{"id":53034,"date":"2018-08-26T16:22:27","date_gmt":"2018-08-26T20:22:27","guid":{"rendered":"http:\/\/www.neffmusic.com\/blog\/?p=53034"},"modified":"2022-11-15T14:31:34","modified_gmt":"2022-11-15T19:31:34","slug":"10mfan-daddy-o-alto-saxophone-mouthpiece-review","status":"publish","type":"post","link":"https:\/\/www.neffmusic.com\/blog\/2018\/08\/10mfan-daddy-o-alto-saxophone-mouthpiece-review\/","title":{"rendered":"10mFan Daddy-O Alto Saxophone Mouthpiece Review"},"content":{"rendered":"

Mark Sepinuck, 10mFan<\/a><\/strong> as he is known in the saxophone world, has been producing a line of tenor saxophone mouthpieces for the last five years that have been very popular with saxophone players around the world.\u00a0 I have reviewed some of 10mFan’s tenor sax mouthpiece models in the past such as the Robusto,<\/a> the Black Widow<\/a> and the Classic<\/a>.<\/p>\n

Mark released his first 10mFan alto sax mouthpiece called the Showboat<\/a> which I reviewed a few months ago.\u00a0 Now, Mark has released his second alto saxophone mouthpiece model called the “Daddy-O” after the Cannonball Adderley tune “One for Daddy-O” from the album “Somethin’ Else”.\u00a0 Cannonball Adderley is one of my all time favorite alto players (I just reviewed the Cannonball Adderley Omnibook<\/a>…….), so a mouthpiece named after one of Cannonball’s classic tunes is one that I had to try……..<\/p>\n

I have to be honest, after I reviewed the 10mFan Showboat alto mouthpiece, I was pretty content. It could do everything I wanted on the alto sax and I thought I could just leave it on my alto for the rest of my life.\u00a0 A few weeks after completing the Showboat review, Mark emailed me,\u00a0 “Steve,\u00a0 you have to try the Daddy-O! It’s just as killin’ as the Showboat!!\u00a0 You will love it!”\u00a0 My first thought was “Oh crap!\u00a0 I hope I don’t like it!\u00a0 What am I going to do if I love it as much as the Showboat!\u00a0 Oh No!!!!!”\u00a0 \u00a0 Well, my fears have been realized………<\/p>\n

\"\"<\/a><\/p>\n

10mFan Daddy-O Alto Saxophone Mouthpiece<\/strong><\/p>\n

Here’s the description of the Daddy-O alto saxophone mouthpiece in Mark’s own words from the 10mFan website:<\/p>\n

Category 1 Daddy-O: Rich and colorful low end with a clear and well\u00a0defined mid and high frequency set. Full, classic, and colorful\u00a0sounding in the style of Cannonball Adderley. Great lead alto mouthpiece with less brights than the Showboat alto has available. \u00a0More of a classic alto sound from the big band to the Blue Note era.\u00a0<\/strong>Built to outplay the classic Meyer Bros medium chamber alto mouthpieces. This is a beautiful mouthpiece that encaptures the classics f<\/strong>rom Bird to Desmond to Cannonball!<\/strong><\/em><\/h3>\n

\u201cDaddy-O\u201d alto mouthpiece:<\/strong>\u00a0Highly versatile alto mouthpiece that produces a sweet, warm, and colorful sound with the power necessary to lead a modern big band section. This has the richest palette of my alto mouthpieces, that makes it the most versatile and classic sounding. This is not a \u201cdark\u201d mouthpiece, as dark or stuffy is not what an alto mouthpiece should sound like to me. It should sing and ring, whether it\u2019s warm or brighter! You can get all the classic alto vibes from this piece, and if you need even more aggressive, go with the Showboat model. Think Bird, Stitt, Hodges, Desmond, Art Pepper, Lou Donaldson, and Cannonball vibes with this Daddy-O, to name a few.<\/em><\/p>\n

An amazing alto mouthpiece with a harmonic richness not found in more traditional designs. You can play as quiet as you want and as loud as you want and I designed it so it would not be as bright or punchy as the Showboat model can get, but still have killer altissimo and more power available than most straight ahead alto players have experienced. For me, it\u2019s so much more fun and satisfying to play than the vintage Meyer Bros and all the Category 1 vintage mouthpieces. This includes Brilhart, Selmer, Meyer, Otto Link, etc\u2026), while keeping the tradition and classic alto sound associated with those pieces. This piece can sing over a big band section or whisper as soft as you can hear.<\/em><\/p>\n

This alto piece has classic facing geometry for the player that digs a classic feeling type of blow, but this has more freedom in it. It has straight side walls, and a very long and lower baffle. There isn\u2019t an alto mouthpiece in existence that looks and plays like this. I am very proud of my designs. Very classic sound here with a classic feel, offering players way more flexibility and versatility than the vintage mouthpieces in this same category.<\/em><\/p>\n

TIP OPENINGS:
\n5 = .072
\n6 = .078
\n7 = .083
\n8 = .090<\/span><\/b><\/p>\n

\"\"<\/a><\/p>\n

10mFan Daddy-O Alto Saxophone Mouthpiece<\/strong><\/p>\n

Mark was nice enough to send me a sample 10mFan “Daddy-O” alto sax mouthpiece in a 6 tip opening (.078) for this review.\u00a0 I absolutely loved the Showboat alto mouthpiece with a 6 tip opening that I reviewed previously so I was confident I would really dig the “Daddy-O” in a 6 tip opening also.<\/p>\n

From above, the 10mFan “Daddy-O” hard rubber saxophone mouthpiece looks the same as the 10mFan hard rubber tenor sax mouthpieces I have already reviewed except that it is smaller. \u00a0It has the signature three white lines on the shank which I think is a great marketing idea. \u00a0You can spot these three lines from pretty far away and know what mouthpiece brand a player is using.<\/p>\n

The mouthpiece has “Daddy-O” engraved in white on the top as well as 10mFan in cursive engraving. \u00a0When you look at the table side of the mouthpiece, the table is flat and smooth and the rails and tip look even and perfect.<\/p>\n

The Daddy-O has a long low baffle that at a certain point changes to a steeper descent into a medium chamber.\u00a0 This transition point in the baffle is a smooth, slightly curved line that you can see in the pictures.\u00a0 \u00a0The bottom portion of the baffle has a curved shape to it as it heads down and through the chamber area where it ends at the rear of the chamber.\u00a0 As I look at the baffle under the light, I can see what looks like a slight rollover in the baffle near the tip of the mouthpiece.\u00a0 The sidewalls of the mouthpiece are straight as they head from the tip to the chamber but once they enter the chamber area they are scooped out to give the chamber it’s round shape.<\/p>\n

When comparing the Daddy-O side by side with the Showboat, the Daddy-O has a lower baffle that is a bit longer before it transitions to the slope at the beginning of the chamber.<\/p>\n

The beak height is absolutely perfect for me.\u00a0 The mouthpiece feels very comfortable to play just like the Showboat alto mouthpiece was for me.<\/p>\n

\"\"<\/a><\/p>\n

10mFan Daddy-O Alto Saxophone Mouthpiece<\/strong><\/p>\n

I have been impressed with Mark Sepinuck’s originality in regards to his mouthpiece designs as I have stated in my other reviews.\u00a0 \u00a0He doesn’t seem to start with a design and then see if he likes it, he starts with a sound concept in his head and then tries to find the design that can produce that sound he imagines in his mind.\u00a0 In my view,\u00a0 he approaches making mouthpieces much the same as a musician approaches improvising.\u00a0 They have to imagine the sound and line and then create what they imagine.<\/p>\n

Mark says that his goal with the Daddy-O was to make a mouthpiece that would outplay the classic Meyer Brothers medium chamber mouthpieces of the past. Most other mouthpiece craftsman would just copy a NY Meyer\u00a0 or Meyer Bros mouthpiece and say here you go……Mark instead says “let’s figure out something new and fresh that delivers what I am hearing and imagining”.\u00a0 I just think this is totally cool!<\/p>\n

I know at this point, many of you want to know if it really does outplay those vintage Meyer alto mouthpieces we have all heard so much about.\u00a0 I’ll leave that answer to the players out there that currently play vintage Meyers and are able to try the Daddy-O side by side.\u00a0 They are more knowledgeable about the differences than I am as I don’t own a vintage Meyer mouthpiece at this time.\u00a0 I will say that I did try a vintage Meyer mouthpiece many years ago that Bob Ackerman was selling and when I first played the Daddy-O I was immediately reminded of playing that Meyer in that music store all those years ago. The similarity to me was the richness and character of the tone. The Meyer had a certain richness to the notes and the high notes had a sparkle and sizzle to them.\u00a0 When I first tried the Daddy-O with a Woodstone 3 1\/2 reed I heard that same richness and sparkle in the tone that excitedly reminded me of that vintage Meyer I tried so many years ago.<\/p>\n

That being said, I also didn’t buy that vintage Meyer from Bob Ackerman because it didn’t have the power and volume I was looking for at the time. I believe that mouthpiece was a 4 or 5 tip opening.\u00a0 The Daddy-O 6 alto mouthpiece doesn’t have that problem that is for sure.<\/p>\n

\"\"<\/a><\/p>\n

10mFan Daddy-O Alto Saxophone Mouthpiece<\/strong><\/p>\n

The 10mFan “Daddy-O”\u00a0 was incredibly reed friendly for me.\u00a0 \u00a0I put on a Rigotti Gold 3 Light reed and it played about as perfectly as I could hope for.\u00a0 Many times, I have to adjust or get used to a mouthpiece,\u00a0 but playing the Daddy-O for the first time felt like I was already at home with it.<\/p>\n

I decided to experiment with some other reeds so I tried a Rigotti Gold 2 1\/2 Strong reed, Woodstone 3, Woodstone 3 1\/2, a Gonzalez 2 1\/2 and a few Marca reeds I had in my drawer.\u00a0 All these reeds played well on the Daddy-O.\u00a0 I felt like the Rigotti gave me the brightest tone. The Woodstone gave me the second brightest tone.\u00a0 The Gonzalez and Marca reeds were definitely darker for me.\u00a0 I chose to record with the Woodstone 3 reed as I liked the brightness of it but the Woodstone 3 1\/2 played just as easily for me.<\/p>\n

\"\"<\/a><\/p>\n

10mFan Daddy-O Alto Saxophone Mouthpiece<\/strong><\/p>\n

The sound clip I have included at the bottom of the review is a bit longer than my usual 3 minute clip but I thought there were some cool variations and sounds in the clip that I wanted to include so you could get a good idea of what the mouthpiece can do and how it sounds for me.<\/p>\n

\"\"<\/a><\/p>\n

10mFan Daddy-O Alto Saxophone Mouthpiece<\/strong><\/p>\n

The 10mFan Daddy-O alto mouthpiece is a bit warmer than the Showboat alto mouthpiece in my opinion.\u00a0 Although it might have a bit less brightness in the tone than the Showboat I feel like perhaps it is a bit richer sounding to my ears.\u00a0 It’s almost like there are more harmonics and overtones in the sound that make it more rich sounding.<\/p>\n

It is not a “dark” mouthpiece by any means.\u00a0 I found that it could be played with a warmer more bop sound or more aggressively with a brighter bop sound.\u00a0 I could also imagine laying back and going for a cool Paul Desmond kind of approach on it with a slightly harder reed.\u00a0 \u00a0I can certainly imagine a Cannonball type sound with this mouthpiece also as it can take all the air you can give it for a big fat powerful sound if you want.<\/p>\n

The complexity of the tone and richness of the sound make me feel like there is a lot to discover with the Daddy-O.\u00a0 It seemed like every different reed strength and different reed brand totally changed up the sonic timbre that I was hearing when I played.\u00a0 It was confusing for me to figure out which sound and reed I liked the most although in the end I went with the Woodstone 3 like I wrote above.<\/p>\n

\"\"<\/a><\/p>\n

10mFan Daddy-O Alto Saxophone Mouthpiece<\/strong><\/p>\n

Mark has really surprised me with these two new alto saxophone mouthpiece models.\u00a0 I have tried so many alto mouthpieces over the years and I guess I was kind of at a point where I thought there was nothing new under the sun. As far as alto mouthpieces, you had the Meyer design and then pieces with baffles in them that were usually very different than the Meyer sound and concept.\u00a0 With the Showboat and Daddy-O, Mark has come up with designs that somehow give you everything you love about the Meyer sound and concept but with all the pluses that go along with a baffled mouthpiece.\u00a0 In my mind the Daddy-O has a sound that I would swear was a Meyer if I was just listening to it yet it has the extra boost of power and and clarity when needed that comes from that little bit of baffle in the design which is very cool!<\/p>\n

\"\"<\/a><\/p>\n

10mFan Daddy-O Alto Saxophone Mouthpiece<\/strong><\/p>\n

In my opinion, the 10mFan “Daddy-O” is a great alto mouthpiece for those of you looking for a sax mouthpiece that does it all.\u00a0 I know I said that about the 10mFan Showboat also so you might be confused about which one to get.\u00a0 Both pieces straddle the line between a classic alto sound ala Phil Woods and Cannonball Adderley but both give you more power and brightness in the sound to really pop and cut through when needed.\u00a0 The Daddy-O is for those of you that might want to lean towards the more traditional sound. You might not want to be too bright but more in the middle of the dark to bright spectrum.\u00a0 The Showboat would be for those of you who might like to live in that brighter spectrum with a bit more power.\u00a0 It’s really hard to guide you towards either one because either mouthpiece can handle multiple genres and styles depending on how the player plays them.<\/p>\n

When I wrote the Showboat review I wrote that I thought it would be a great “lead alto” mouthpiece but I believe that Daddy-O could fill those shoes also.\u00a0 Listen to the clips and see what you think for yourself.\u00a0 I’m in a tough situation myself as I honestly thought I was all set with the Showboat and it would be on my alto for the rest of my days.\u00a0 Now that I have tried the Daddy-O and like it just as much as the Showboat I have to make a hard choice every time I pick up my alto sax from now on………<\/p>\n

I think Mark Sepinuck at 10mFan did a great job with the Daddy-O alto saxophone mouthpiece. \u00a0Mark is great with his descriptions of his mouthpieces and I feel like he has come out with another “gem” of a mouthpiece. \u00a0Well done guys! If you are interested in the Daddy-O alto saxophone mouthpiece you can find out more information at 10mFan.com<\/a>.\u00a0 \u00a0 Mark is a great guy and he can answer any questions you might have about his mouthpieces.<\/p>\n

If you try a 10mFan Daddy-O alto sax mouthpiece,\u00a0 I would love to hear what you think in the comments below.\u00a0 Thanks,\u00a0 \u00a0Steve<\/p>\nhttps:\/\/cdn.neffmusic.com\/2018\/Daddy-O-Final-1.mp3<\/a><\/audio>\n

10mFan Daddy-O Alto Saxophone Mouthpiece-Woodstone 3<\/strong><\/strong><\/p>\n

Disclosure: I received the sample mouthpiece mentioned above for free in the hope that I would try it and perhaps review it on my blog. Regardless, I only review mouthpieces that I enjoy playing and believe will be good for other saxophone players to try also. Steve<\/div>\n","protected":false},"excerpt":{"rendered":"

Mark Sepinuck, 10mFan as he is known in the saxophone world, has been producing a line of tenor saxophone mouthpieces for the last five years that have been very popular with saxophone players around the world.\u00a0 I have reviewed some of 10mFan’s tenor sax mouthpiece models in the past such as the Robusto, the Black […]<\/p>\n","protected":false},"author":63,"featured_media":53038,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1124,46,487],"tags":[1086,119,20,1763,658,239],"class_list":{"0":"post-53034","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-alto-low-baffle-reviews","8":"category-alto-mouthpieces","9":"category-mouthpiece-reviews","10":"tag-10mfan","11":"tag-alto-sax","12":"tag-cannonball-adderley","13":"tag-daddy-o","14":"tag-review","15":"tag-saxophone-mouthpiece","16":"entry"},"_links":{"self":[{"href":"https:\/\/www.neffmusic.com\/blog\/wp-json\/wp\/v2\/posts\/53034","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.neffmusic.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.neffmusic.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.neffmusic.com\/blog\/wp-json\/wp\/v2\/users\/63"}],"replies":[{"embeddable":true,"href":"https:\/\/www.neffmusic.com\/blog\/wp-json\/wp\/v2\/comments?post=53034"}],"version-history":[{"count":0,"href":"https:\/\/www.neffmusic.com\/blog\/wp-json\/wp\/v2\/posts\/53034\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.neffmusic.com\/blog\/wp-json\/wp\/v2\/media\/53038"}],"wp:attachment":[{"href":"https:\/\/www.neffmusic.com\/blog\/wp-json\/wp\/v2\/media?parent=53034"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.neffmusic.com\/blog\/wp-json\/wp\/v2\/categories?post=53034"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.neffmusic.com\/blog\/wp-json\/wp\/v2\/tags?post=53034"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}