{"id":54622,"date":"2019-03-04T16:47:22","date_gmt":"2019-03-04T21:47:22","guid":{"rendered":"http:\/\/www.neffmusic.com\/blog\/?p=54622"},"modified":"2022-11-16T12:16:16","modified_gmt":"2022-11-16T17:16:16","slug":"sugal-super-gonz-i-tenor-saxophone-mouthpiece-review","status":"publish","type":"post","link":"https:\/\/www.neffmusic.com\/blog\/2019\/03\/sugal-super-gonz-i-tenor-saxophone-mouthpiece-review\/","title":{"rendered":"Sugal Super Gonz I Tenor Saxophone Mouthpiece Review"},"content":{"rendered":"

Today, I am reviewing a “Sugal Super Gonz I” tenor saxophone mouthpiece like the one I played for seven years back in the 90s.\u00a0 Before the Super Gonz I,\u00a0 I had been playing a Sugal JB model tenor saxophone mouthpiece that I bought from Jerry Bergonzi in 1991 and had been using for about two years.\u00a0 That is the mouthpiece I use on this clip of Chromazone<\/a> I posted on the site. That JB model mouthpiece was the first tenor mouthpiece that I really hit it off with on the tenor sax.\u00a0 Before that, I had been playing on a Brilhart Level-Air mouthpiece and a couple of Dukoff D tenor mouthpieces for five years but I was very unhappy with those choices at the time.<\/p>\n

I was in a lesson with Jerry Bergonzi one week (probably complaining about my sound) when he handed me the Sugal JB mouthpiece to try.\u00a0 I tried it right there in the lesson and was pretty blown away by it.\u00a0 He said I could take it home for the week to see if I liked it.\u00a0 I did and absolutely loved it.<\/p>\n

I hear so many players that say “mouthpieces don’t matter….” but here was another instance where a night and day transformation happened with me regarding a mouthpiece.\u00a0 I had been playing the tenor sax for 5 years by that point, and on the Level-Air and Dukoff D mouthpieces I was incredibly frustrated.\u00a0 For five years I struggled with my tenor sound.\u00a0 I took that Sugal JB model mouthpiece home and from the minute I started playing it I was like 95% closer to the sound I had been hearing in my head.\u00a0 I was ecstatic and bought the mouthpiece from Jerry in the next lesson.<\/p>\n

I did not live happily ever after though.\u00a0 In 1993, I accidentally dropped the Sugal JB mouthpiece on a concrete floor while changing reeds.\u00a0 It landed right on the tip and was ruined. I was devastated!\u00a0 I called Gary Sugal up and he said I could come down to his factory in Providence Rhode Island the next week to try out what he had in stock.<\/p>\n

\"\"<\/a><\/p>\n

Sugal Super Gonz I Tenor Saxophone Mouthpiece<\/strong><\/p>\n

When I got to Providence, Gary brought out a bunch of tenor mouthpieces for me to try.\u00a0 I don’t remember what models they were but there were 6 or 7 mouthpieces that I played on that day if I remember correctly.\u00a0 I had my girlfriend with me at the time and I remember putting a copper Super Gonz I 7* on and trying it.\u00a0 Within a few seconds of playing it, my girlfriend said “Wow!\u00a0 That one sounds really good!\u00a0 I like that one!”.\u00a0 I was actually thinking the same exact thing!\u00a0 \u00a0Just to be sure, I went through all the mouthpieces again without telling her which one was which and sure enough, that Super Gonz I mouthpiece was our favorite and I bought it.<\/p>\n

I played that Super Gonz I mouthpiece on many gigs between 1993-2000.\u00a0 During that time, I also went through my share of health problems as I write about in my “Funny as a Brain Tumor<\/a>” story.\u00a0 In 2000, these assorted health issues were making it hard for me to blow as hard as I used to on the Super Gonz I.\u00a0 I used to play Rico Royal 3 1\/2 reeds on it and blew pretty darn hard but I could no longer play that way without hurting myself. (I was also scared of blowing that hard because in 1996 I had blown open my eustachian tube by blowing so hard and got bacterial meningitis twice in one month.\u00a0 I didn’t want to do that again!)<\/p>\n

I called Gary Sugal again and ordered a Super Gonz II because I thought I wouldn’t have to blow as hard for the volume I needed but it turned out that the Super Gonz II was way too bright for my tastes. Thus started my long and dedicated search for a new tenor saxophone mouthpiece.\u00a0 I started trying different mouthpieces as I went and in 2007 decided to start a website that would track these assorted trials. Neffmusic.com was born.<\/p>\n

\"\"<\/a><\/p>\n

Sugal Super Gonz I\u00a0 Tenor Saxophone Mouthpiece<\/strong><\/p>\n

The truth is that even though I have tried so many great tenor mouthpieces over the years, I still have a\u00a0 sentimentality when I think of that old copper Sugal Super Gonz I tenor sax mouthpiece I used to play. Last year, I saw a brass Super Gonz I mouthpiece that was also made in 1993 posted for sale and decided to buy it for curiosities sake.<\/p>\n

Although this Super Gonz I is over 25 years old,\u00a0 it is in pretty good condition.\u00a0It has some nicks and scratches but the gold plating seems to still be in pretty good shape.\u00a0 The blue mouthpiece patch is still intact which is a rarity for a Sugal mouthpiece this old and the slide on ligature is still with it and works like it should.\u00a0 The only thing missing is the iconic blue Sugal mouthpiece cap (I lost mine years ago…..if you have one sitting in a drawer please let me know as I have been looking for one).<\/p>\n

I know people always state that the material a saxophone mouthpiece is made of doesn’t matter but I swear that every Super Gonz I have tried that was made of brass seemed a bit edgier and brighter in tone than the warmer sounding copper model that I used to own. This brass SG I mouthpiece gives me that same impression.\u00a0 I hate to use the word “brassy” but it seems to have more of that quality than I remember my old copper Super Gonz I having.<\/p>\n

\"\"<\/a><\/p>\n

Sugal Super Gonz I Tenor Saxophone Mouthpiece<\/strong><\/p>\n

Here’s the description of the Sugal Super Gonz tenor saxophone mouthpiece in Gary’s own words from the Sugal website:<\/p>\n

SG I and KW I: This 18 Karat Heavy Gold plated brass mouthpiece is machined on our in house CNC (Computer Numerical Control) high tech cutting lathe from a solid piece of virgin grain one inch square bar stock.<\/em><\/p>\n

All our Super Gonz models have a medium size chamber and feature our precision machined parallel “Mini Tracks\u2122 ” which focus the air flow, economically\u00a0 into the chamber, allowing the metal to “breath” or expand for maximum resonation.<\/em><\/p>\n

This offers the “Traditional”\u00a0 player a rich powerful dark centered sound.\u00a0 Reminiscent of a Trane-Dexter sound\u00a0 the SG I\u00a0 model has a full dynamic round sound and can be modified (customized)\u00a0 to have a slightly larger chamber or an additional slight edge.<\/em><\/p>\n

Designed in collaboration with Jerry “The Gonz” Bergonzi the SG I\u00a0 captures that “warm” traditional sound. This model has been played on dozens of club dates and educational videos by Jerry. It has also been played and endorsed by other great educators such as Jerry Coker, Gary Cambell, Miles Osland and many others.<\/em><\/p>\n

\"\"<\/a><\/p>\n

Sugal Super Gonz I Tenor Saxophone Mouthpiece<\/strong><\/p>\n

The Sugal Super Gonz\u00a0 played great with a Rigotti Gold 2 1\/2 Strong reed.\u00a0 Although the ligature that it came with works well, I opted to use a Selmer 404 silver ligature which fit it perfectly instead.<\/p>\n

The engraving on the mouthpiece is a bit sloppy and hard to read.\u00a0 For some reason, it looks like Gary Sugal’s signature was engraved twice a bit askew of each other.\u00a0 The engraving has what looks like a 7 for the tip size but it could also be a 7+ or 7*, it’s hard to tell.\u00a0 The mouthpiece does play and feel like a 7* to me when I play it.<\/p>\n

In Gary Sugal’s description above, he write about the “parallel mini tracks” on the baffle of the mouthpiece and how they\u00a0” focus the air flow, economically\u00a0 into the chamber, allowing the metal to “breath” or expand for maximum resonation”.\u00a0 <\/em>I remember reading similar descriptions in the Sugal mouthpiece ads in the magazine “Saxophone Journal” back in the early 90s also.<\/p>\n

As I read these words now, they seem like elaborate and flowery sales jargon but back in the 90s I was hooked.\u00a0 I remember reading each ad and thinking “Man, I NEED a Sugal mouthpiece to “focus my airflow economically into the chamber allowing the metal to breath for maximum resonation!<\/em>”\u00a0 That sounded awesome!!\u00a0 \u00a0Is it true?\u00a0 Who knows?\u00a0 Is it provable?\u00a0 No way….. Does it sound good?\u00a0 You bet it does!\u00a0 It certainly got my attention and probably a lot of other sax players back then………<\/p>\n

\"\"<\/a><\/p>\n

Sugal Super Gonz I Tenor Saxophone Mouthpiece<\/strong><\/p>\n

How does the “Sugal Super Gonz I” play?\u00a0 Well, it played great for me!\u00a0 I found it to be very similar to my old Super Gonz I actually.\u00a0 I don’t think it is quite as warm as that copper Super Gonz I used to have but there were many other qualities about the sound, response and articulation that reminded me of that old mouthpiece of mine.<\/p>\n

I have always found these Sugal Super Gonz I mouthpieces to have an interesting mix of properties that are challenging for me to describe.\u00a0 \u00a0 For example,\u00a0 I find this mouthpiece to have a very fat, thick and spread tone when played into a room but when I play it into a wall it has a really focused concentrated tone that bounces back to my ears.<\/p>\n

It also has a unique mix of highs and lows in the sound I think. The Super Gonz I I had in the 90s could be played more spread and dark on a jazz set but could also be played brighter and more focused when you pushed it for a more modern “Brecker” like sound.\u00a0 This “Super Gonz I” plays the same way.\u00a0 At times, I think it is darker sounding and other times I think it is brighter.\u00a0 The low end can be fat and lush sounding and the high end can be focused and cutting when needed.\u00a0 It is a great mouthpiece if you start the gig playing standards and end playing solos on tunes like “Respect” in my opinion.<\/p>\n

\"\"<\/a><\/p>\n

Sugal Super Gonz I Tenor Saxophone Mouthpiece<\/strong><\/p>\n

Although this Sugal Super Gonz I looks and plays very well, I have seen other examples of these mouthpieces that had inconsistencies with the thickness and evenness of the rails, tip and the bite plates.\u00a0 Whenever I see one for sale, the first picture I look at is of the rails to see how thick and even they look.\u00a0 I think this is a good rule of thumb when buying any used mouthpiece. This Super Gonz is a good example of a mouthpiece with rails and a tip that are fairly even and not too thick in my opinion.<\/p>\n

If you are interested in trying a Sugal mouthpiece you can find out more information on the Sugal website<\/a>\u00a0 or you can probably pick one up used on Ebay if you look long enough…….<\/p>\n

If you try one or have tried a Sugal Super Gonz I tenor sax mouthpiece in the past,\u00a0 I would love to hear what you think in the comments below.\u00a0 Thanks,\u00a0 \u00a0Steve<\/p>\nhttps:\/\/cdn.neffmusic.com\/2019\/SugalSG2019Reverb.mp3<\/a><\/audio>\n

Sugal Super Gonz I\u00a0 Tenor Saxophone Mouthpiece-Recording with Reverb<\/strong><\/strong><\/p>\nhttps:\/\/cdn.neffmusic.com\/2019\/SugalSG2019.mp3<\/a><\/audio>\n

Sugal Super Gonz I\u00a0 Tenor Saxophone Mouthpiece-Dry Recording<\/strong><\/strong><\/p>\n

Disclosure: I purchased this Sugal Super Gonz I tenor saxophone mouthpiece reviewed above used on the internet so I could try it and perhaps review it on my blog. Regardless, I only review sax mouthpieces that I enjoy playing and believe will be good for other saxophone players to try also. Steve<\/div>\n","protected":false},"excerpt":{"rendered":"

Today, I am reviewing a “Sugal Super Gonz I” tenor saxophone mouthpiece like the one I played for seven years back in the 90s.\u00a0 Before the Super Gonz I,\u00a0 I had been playing a Sugal JB model tenor saxophone mouthpiece that I bought from Jerry Bergonzi in 1991 and had been using for about two […]<\/p>\n","protected":false},"author":63,"featured_media":56044,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[487,1120,45],"tags":[1790,264,1789,368,265],"class_list":{"0":"post-54622","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-mouthpiece-reviews","8":"category-tenor-medium-baffle-reviews","9":"category-tenor-mouthpieces","10":"tag-brass","11":"tag-mouthpiece-review","12":"tag-sugal","13":"tag-super-gonz","14":"tag-tenor-saxophone","15":"entry"},"_links":{"self":[{"href":"https:\/\/www.neffmusic.com\/blog\/wp-json\/wp\/v2\/posts\/54622","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.neffmusic.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.neffmusic.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.neffmusic.com\/blog\/wp-json\/wp\/v2\/users\/63"}],"replies":[{"embeddable":true,"href":"https:\/\/www.neffmusic.com\/blog\/wp-json\/wp\/v2\/comments?post=54622"}],"version-history":[{"count":0,"href":"https:\/\/www.neffmusic.com\/blog\/wp-json\/wp\/v2\/posts\/54622\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.neffmusic.com\/blog\/wp-json\/wp\/v2\/media\/56044"}],"wp:attachment":[{"href":"https:\/\/www.neffmusic.com\/blog\/wp-json\/wp\/v2\/media?parent=54622"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.neffmusic.com\/blog\/wp-json\/wp\/v2\/categories?post=54622"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.neffmusic.com\/blog\/wp-json\/wp\/v2\/tags?post=54622"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}