{"id":111395,"date":"2023-01-14T14:41:24","date_gmt":"2023-01-14T19:41:24","guid":{"rendered":"https:\/\/www.neffmusic.com\/blog\/?p=111395"},"modified":"2023-01-14T14:41:24","modified_gmt":"2023-01-14T19:41:24","slug":"syos-max-ionata-signature-tenor-saxophone-mouthpiece-review","status":"publish","type":"post","link":"https:\/\/www.neffmusic.com\/blog\/2023\/01\/syos-max-ionata-signature-tenor-saxophone-mouthpiece-review\/","title":{"rendered":"SYOS Max Ionata Signature Tenor Saxophone Mouthpiece Review"},"content":{"rendered":"

Today, I am reviewing another tenor saxophone mouthpiece from SYOS mouthpieces<\/a> in France.\u00a0 This is the SYOS Max Ionata signature model 7* tenor saxophone mouthpiece I will be reviewing today.\u00a0 The SYOS company hit the saxophone mouthpiece scene a few years ago and immediately caught the world’s attention by producing these really bright colored 3D printed saxophone mouthpieces.\u00a0 I must admit, that at first, I was very skeptical of plastic 3D mouthpieces, but after reviewing quite a few SYOS mouthpiece (18 SYOS mouthpiece reviews to date) over the years (SYOS Mouthpiece Reviews<\/a>), I have come to respect the SYOS business model and the quality and playability of the SYOS saxophone mouthpieces I have played.<\/p>\n

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Max Ionata on his SYOS Max Ionata Signature Tenor Sax Mouthpiece (photo by Paolo Iammarrone)<\/strong><\/p>\n

This Max Ionata signature model tenor saxophone mouthpiece I am reviewing today is forest green and is a 7* tip opening.\u00a0 Although, I requested the 7* tip and forest green color for this mouthpiece review, the SYOS Max Ionata model mouthpiece can come in any of nine tip openings from 5-9 and in a variety of ten attention getting colors.<\/p>\n

If you are a saxophone player, and you don’t know about Max Ionata, you are in for a real treat.\u00a0 Max Ionata is a swingin’ tenor saxophone player who lives in Italy and is one of my favorite jazz saxophone players.\u00a0 \u00a0I have transcribed a number of his solos over the years that you can check out here: Max Ionata Transcriptions.<\/a> \u00a0Max has an amazing tenor saxophone sound but also an amazingly tasteful gift for jazz improvisation.\u00a0 In this age of whomever plays the fastest wins, Max Ionata seems to focus more on the elements of feel, swing, melody and the connection of his lines and vocabulary.\u00a0 He combines the best of the foundational language of jazz improvisation from the past masters with his own individual laid back feel while also mixing in some incredible cool and modern improvisational concepts.<\/p>\n

Don’t get me wrong, Max Ionata does indeed lay it out and smoke at times but he does it in such a casual, laid back and relaxed manner, that many times you don’t realize how incredibly technical and difficult what he is playing is.\u00a0 Max Ionata is a tru modern day jazz pioneer and one of my favorite tenor sax players.\u00a0 You can also find out more about Max Ionata and his fabulous recordings at his website<\/a>. Check it out!<\/p>\n

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SYOS Max Ionata Signature Tenor Saxophone Mouthpiece<\/strong><\/p>\n

Before we get to the playing of the SYOS Max Ionata tenor sax mouthpiece, let me give you a few tidbits of info from the SYOS website on these SYOS saxophone mouthpieces.<\/p>\n

First of all, you have three choices when you visit the SYOS website<\/a> and order a sax mouthpiece.\u00a0 You can order a “SYOS Signature Mouthpiece” which is basically what the mouthpiece that the player whose name is on the mouthpiece plays.<\/p>\n

If, however, you want to be unique and are on a quest to find your own unique sound, you might want to pick the second choice of ordering a custom mouthpiece from SYOS which I have to say looks like a pretty cool process.\u00a0 Here’s what you do on the SYOS website<\/a>:<\/p>\n

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  1. First, you choose what saxophone you play. Soprano, Alto, Tenor or Bari Sax<\/li>\n
  2. Second, you choose whether you are a beginner, intermediate or professional sax player<\/li>\n
  3. Third, you choose what type of music you play (you can pick more than one category)<\/li>\n
  4. Fourth, this is the coolest part, you choose your sound preferences.\u00a0 There is a slider for tone that goes from very dark to very bright.\u00a0 You can choose where in that tone spectrum you feel you would like to be.\u00a0 There is also a slider to choose how powerful you want to be.\u00a0 The slider goes from soft to powerful.\u00a0 \u00a0Now here’s the coolest part because as you are reading this you might be confused about how you might choose what you want or you might be confused about what your preferences are.\u00a0 SYOS gives you a bunch of examples with sound clips!\u00a0 \u00a0How cool is that?\u00a0 The following list of player are listed and rated for tone and power. Ben Webster, Chris Potter, Coleman Hawkins, Dexter Gordon, Joe Henderson, Michael Brecker, Sonny Rollins, Stan Getz and Wayne Shorter. (Can I just point out at this point,\u00a0 how awesome Chris Potter must feel about being included in this list!)<\/li>\n
  5. You click “Submit” and wait by your mailbox for your custom mouthpiece that will answer all your dreams to be delivered.<\/li>\n<\/ol>\n

    A third option, is that you can order a SYOS Originals saxophone mouthpiece.\u00a0 They make three mouthpieces for each saxophone (soprano, alto and tenor saxophone) called Smoky (darker and warmer), Steady (medium) and Spark (brighter and louder).\u00a0 I have reviewed all of these SYOS Originals saxophone mouthpieces<\/a> in the past and they were excellent.<\/p>\n

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    SYOS Max Ionata Signature Tenor Saxophone Mouthpiece<\/strong><\/p>\n

    Here is a few comments about the material SYOS mouthpieces are made from in case you are curious:<\/p>\n

    We use ABS plastic to craft our mouthpieces: this material allows us to get the highest degree of precision, with an improved resistance and durability. And you can get that in 18 colors to build a perfect style on stage!<\/em><\/p>\n

    The plastic we use to make Syos mouthpieces has been certified non-toxic in laboratory (EN 71 and CE 1907\/2006 standards). In fact, the same kind of plastic is used to make toys for children, which can be put in mouth without any risks. At the opposite, with the \u201cebonite\u201d plastic, some sulfuric acid releases are observed when the mouthpiece is old, which gives it a yellow-green color.<\/em><\/p>\n

    And finally, here is a quote about the manufacturing process and how the minute details affect your tone which I found interesting:<\/p>\n

    For wind instruments, it\u2019s the internal geometry of the bore that gives all the acoustic properties. We work at 1\/100th millimeter to adjust the shape and the length of the baffle, the chamber section and size, the tip opening, the facing length\u2026 We study and compute the effect of all these parameters on the sound, to predict the timbre of each combination of them.<\/em><\/p>\n

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    SYOS Max Ionata Signature Tenor Saxophone Mouthpiece<\/strong><\/p>\n

    Ok, so let’s get to the Max Ionata tenor sax mouthpiece I received. The mouthpiece came in the usual SYOS drawstring bag and was well protected in the package it came in.\u00a0 SYOS did not send a slide on ligature with the mouthpiece because they are probably aware that I am not a big fan of slide on ligatures by this point. (I’ve mentioned it in almost every SYOS review…….)<\/p>\n

    The Max Ionata tenor saxophone mouthpiece felt really light as you would expect a plastic mouthpiece to feel.\u00a0 The table had a little bit of texture to it that I could feel with my fingers and you can see in the photos.\u00a0 Whatever process they use to make these sax mouthpieces does leave some texture marks on the mouthpiece.\u00a0 You can see fine lines going across the table and fine lines going down the baffle as if the machine that cut the mouthpieces left these lines on the plastic.\u00a0 This texture does not effect the sealing of the reed to the mouthpiece on all the SYOS mouthpieces I have reviewed though so I personally wouldn’t worry about it.<\/p>\n

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    SYOS Max Ionata Signature Tenor Saxophone Mouthpiece<\/strong><\/p>\n

    The SYOS Max Ionata tenor saxophone mouthpiece looks well made.\u00a0 The table, rails and tip rail look pretty even to the eye.\u00a0 The curve of the tip rail matches pretty closely with the curve of my tenor saxophone reeds.\u00a0 The outside corners of the tip rail do extend a tiny bit further than the width of the reed but it is nothing to be concerned with as the reed passes the suction test perfectly.<\/p>\n

    The baffle is what I would consider a medium high baffle that is about 5\/8ths of an inch long.\u00a0 At that point, it meets an edge and then the baffle continues at a greater angle down towards the rear of the mouthpiece chamber.\u00a0 That baffle slope, through the chamber, has a slight curve to it from side to side and the baffle floor narrows as it descends towards the baffles termination at the rear of the chamber.<\/p>\n

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    SYOS Max Ionata Signature Tenor Saxophone Mouthpiece<\/strong><\/p>\n

    I would describe the mouthpiece chamber as a medium small or even small chamber.\u00a0 From the bore end of the mouthpiece, the chamber looks smaller than a typical Otto Link sized chamber.\u00a0 When you look from the front of the mouthpiece, it is pretty easy to see how the baffle cuts through the chamber floor to make the chamber even smaller.\u00a0 The mouthpiece chamber is definitely smaller in diameter than the bore of the mouthpiece.<\/p>\n

    The sidewalls are scooped out nicely from the tip\u00a0 heading towards the chamber area.\u00a0 The sidewalls look to angle in slightly as they connect to the smaller chamber on the sides.<\/p>\n

    There is a nicely engraved S (SYOS) on the top of the sax mouthpiece and a Max Ionata signature on the side of the saxophone mouthpiece.\u00a0 The tip opening is marked with a 7* on the bottom side of the shank of the mouthpiece.<\/p>\n

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    SYOS Max Ionata Signature Tenor Saxophone Mouthpiece<\/strong><\/p>\n

    The first sax reed I tried on the SYOS Max Ionata tenor saxophone mouthpiece was a BSS (Boston Sax Shop) #3 tenor saxophone reed. The BSS reed played well and is the reed I used for one of the sound clips.<\/p>\n

    The other sound clip was done with a harder Rigotti Gold 3 1\/2 medium tenor saxophone reed.\u00a0 I must write that I was really surprised by the strength of reeds the SYOS Max Ionata mouthpiece preferred for me.\u00a0 Most of my tenor sax reeds are in sizes from 2 1\/2-3 strengths and the majority of these reeds felt way too soft on the Max Ionata tenor sax mouthpiece. Even the BSS #3 reed felt a little bit soft but I felt it was good enough to try a sound clip.<\/p>\n

    The Rigotti Gold 3 1\/2 medium reed felt the best on the Max Ionata tenor mouthpiece.\u00a0 I tried a few Rigotti Gold 3 1\/2 light reeds as well that felt pretty good but the medium felt perfect.\u00a0 Max Ionata told me that he personally uses D’Addario Select 4S unfiled tenor sax reeds on his 7* SYOS mouthpiece.<\/p>\n

    I have included a sound clip of the stronger Rigotti Gold 3 1\/2 medium reed as well as the softer BSS #3 reed below just because I know there are some players that prefer the sound of a harder reed and some that prefer the sound of a softer saxophone reed.<\/p>\n

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    SYOS Max Ionata Signature Tenor Saxophone Mouthpiece with Ligature<\/strong><\/p>\n

    I have to admit, I was really surprised when I received the SYOS Max Ionata tenor sax mouthpiece.\u00a0 As I stated earlier, I am a big fan of Max Ionata.\u00a0 \u00a0In my opinion, he has one of the best tenor saxophone tones in the world.\u00a0 A big, rich, warm, vibrant and authentic tenor saxophone sound.\u00a0 I assumed the SYOS Max Ionata mouthpiece would be similar in design to a classic vintage hard rubber Otto Link kind of design and have a large chamber and a low to medium rollover baffle but was shocked when I saw the baffle height and the smaller chamber size.\u00a0 That being said, after playing the SYOS Max Ionata signature model tenor saxophone mouthpiece, I can understand why Max likes it so much.<\/p>\n

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    SYOS Max Ionata Signature Tenor Saxophone Mouthpiece<\/strong><\/p>\n

    I found the tone of the SYOS Max Ionata signature tenor saxophone mouthpiece to be quite intriguing and perplexing.\u00a0 Normally with a baffle like this and a smaller chamber, I would expect an abundance of brightness.\u00a0 While this mouthpiece did have a certain brightness and edge to the tone for me,\u00a0 it also had a warmness and darker tone that was complex and rich.\u00a0 This balance of the warm, complex and rich with the slight brightness and edge made the brightness and edge more balanced and beautiful to listen to.\u00a0 Although, brighter mouthpieces are cool to play and wail on at times, many times I find myself getting irritated or bothered by the excessive brightness in the tone of those mouthpiece.\u00a0 I didn’t feel this way at all with the SYOS Max Ionata tenor sax mouthpiece.<\/p>\n

    Usually, mouthpieces with this type of baffle and chamber have a low end that is wanting, but the SYOS Max Ionata mouthpiece had a gorgeous low range of the saxophone that I really enjoyed.\u00a0 When I listened back to the sound clips, I was amused by how I kept playing fast lines and then would end them in the low end of the saxophone as I slowed down at the end of the line.\u00a0 I think I was subconsciously liking that low end so much that I kept ,going down there without thinking about it to enjoy those lush low notes and sub-tones.<\/p>\n

    The higher baffle and smaller chamber definitely gives this mouthpiece a ton of power and focus when the mouthpiece is pushed.\u00a0 The SYOS Max Ionata signature model has plenty of brightness when pushed but one of the best attributes of this mouthpiece is that the high notes and altissimo notes didn’t get all thin and weak sounding.\u00a0 They still retained a thick, full core to their tone and sounded meaty and strong.<\/p>\n

    The intonation was excellent and within normal parameters and the tone was even and balanced throughout the range of the saxophone.\u00a0 The articulation was clean, immediate and nice and smooth when playing fast jazz lines with jazz articulation.<\/p>\n

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    SYOS Max Ionata Signature Tenor Saxophone Mouthpiece<\/strong><\/p>\n

    If you like the sound and look of the Max Ionata signature model tenor sax mouthpiece by SYOS, you can find them at the SYOS website<\/a>. \u00a0(Neffmusic also gets a small commission from each sale when you use this link which helps support this website).\u00a0 The SYOS Max Ionata tenor saxophone mouthpiece is a great mouthpiece that balances on that fine line between brightness and power while still being able to produce a full, thick and rich tone for jazz playing.\u00a0 Check out my sound clips below as well as the video of Max Ionata playing on his SYOS mouthpiece and decide for yourself.<\/p>\n

    The SYOS website has a ton of artists and signature models available so if the Max Ionata model isn’t your cup of tea, there are a ton of other saxophone mouthpieces to choose from.\u00a0 Or, like I wrote above, you can be courageous and go for a custom sax mouthpiece made specifically for you.\u00a0 The amazing thing is that SYOS has a 30 day return policy which is unheard of in the sax mouthpiece industry.<\/p>\n

    If you have played or end up playing a SYOS Max Ionata Signature Tenor Saxophone Mouthpiece or have any other thoughts or comments about this review, I would love to hear what you think in the comments below.\u00a0 Thanks,\u00a0 \u00a0Steve<\/p>\nhttps:\/\/cdn.neffmusic.com\/2023\/SYOSMaxRigotti.mp3<\/a><\/audio>\n

    SYOS Max Ionata Signature Tenor Saxophone Mouthpiece-Rigotti Gold 3 1\/2 Medium Reed-No Reverb Added<\/strong><\/strong><\/p>\nhttps:\/\/cdn.neffmusic.com\/2023\/SYOSMaxRigAltRev.mp3<\/a><\/audio>\n

    SYOS Max Ionata Signature Tenor Saxophone Mouthpiece-Rigotti Gold 3 1\/2 Medium Reed-Short Altissimo Clip-Slight Reverb Added<\/strong><\/strong><\/p>\nhttps:\/\/cdn.neffmusic.com\/2023\/SYOSMaxBSS.mp3<\/a><\/audio>\n

    SYOS Max Ionata Signature Tenor Saxophone Mouthpiece-BSS (Boston Sax Shop) 3 Reed-Slight Reverb Added<\/strong><\/strong><\/p>\n