{"id":35066,"date":"2016-03-05T12:05:58","date_gmt":"2016-03-05T17:05:58","guid":{"rendered":"http:\/\/www.neffmusic.com\/blog\/?p=35066"},"modified":"2016-03-05T12:07:53","modified_gmt":"2016-03-05T17:07:53","slug":"saxquest-the-core-tenor-saxophone-mouthpiece-review","status":"publish","type":"post","link":"https:\/\/www.neffmusic.com\/blog\/2016\/03\/saxquest-the-core-tenor-saxophone-mouthpiece-review\/","title":{"rendered":"Saxquest “The Core” Tenor Saxophone Mouthpiece Review"},"content":{"rendered":"

Today, I am reviewing the new\u00a0“The Core” hard rubber tenor saxophone mouthpiece from Saxquest<\/a>. Mark Overton\u00a0over at Saxquest\u00a0came out with two new hard rubber tenor sax mouthpieces a few months ago called “The Bridge” (hand faced by Eric Falcon) and “The Core” (hand faced by James Bunte).<\/p>\n

Mark said that the purpose \u00a0behind making these two mouthpieces was to try to recapture the sound and playability of the 60’s era “Blue Note” tenor sound.<\/p>\n

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Saxquest “The Core” Tenor Saxophone Mouthpiece<\/strong><\/p>\n

Here’s a quote from Mark Overton at Saxquest about “the Core” tenor sax mouthpiece that I found interesting:<\/p>\n

“The Core is a piece that embodies the very best characteristics of an Early Babbitt (I’m sure you recognized the baffle configuration with the characteristic “thumb print” pattern). But also utilizes the chamber configuration of a great Calrsbad vintage hard rubber Brilhart. This mouthpiece is actually manufacture at Babbitt using a specially designed core mandrel exclusive to this mouthpiece. It is then hand faced by James Bunte. (I think he’s one of our current “unknown” master mouthpiece facing experts.) \u00a0The piece has a unique easy blowing character to it and is perhaps slightly darker in overall sonics when compared to The Bridge. But it also projects and allows for an incredible flexibility regarding tone shaping and expression.”<\/span><\/em><\/p>\n

“These two pieces (The Bridge and the Core) are definitely different but represent, to the best of my ability, a similar sound concept, that ultimately depends on the player. I’ve seen people respond differently over the years to both versions of a great vintage Otto Link. Some gravitate towards a Florida vintage slant and other gravitate towards the early Babbitt concept. “The Bridge” and “The Core” were designed to give players both modern and consistent opportunities to experience both concepts at a price that won’t break the bank.-Mark Overton<\/span><\/em><\/p>\n

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Saxquest “The Core” Tenor Saxophone Mouthpiece<\/strong><\/p>\n

The Saxquest Core and Bridge\u00a0mouthpieces came together and upon inspection looked very similar to my eyes. To be honest, it is hard for me to pinpoint the differences between them. \u00a0They both have medium rollover baffles. The \u201cCore\u201d baffle does look slightly higher to my eye although they are so similar that it is hard to tell. \u00a0The chamber\u00a0size\u00a0looks almost identical to me, although I would be curious if one is slightly larger or smaller than the other.<\/p>\n

The side rails \u00a0are scooped out\u00a0heading into the chamber and the tip and side rails are thin and even.<\/p>\n

The two mouthpieces were very reed friendly and the shape of the tip matched the reeds perfectly.<\/p>\n

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Saxquest “The Core” Tenor Saxophone Mouthpiece<\/strong><\/p>\n

I\u00a0used the same\u00a0D\u2019Addario Select Jazz Unfiled 3S reed on the Core\u00a0that I used on the Bridge review (I call it a Rico in the audio clip out of habit but they are made by D\u2019Addario now according to the new box the reeds come in). \u00a0Rigotti Gold reeds also played well on the Core\u00a0mouthpiece, but I felt like the D’Addario reeds had a richer sound to my ear which I really liked.<\/p>\n

I\u00a0found the sound of the Core\u00a0to be in the same ball park as a rich and thick sounding\u00a0vintage Otto Link mouthpiece. \u00a0I find it interesting that the Core is modeled after the vintage hard rubber EB (Early Babbitt) Otto Links as my experience with many EB Links has been that they are really bright in many cases so that was what I was expecting from the Core. \u00a0I didn’t find the Core very bright at all however which makes me wonder if the main difference is this fact pulled from the Mark Overton quote above “(The Core)\u00a0also utilizes the chamber configuration of a great Carlsbad vintage hard rubber Brilhart” \u00a0<\/span><\/em>I don’t know what the differences between the EB Link chambers and a Carlsbad Brilhart chamber are but I would be interested to know………..)<\/span><\/p>\n

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Saxquest “The Core” Tenor Saxophone Mouthpiece<\/strong><\/p>\n

In comparison to the Bridge which I just reviewed also, the Core\u00a0is a bit darker\u00a0and to my ear a little more spread\u00a0sounding. \u00a0I could get some nice volume out of it and as I pushed it louder it did get a little bit brighter but\u00a0it still held on to that rich character of tone.<\/p>\n

The Core, \u00a0seemed to have more \u201ccharacter\u201d \u00a0in the tone to me than the Bridge. \u00a0 It\u2019s\u00a0tone seemed\u00a0more grainy, textured and complex than the Bridge although the trade off is that the Bridge had that tight focus and\u00a0purity to the sound I thought. \u00a0 I think the extra richness and character in the Core sound made me feel like I was pushing a thicker tone when playing louder which\u00a0I really liked.<\/p>\n

The intonation on the Core\u00a0was great and the tone was very even throughout the range of the horn as you can hear in the clip at the bottom of the page.<\/p>\n

As I listen back to the Core\u00a0and Bridge review clips I realize that I am playing at a medium volume for most of the clips. \u00a0I’ve been having a few health issues that make it harder to blow harder over the last 6 month but I think it would be good to do another clip in the future (on a good day) on both mouthpieces at more of a\u00a0wailin’ volume……….(I’ll let you know…………)<\/p>\n

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Saxquest “The Core” Tenor Saxophone Mouthpiece<\/strong><\/p>\n

A couple of observations about the clip: \u00a0For the first 1:50 of the clip I get caught up in a repeated phrase that I thought was cool and had trouble letting go of because I liked it so much. I usually try to show more variety so I apologize for going so long with one idea, I just liked the groove……….At the 1:51-1:58 mark I use slightly more air as I was pretty laid back up to this point and I think you can hear how the tone fills up and thickens even more which I love. At 2:10-2:15 I am just playing some slow jazz lines but what sticks out to me are the low notes at that section. \u00a0I love how full and rich they sound. \u00a0Even though they pass by quickly I love how thick they are!<\/p>\n

The Core\u00a0tenor saxophone mouthpiece is another great affordable option for those looking for a vintage hard rubber sound without the vintage hard rubber price tag. \u00a0I really appreciate how Mark Overton, James Bunte and the guys at Saxquest have worked hard to not just give us some alternatives to the vintage mouthpieces but also tried to put their own spin on these mouthpieces to make them unique.<\/p>\n

If you read this review, listen to the clip and want to try the Saxquest\u00a0\u201cThe Core\u201d\u00a0tenor saxophone\u00a0mouthpiece you can contact Saxquest\u00a0at this link<\/a>. \u00a0 Great job Mark Overton, James Bunte, Zac Minor, Ben Reece and everyone else at Saxquest!<\/p>\nhttps:\/\/cdn.neffmusic.com\/2016\/Core.mp3<\/a><\/audio>\n

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Saxquest “The Core” Tenor Saxophone Mouthpiece<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Today, I am reviewing the new\u00a0“The Core” hard rubber tenor saxophone mouthpiece from Saxquest. Mark Overton\u00a0over at Saxquest\u00a0came out with two new hard rubber tenor sax mouthpieces a few months ago called “The Bridge” (hand faced by Eric Falcon) and “The Core” (hand faced by James Bunte). Mark said that the purpose \u00a0behind making these […]<\/p>\n","protected":false},"author":63,"featured_media":35067,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1120,45],"tags":[1460,716,1461,361,633,265],"class_list":{"0":"post-35066","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-tenor-medium-baffle-reviews","8":"category-tenor-mouthpieces","9":"tag-core","10":"tag-jazz-sax","11":"tag-mark-overton","12":"tag-mouthpiece","13":"tag-saxquest","14":"tag-tenor-saxophone","15":"entry"},"_links":{"self":[{"href":"https:\/\/www.neffmusic.com\/blog\/wp-json\/wp\/v2\/posts\/35066","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.neffmusic.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.neffmusic.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.neffmusic.com\/blog\/wp-json\/wp\/v2\/users\/63"}],"replies":[{"embeddable":true,"href":"https:\/\/www.neffmusic.com\/blog\/wp-json\/wp\/v2\/comments?post=35066"}],"version-history":[{"count":0,"href":"https:\/\/www.neffmusic.com\/blog\/wp-json\/wp\/v2\/posts\/35066\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.neffmusic.com\/blog\/wp-json\/wp\/v2\/media\/35067"}],"wp:attachment":[{"href":"https:\/\/www.neffmusic.com\/blog\/wp-json\/wp\/v2\/media?parent=35066"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.neffmusic.com\/blog\/wp-json\/wp\/v2\/categories?post=35066"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.neffmusic.com\/blog\/wp-json\/wp\/v2\/tags?post=35066"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}