• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Sax Reviews / MacSax Empyreal Alto Saxophone

MacSax Empyreal Alto Saxophone

July 20, 2010 by Steve 10 Comments

Today, I’m reviewing the MacSax Empyreal Alto Saxophone.  This sax is manufactured in Taiwan for the MacSax company in Austin Texas. This is the Unlacquered Finish model.  It looks like bare brass which gives it a cool vintage look.  I am told that the brass is subjected to a gas treatment that gives it a stable and uniform color.   The Empyreal Alto comes with a Theo Wanne hard rubber Gaia mouthpiece as well as a Theo Wanne  “Enlightened” ligature.  I used all of these for the sound clip below. I’ve had this horn for a couple weeks now and I am very impressed with it. From the first moment I played it,  I knew it was a great horn!  It’s one of those horns that resonate under your fingers when you play so you can feel the vibrations of the sound.  I love that!

MacSax Empyreal Alto Saxophone

  • Appearance:

The MacSax Empyreal alto saxophone has a cool vintage look to the finish.  It looks like bare brass and does have some scuffs and marks here and there but that just adds to the vintage look.  If you click on the pictures below they will enlarge so you can see more detail.  It reminds me of when you purchase that “vintified” new furniture and it has marks and scrapes on it to make it look older.

  • Build Quality:

I’m not a repair man in the least so I can’t speak with authority about issues dealing with construction and repair  but to me the sax is solid and seems to be made with high standards.  The keys are all nice and firm and it is made of strong sturdy metal.  It doesn’t feel like you will bend a key if you push it too hard like on a few other saxophones I have played.  The saxophone came setup right out of the box and had no leaks that I could see with a leak light.  A couple of things I didn’t like about the sax were that the spring tension seemed too strong for me.  I prefer a light spring tension so my fingers have to work as little as possible to push down the keys.  If I were to keep this sax, the first thing I would do is to bring it to my repairman and have all the springs adjusted to be lighter.  The rest of the key work on the sax was perfect and ergonomically pleasant feeling.  One area  that could be improved for me was the side Bb,and C.  For some reason they slope down away from the high side “E” which made them further from my hand.  Not a big deal, but  I would probably have my repairman bend those keys upward so they were closer to the palm of my hand.

  • Tone:

The tone of the horn is compact and focused.  I found it neither bright nor dark but when comparing it to my Selmer Reference alto it does have a more compact and focused sound than my Selmer.  My Selmer Reference alto has a wider more spread sound to it.  The tone does remind me of a really good Mark VI a friend of mine has.  I remember playing it once and thinking how focused the sound was.  I had the same thoughts while playing this Empyreal saxophone.

  • Control:

The MacSax Empyreal is great to play and control.  I felt at ease on it right out of it’s case.  The true test of course is playing it to music which I did pretty quickly.  It involved no effort on my part to lock it in intonation wise and play with a rhythm section.  Large intervals were easy to achieve. Altissimo was as easy as my Selmer.  The low notes spoke even easier then on my Selmer.

  • Intonation:

Intonation was great. It wasn’t perfect but I have never played a saxophone that was.  This is just as good as the most in tune saxophones I have played including my Selmer Reference and some great Mark VI altos.  Low Bb to middle C# were right on “O” on the tuner.  Perfect. Middle D-E were slightly sharp.  10-20 cents without any adjustment but this is normal for every saxophone I have ever played so it’s easy to adjust to. (You just have to “voice” those notes a bit lower)  The high register was also perfectly in tune.  The first thing I check when I play a saxophone  is the intonation between the octaves.  If I play a B and then press the octave key the note should go up an octave and be relatively  in tune without any adjustment or changes needed from my embouchure.  I have played hundreds of saxes that were incredibly sharp in the upper register.  I’m happy to say that the MacSax Empyreal was perfectly in tune with the octaves.

The MacSax Empyreal alto saxophone is another great saxophone out of Taiwan.  To be honest, if this Macsax and my RSBerkeley tenor are good indications of the quality coming out of Taiwan, I think the big 4 sax manufacturers better make sure they are on the top of their game or they will be losing some serious market share to Taiwan.  This alto plays as good or better than the best alto’s I’ve played over the last 10 years.  I would have no problem suggesting this to a student or fellow player  who was looking for a great alto.  As usual, the truth is in the playing………if you are curious about the MacSax Empyreal alto saxophone try one for yourself.  Their website is  www.macsax.com .  Tell them Steve sent you……………

    Audio Player
    https://www.neffmusic.com/images/mp3/MacSax%20Empyreal.mp3
    00:00
    00:00
    00:00
    Use Up/Down Arrow keys to increase or decrease volume.

 

Filed Under: Sax Reviews, Saxophone Stuff Tagged With: Empyreal Alto Saxophone, Gaia, MacSax, sax mouthpiece, Taiwan saxophones, Theo Wanne

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarRory says

    July 21, 2010 at 8:26 am

    Great review Steve. Thanks!

    Reply
  2. AvatarGerardo Avila says

    July 24, 2010 at 2:07 am

    Thanks for the information, very usefull.

    Reply
  3. AvatarMarius says

    August 5, 2010 at 3:38 pm

    Hi Steve
    What kind of rubber mouthpiece do you highly reccommend for jazz-Tenor sax.? Thanks

    Reply
    • stevesteve says

      August 5, 2010 at 11:21 pm

      Any of the ones i have reviewed on my site. Pick one you like the sound of and go for that one.

      Reply
  4. AvatarKoumou says

    May 22, 2011 at 12:59 am

    Hello,
    Quote: “One area that could be improved for me was the side Bb,and C. For some reason they slope down away from the high side “E” which made them further from my hand.”
    A lot of Taiwanese saxes have the side keys like this. I have a Barone vintage alto and I had to bent the keys up to bring them closer to my palm. It works well .

    Reply
  5. AvatarMrSalamo says

    June 16, 2012 at 2:35 pm

    Are you sure that mouthpiece comes with the sax? I checked their site and it doesn’t come with a Theo Wanne.

    Reply
    • stevesteve says

      June 21, 2012 at 10:40 pm

      I thought they did. The one I got to try came with one and I thought I read that they did back then. Maybe I’m mistaken or they changed that policy??

      Reply
  6. AvatarMrSalamo says

    June 27, 2012 at 10:09 pm

    Maybe they’ve changed it since now it comes with a D-jazz mouthpiece, which costs significantly less than the Theo Wanne, I’m not complaining, but I just found it strange that it came with a different mouthpiece than what your review said it came with.

    Reply
  7. AvatarAustin Zhang says

    October 14, 2012 at 10:42 am

    The reason why is when Steve reviewed this they didn’t have their own mouthpiece piece line. Since the review they have hired Eric Falcon (great mouthpiece maker BTW) and have shipped their own mouthpieces, which are great!

    Reply
  8. AvatarTroy says

    February 17, 2020 at 4:01 pm

    This review was what I needed to make my decision between 3 or 4 altos I’ve been looking at. Thank you!! I’m very excited to receive it.

    Reply

Leave a Reply to Gerardo Avila Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

1 2 3 4 5
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike
1 2 3 4 5

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
1 2 3 4 5
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
1 2 3 4 5
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
1 2 3 4 5
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
1 2 3 4 5
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
1 2 3 4 5
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
1 2 3 4 5
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
1 2 3 4 5

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
1 2 3 4 5
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee
1 2 3 4 5

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
1 2 3 4 5
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
1 2 3 4 5
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
1 2 3 4 5
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob
1 2 3 4 5

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
1 2 3 4 5

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
1 2 3 4 5
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
1 2 3 4 5

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
1 2 3 4 5
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken
1 2 3 4 5

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
1 2 3 4 5
For anyone living in remote areas away from live jazz sax teachers, Neff is the way to go. In fact this is a great resource for anyone seriously interested in mastering the sax. I’ve never been disappointed in a lesson.
Oliver
1 2 3 4 5
Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
Tony
1 2 3 4 5
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
1 2 3 4 5
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
Start
Stop
NextPrev

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland

Footer

Recent Comments

  • Laurentius on What Difference Does the Saxophone Ligature Make? Part 2
  • Juan Rondón on RS Berkeley Legends Dexter Gordon Tenor Sax Mouthpiece
  • Brian Albee on Otto Link Super Tone Master Florida V Tenor Saxophone Mouthpiece Review
  • Steve on Revisiting a Lamberson J7 Tenor Saxophone Mouthpiece Review
  • Thor on Revisiting a Lamberson J7 Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025