![\"\"](\"https:\/\/public.neffmusic.com\/IshimoriA11Top.jpg\"){kind=spacer}
<\/a><\/p>\nIshimori Woodstone A11 Silver Alto Saxophone Mouthpiece<\/strong><\/p>\n Over the past few months I have heard of Ishimori Woodstone mouthpieces from a number of players on the web.\u00a0 They were all raving about how good these mouthpieces were which really peaked my curiosity.\u00a0 I had a problem though, when I searched around for these mouthpieces I couldn’t find them anywhere except for the Ishimori site in Japan and the whole site was in Japanese.\u00a0 (I am not fluent in Japanese)\u00a0 I gave up after that but then a month later I heard another player raving about them again.\u00a0 This time I decided to try contacting Ishimori directly through their website.\u00a0 I sent them an email asking about their mouthpieces and a few days later received a courteous response from Norikiyo Yaguchi who handles Overseas transactions for Mr. Ishimori.\u00a0 He was\u00a0 nice enough to send me 5 mouthpieces to review- 2 alto, 2 tenor and one soprano mouthpiece.\u00a0 This is the first one I played because it was the first box I opened.<\/p>\n The mouthpiece is beautiful.\u00a0 It has a perfect looking facing curve and tip.\u00a0 The baffle is high and slopes to and even edge where it then slopes down into a medium to small chamber.\u00a0 It has a big black plastic bite plate that came with a mouthpiece patch on it for extra protection.\u00a0 The bore end of the mouthpiece is covered with black hard rubber that has a scroll type design on it that looks great.\u00a0 Underneath the black hard rubber end is the metal of the mouthpiece so don’t worry, it won’t break on you.\u00a0 I am told that they added the hard rubber to soften the sound a bit.<\/p>\n To be honest, when I first saw the baffle on this mouthpiece I made an assumption that I was going to hate it.\u00a0 I have tried dozens of high baffle mouthpieces that have played horribly.\u00a0 They would squeak and chirp and sound ridiculously bright.\u00a0 I was thinking this would be the same with a baffle that high.\u00a0 I was very surprised when I played it.\u00a0 It had a brighter powerful sound but it wasn’t overly bright to my ears.\u00a0 I actually really liked it.\u00a0 It kind of reminded me of a Warren Hill type of sound.\u00a0 Kind of a fatter Sanborn type alto sound. Not so bright that you couldn’t play straight ahead but I do think it is great for that smooth jazz kind of sound.\u00a0 You can hear that I was leaning to that type of sound in the clips below.\u00a0 I wouldn’t say this mouthpiece is for everyone but if you are looking for a brighter more focused modern alto sound this would be a good choice.<\/p>\n The mouthpiece came with a Woodstone #3 reed on it which was perfect for this mouthpiece.\u00a0 The first clip has reverb on it.\u00a0 I always review these high baffle pieces and talk about how they would sound killer with some reverb.\u00a0 This time,\u00a0 I thought I would add some just so you could hear what I’m talking about.\u00a0 The recording is nothing fancy but I just recorded it with Garageband on my Mac.\u00a0 The reverb is just the stock reverb that Garageband uses it doesn’t sound studio quality to me but you can get the idea. \u00a0\u00a0 The second clip is from the same recording but is totally dry. \u00a0 I wanted to add a dry clip so you can compare it to the other mouthpiece review clips on my site which are all dry. \u00a0 I had to edit both clips to shorten them to under 2 minutes so they are slightly different as I had to edit each one separately.\u00a0 You can hear on the first clip how this mouthpiece could do well in a smooth jazz type of gig.<\/p>\n<\/a><\/p>\n<\/a><\/p>\n