeds on it and am curious about what you the reader thinks of them.  The first is a Rigotti Gold 2 1/2 medium reed.  The second is a Rico Jazz Select 2 hard.  These reeds felt very similar to me when I blew on them but the tone was different for each.  The Rigotti sounded brighter and more buzzy to me.  The palm keys were a bit edgier than the Rico Jazz Select.  The Rico was warmer sounding to my ear.

Ted Klum Focustone Standard Model Tenor Saxophone Mouthpiece

I think I preferred The Rico Jazz Select on this mouthpiece.  It seemed to have a fuller, fatter sound to me.  Just listen to the beginning of each clip and I think you will agree with me that the Rico reed has a fuller fatter sound than the Rigotti…….

The intonation was very good and the tone was very even throughout the range of the horn.  I could get some nice power and energy out of it on the Rico reeds.  The Rigotti reeds seemed to get edgier and thinner to me when I pushed the volume.

Ted Klum Focustone Standard Model Tenor Saxophone Mouthpiece

I just did a review of a Navarro Bebop Special tenor mouthpiece on which I played a Rigotti Gold 3 Strong reed. That mouthpiece was also a 7** but the 3 Strong reed felt way too hard and stuffy on this Klum mouthpiece. This proves to me how much difference the facing curve can make.  It’s not all about the tip opening………the rate of the facing curve can also make a huge difference in how a reed responds and plays!  One facing curve isn’t necessarily better than another but they require different size reeds to play…….

Ted Klum Focustone Standard Model Tenor Saxophone Mouthpiece

The Ted Klum Focustone Standard Model was fun to play. If you like the sound of the clip below and the mouthpiece catches your interest then give it a try. You can contact Ted on his website at http://www.tedklummouthpieces.com/. Tell him Steve sent you………….

Let me know what you think in the comments below.  Also, let me know if you can hear any difference in the reeds…………Thanks, Steve

https://public.neffmusic.com/FocustoneRG108.mp3

Ted Klum Focustone Standard Model Tenor Saxophone Mouthpiece with Rigotti Gold Reed

https://public.neffmusic.com/FocustoneRico108.mp3

Ted Klum Focustone Standard Model Tenor Saxophone Mouthpiece with Rico Jazz Select Reed

Filed Under: Tenor Low Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Focustone, sax mouthpiece, Standard Model, Ted Klum, tenor saxophone

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarAngelo Yodice says

    August 7, 2013 at 10:10 am

    Steve, Thank you for the review. I also liked the sound of the Rico Jazz Select. Did you ever try a Charles Bay or a Marc Jean ligature? Would appreciate any comments on my question. What was your impression on the Brancher lig?

    Reply
  2. AvatarLarry Weintraub says

    August 7, 2013 at 11:30 am

    Steve: I like the sound better w/the Rico Jazz Select. Fuller, more focused and it sounds like you can control it better.

    Reply
  3. AvatarArya44 says

    January 17, 2014 at 11:57 am

    Hi Steve,
    Thanks for demonstrating this and the tip about the reed strength. I’m wondering if the resistance for bending the reed is created by the surface area of the side rails touching the reed, based on the physics the pressure is equal to force decided by the surface area, so basically a thinner side rails would need less embouchure force to keep the reed in proper clearance to the tip to create sound. So if that’s the case, both the facing curve and the side rail thickness would play a role in picking the right reed strength.
    What do you think?

    Reply
  4. AvatarArya44 says

    January 17, 2014 at 12:00 pm

    …the pressure is equal to force “decided” by the surface area…
    Sorry I meant “divided”. I don’t like auto-correct feature in either computer or mobile device 🙂

    Reply
  5. Avatar"Saxophone Tall" (Jeffrey Newton) says

    March 15, 2024 at 1:36 pm

    I’m currently play-testing a Ted Klum Focustone Tonamax HR tenor mpc. Have you reviewed these? I don’t see a listing for a review, but the names are similar, so I thought I’d ask.

    Reply
    • SteveSteve says

      March 20, 2024 at 7:56 pm

      No, I don’t believe so. I have had many people ask me to review them and have sent requests to review them and the Florida model over the years but unfortunately Ted has never sent one to me to be reviewed. I still would like to some day…..

      Reply
  6. AvatarGiuseppe says

    March 24, 2024 at 12:51 pm

    Hi Steve,
    I found this site called Sakshama:
    https://sakshamamouthpieces.com/mouthpieces/
    https://sakshamamouthpieces.com/sakshama-shorty/
    https://sakshamamouthpieces.com/sakshama-tm/

    If I understand correctly, this mouthpiece manufacturer makes various types of mouthpieces to order, also old models Dukoff and Ottolink, in various materials, in addition to its modern ones.
    I hope It was helpful.
    Giuseppe.

    Reply
    • SteveSteve says

      March 27, 2024 at 5:00 pm

      Yes, thanks. I know of Sakshama. I reviewed two of his mouthpieces on this page in the past. https://www.neffmusic.com/blog/?s=sakshama

      Reply
      • AvatarGiuseppe C. says

        March 28, 2024 at 4:04 am

        Thank you; I missed your review, which I’m going to look at now.
        Giuseppe

        Reply
  7. AvatarJeremy says

    June 23, 2025 at 3:01 pm

    What is the facing curve on this piece?

    Reply
    • SteveSteve says

      June 23, 2025 at 4:21 pm

      No idea. I have never measured facing curves.

      Reply

Leave a Reply to Angelo Yodice Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Steve Neff

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella

Your material is great! I got your New Altissimo Lesson 6 months ago and I have learned more from that than in all my 44 years of playing! I appreciate your down to earth teaching method and I really appreciate the heart that you teach with. I have been a subscriber to your lessons for the past 6 months and I have learned a great deal. Over that period of time I have had some questions and you have never failed to respond. Thanks! I have already recommended your lessons to a number of players in… Read more

Michael Byington
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book) Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book) Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Practicing Double-Time Licks Lesson Practicing Double-Time Licks Lesson
    Rated 5 out of 5
    by Az Samad
  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • Sale! Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)

    Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)

    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
    Add to cart
  • Sale! Mastering Altered Pentatonics (Digital PDF Book)

    Mastering Altered Pentatonics (Digital PDF Book)

    Rated 4.67 out of 5
    $26.98 Original price was: $26.98.$14.99Current price is: $14.99.
    Add to cart
  • Mastering Major Diatonic Patterns (Digital PDF Book)

    Mastering Major Diatonic Patterns (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)

    Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Devastating Minor Lines for Jazz and Funk Soloing (Digital PDF Book)

    Devastating Minor Lines for Jazz and Funk Soloing (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson

    Creating Modern II-V-I Lines with Simple Pentatonics Lesson

    Rated 5.00 out of 5
    $9.99
    Add to cart
  • Mastering the Blues Scale Vol. 1-Minor Chords (Digital PDF Book)

    Mastering the Blues Scale Vol. 1-Minor Chords (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Blues Scale Vol. 2-Dominant Chords (Digital PDF Book)

    Mastering the Blues Scale Vol. 2-Dominant Chords (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Dominant Bebop Scale (Digital PDF Book)

    Mastering the Dominant Bebop Scale (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Dominant Bebop Scale-Book 2 (Digital PDF Book)

    Mastering the Dominant Bebop Scale-Book 2 (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Major Bebop Scale & Sound (Digital PDF Book)

    Mastering the Major Bebop Scale & Sound (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)

    Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • The Best Embouchure for Tone, Intonation and Endurance Lesson

    The Best Embouchure for Tone, Intonation and Endurance Lesson

    Rated 4.91 out of 5
    $9.99
    Add to cart
  • The Best Major II-V-I Patterns (Digital PDF Book)

    The Best Major II-V-I Patterns (Digital PDF Book)

    Rated 4.94 out of 5
    $14.99
    Add to cart
  • The Best Minor II-V-I Patterns (Digital PDF Book)

    The Best Minor II-V-I Patterns (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • The New Ultimate II-V-I Primer-Major Keys (Digital PDF Book)

    The New Ultimate II-V-I Primer-Major Keys (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart

Footer

Recent Comments

  • Joe on SYOS Dayna Stephens Signature Model Soprano Saxophone Mouthpiece Review
  • Frank Greco on Kessler Custom 7* Tenor Saxophone Mouthpiece by Theo Wanne Review
  • Marc on Theo Wanne Brahma Gold Tenor Saxophone Mouthpiece Review
  • Giuseppe C. on Gottsu Sepia Tone Jazz Metal Tenor Saxophone Mouthpiece Review
  • Darin on Phil-Tone Rift Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2026