JX Custom Line of Mouthpieces (from top to bottom: JXKM similar yo Kenny G’s Dukoff Soprano Mouthpiece, JXRO-similar to Dave Sanborn’s Dukoff Alto Mouthpiece, JXDR-similar to a Double Ring Florida Link, JXDG-Similar to a Guardala Studio Model, JXFL-Similar to Bob Berg’s Francois Louis Mouthpiece<\/strong><\/p>\n The descriptions of the designs of these saxophone mouthpieces were given to me by Zhu Haiming who sent them to me to try out.\u00a0 I want to make that clear in case any of you disagree with how they are described or represented in this review.<\/p>\n I am told that Mr. Li bought quite a few original examples of each saxophone mouthpiece to study before he made his own line of sax mouthpieces including five Miami Dukoff soprano saxophone mouthpieces in preparation for making the JXKM soprano saxophone mouthpiece.<\/p>\n All of the JX Custom mouthpieces are made of stainless steel.\u00a0 I feel sorry for Mr. Li if he works on these by himself as I have heard that working with stainless steel can be incredibly brutal on the hands. The good news is that stainless steel is incredibly durable and resistant to corrosion.<\/p>\n The JX Custom JXKM 8 soprano saxophone mouthpiece looks nice to the eye. The facing of 8 is stamped into the rear of the table and is equal to a .075 inch tip opening.\u00a0 This is a little more open than I am used to as I usually play a .070 tip opening on the soprano saxophone but the .075 tip opening felt comfortable to me with the right reed.<\/p>\n JX Custom JXKM 8 Soprano Saxophone Mouthpiece<\/strong><\/p>\n The JX Custom JXKM 8 Soprano Saxophone Mouthpiece rails and tip look thin, even and precise.\u00a0 The width of the mouthpiece tip and rails are exactly the width of the reed up near the tip.\u00a0 The table is a little narrower at the rear of the table and the reed overhangs the sides a little bit on each side at the back.\u00a0 This doesn’t seem to be an issue though since the reeds seem to seal fine for me.\u00a0 The mouthpiece tip rail flares out a little more on the sides than the tip shape of my Vandoren Java soprano sax reeds but the tip is symmetrical and it is easy to center the reed with the tip.<\/p>\n The side walls are straight and look like they angle inward as they head towards the small\/medium chamber.\u00a0 The reason I might consider the chamber to be small\/medium is that the chamber opening has an oval shape to it because it is longer up and down than it is side to side.\u00a0 I have seen many soprano sax mouthpieces with a small round chamber opening so this might be considered more of a medium opening because of the oval shape.<\/p>\n JX Custom JXKM 8 Soprano Saxophone Mouthpiece<\/strong><\/p>\n The inside of the bore of the mouthpiece look smooth to the eye and it fits on my neck cork easily. I was afraid the high baffle and smaller chamber would make the JXKM soprano sax mouthpiece sit too far out on my neck cork to be in tune but the JXKM mouthpiece needed to be about half way down the length of my neck cork to be in tune which is a good place to be.<\/p>\n The mouthpiece came with a nice silver ligature that fits the mouthpiece well.\u00a0 My only criticism of the ligature is that the screws are so close together that they can be hard to grab on to and turn because the other screw is in the way.\u00a0 The ligature still works well so it is not that big of a deal.<\/p>\n Even though the included ligature fit well, I opted to go with another one screw metal soprano ligature made by Atti Sound in Italy because of its ease of use.\u00a0 Ideally, I wanted to use a Rovner soprano mouthpiece ligature because I believe that is what Kenny G uses on his Dukoff soprano saxophone mouthpiece but I couldn’t find the one I used to have. (I’m pretty sure I gave it to a student who needed a soprano sax ligature.)<\/p>\n JX Custom JXKM 8 Soprano Saxophone Mouthpiece<\/strong><\/p>\n The JX Custom JXKM 8 soprano saxophone mouthpiece has a pretty high rollover baffle as you can see in the photos.\u00a0 You can see some scratches and what look like brush marks on the baffle where it was worked on.\u00a0 The baffle looks pretty smooth and even to the eye.\u00a0 It gets a little more rough half way down the baffle where it hasn’t been worked on but it is still smooth to the touch.<\/p>\n The tone of the JX Custom JXKM 8 soprano saxophone mouthpiece is definitely on the brighter side of soprano saxophone tone in my opinion.\u00a0 I’ve always considered Kenny G to have a bright tone on soprano so if this is a copy of his mouthpiece, that makes sense.<\/p>\n The only saxophone reeds I had for soprano sax were Vandoren Java 3 and 3 1\/2 saxophone reeds. Those both felt too hard for the JXKM soprano mouthpiece so I dug around in my used reed box and found an old Vandoren Java 2 1\/2 soprano sax reed that played well on the JXKM soprano sax mouthpiece. I think it might have been a tiny bit too soft but I could work with it.<\/p>\n The intonation on the JXKM was really good.\u00a0 It plays differently that my usual soprano mouthpiece so at first I found myself being a bit flat in the upper register.\u00a0 I realized pretty quickly that I had to be a bit tighter up there to be in tune than I did on my other soprano sax mouthpieces.\u00a0 It wasn’t a big deal but just an adjustment I needed to make.<\/p>\n JX Custom JXKM 8 Soprano Saxophone Mouthpiece<\/strong><\/p>\n I’ve provided two samples of the same clip below. \u00a0One is a sound clip which is dry (no reverb or effects added) and the other has some Kenny G like reverb (check out Breathless by Kenny G 1992) added to the recording. \u00a0I think it’s important to add the reverb clip just so people can get a sense of what the sound is like with some reverb since\u00a0the added reverb tends to soften the edge and fatten the tone a bit.<\/p>\n JX Custom JXKM 8 Soprano Saxophone Mouthpiece<\/strong><\/p>\n How did the JX Custom JXKM play?\u00a0 Well, first off, I want to warn my listeners that the first 2 minutes of the sound clips are 100% Kenny G tunes.\u00a0 I start with a tune I used to play in the 90s called “Forever in Love” which Kenny G just played for Kim Kardashian a few days ago on Valentine’s day.<\/p>\n I then go into another one I used to play called “The Joy of Life” which is a very joyful and happy song I used to love playing.<\/p>\n Why the warning then?\u00a0 Well, I know some of you might not be Kenny G fans.\u00a0 That’s OK.\u00a0 \u00a0If you aren’t, just skip to the 2:20 point in the sound clip and you will skip all that stuff.\u00a0 I know there are others out there that love Kenny G and that is OK also.\u00a0 We all have different tastes and preferences and that is ok. (Inside I am praying to God this review doesn’t turn into another Kenny G fight to the death…….)<\/p>\n If you like Kenny G then feel free to check out from :21-2:21.\u00a0 I know I am in no way able to measure up to Kenny G on these tunes but I do think that with an hour of practice I do get in the same ballpark as him tone wise.\u00a0 \u00a0I know it is not there yet but I think there are aspects of it that are getting close. Maybe?<\/p>\n One thing I have realized from this experiment is that it is not easy to play like Kenny G!\u00a0 He gets a lot of flack from the saxophone community (small % of the world) and Pat Metheny (smaller % of the world) but it seems like the other 99.9% of the world adores him!<\/p>\n I found that playing like him is similar to playing classical music in that I was trying to copy what someone else does.\u00a0 I haven’t really spent any time on it, but I listened to Kenny G play each of the songs I played and then I tried to copy what I heard.\u00a0 I haven’t played soprano like that in a long time and it was hard!\u00a0 To be honest, I wasn’t 100% happy with the first 2 minutes of the recording,\u00a0 but it is what it is. (I did have the thought of transcribing one of his cadenzas and recording it but quickly gave up on that idea when I realized how much time and work it would take……….)<\/p>\n A couple points you might be interested in:<\/p>\n 1.)\u00a0 I found that my normal jazz articulation (tonguing the offbeats and slurring into the downbeats) did not work well on the JXKM soprano sax mouthpiece.\u00a0 For some reason it just sounded really heavy and cumbersome.\u00a0 Tonguing sounded like a nail into the coffin of whatever line I was playing.\u00a0 Basically, it was killing it…….or more like burying it six feet under.\u00a0 It was horrible.\u00a0 Most of the fast lines you hear on this clip are either slurred or very very lightly tongued, if at all.\u00a0 My normal tonguing did not work so I adapted……..<\/p>\n 2.) Just for those who are curious, at the 3:50 mark in the sound clip, I take a little more mouthpiece in my mouth.\u00a0 It does change the sound and make it bigger and louder but I honestly don’t know if I like the before 3:50 sound better or the after 3:50 sound.\u00a0 I think I like the before 3:50 sound because it felt more controlled and focused but I liked the after 3:50 for how much bigger and bolder it sounded.\u00a0 I would have to play the mouthpiece more to figure out where I would like it best.\u00a0 I included it so you could get an idea of how it sounded with more mouthpiece in your mouth.<\/p>\n 3.)\u00a0 I felt totally uncomfortable using that much reverb on the reverb sound clip.\u00a0 It seemed the closest to the Kenny G tracks reverb though.\u00a0 \u00a0 When I listened to it just now it just seemed like way too much……but if that is what Kenny does then……….<\/p>\n 4.) Lastly, Kenny G has state of the art mics and effects. I have bottom of the line equipment compared to that. Please understand this when comparing his top of the line studio recordings to my bottom of the line mouthpiece sound clips.\u00a0 I already know which is better, but is the JXKM mouthpiece in the same ballpark as far as a mouthpiece?\u00a0 \u00a0You decide……….<\/p>\n 5.) Kenny G uses a Rovner ligature and Hemke 2 1\/2 reeds from what I have read.\u00a0 \u00a0I used a metal ligature and Vandoren Java 2 1\/2 reeds.\u00a0 From my experience, I think I would get a darker sound with Kenny G’s setup as the Rovner ligature and Hemke reeds tend to play darker than my ligature and Java reeds. (I also use a Yamaha YSS-62 soprano sax and Kenny uses a Selmer Mark VI)<\/p>\n JX Custom JXKM 8 Soprano Saxophone Mouthpiece<\/strong><\/p>\n The JX Custom JXKM 8 soprano saxophone mouthpiece is a great example of a well crafted high baffle, small\/medium chambered soprano mouthpiece. \u00a0If you have been on the search for a soprano sax mouthpiece that will give you a bright “Kenny G” type sound this is a great soprano mouthpiece\u00a0 to consider.<\/p>\n Thanks to Jianxing Li and Zhu Haiming for working together to get me these saxophone mouthpieces to review.\u00a0 If you are interested in the JX Custom JXKM 8 soprano saxophone mouthpiece you can email Mr. Li at jxmouthpieces@163.com<\/a> (I tested the email to make sure it works).\u00a0 At the writing of this review, JX Mouthpieces do not have a website but I am told they are working on one.<\/p>\n Let me know your thoughts in the comments below and if you get a JX Custom JXKM 8 soprano saxophone mouthpiece be sure to come back and let us know what you think below………Thanks!!<\/p>\n![\"\"](\"https:\/\/cdn.neffmusic.com\/2019\/JXGang2.jpg\")
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