Vandoren V16 A5M Alto Mouthpiece

This is a Vandoren V16 A5M that I bought from Dave Valdez in Portland. Dave had Brian Powell reface the mouthpiece to a .080 and put a very long facing curve on it (23mm) that matched a Slant Link that has been Dave’s main piece forever.  The reason I bought this piece was because I heard a bootleg recording of Dave playing in some club and he had a killer alto sound and style.  Dave and I went to Berklee together back in the ’80’s. I like this piece a lot!!

It’s a little bright but has a nice fat sound to it. The longer facing curve makes the sound fatter and bigger.  I also believes it adds to how expressive you can be with the  mouthpiece since any slight variation in your embouchure will move the reed much more than on a shorter facing curve. Brian Powell told me that a 23mm facing curve for alto is really long and not a typical curve that players like. I like it though. It’s plays very different than other alto mouthpieces I have played. Check it out!

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Steve About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for the last 25 years. He is the author of many effective jazz improvisation methods as well as founding the popular jazz video lesson site


  1. Stupid question, but which mouthpiece patches are you using? Never seen some so thin….hunting for the mouthpiece patch that’ll feel like real mpc..

  2. Try FAM mouthpiece patches look them up on ebay

  3. Daryl Keith says:

    To me this sounds kinda close to the Theo Wanne Kali HR and the Ishimoro Super custom. Slightly brighter but very warm. I bet this would be alot cheaper than either of those so its got my interest. Do you know how much the refacing would cost? Thanks. I currently have a JJ Classic 6 and i like it but want something a little more warm and singing.

  4. I really love the sound of this mouthpiece. It is much less brighter than other ones ive heard in your articles. It has a classy dark jazz tone. If I buy a V16 A5M would it have the sound this one has?

  5. Jason, It very well could although there are other factors at play also. Different players have different embouchures, playing techniques, air support, oral cavities, etc……… That being said, with a mass produced mouthpiece like the V16, I try to order three of the mouthpiece I am interested in and will pick the best of the 3. If there are no differences and they are all great, that is awesome. Many times there are differences and I like to have a choice. Good Luck. Let us know if you try one and how you like it. Steve

  6. Steve one more question. Ive heard good things about the Bari Hybrid mouthpiece. I really want a darker classic sound like i mentioned before. Which do you think is the better sounding mouthpiece? P.S ive seen your review for both but im wondering which you liked better.

  7. Jason,
    I really like this Vandoren V16 A5M but you have to remember that this has been altered big time by Brian Powell. I know the facing is completely different and much longer. The Bari mouthpiece was a very good mouthpiece also but I personally prefer this V16 that BP refaced. If you’re asking me to compare the Bari to a regular V16 that is a harder call. I would say they are both about equal for me………..Steve

  8. ive never heard of a slant link? ive heard of a otto link sig are they the same mouthpiece or am i wrong??

  9. Hi, Steve Thank for your great review
    I’m using lebayle hard rubber alto now but I wanted new sound.
    So I’m looking for V16 mouthpiece small chamber but which opening size will more fit with me.
    Mine opeining size is 196mm and v16 a5 is 188mm and a6 is 196mm. I’ve never used small chamber mouthpiece so I wonder if a6 size will give excessive resistence to me.

  10. Gil, I would just go with the same tip opening you are used too. If the smaller chamber gives resistance it would do so for you on a 5 or 6 tip opening in my mind since the chambers would be the same. Steve

  11. Hi Steve,
    Greetings from Brazil

    Another excellent analysis, congratulations.
    I’m lost about which mouthpiece to use in the alto sax. I have played with a Jody Jazz HR 7M, I use François Louis ligature and vandoren v16 n2 reed. He liked this sound but the high sound one was very buzzy, very strident, although the bass were great. So I bought this V16 from its review, vandoren V16 A7M, I thought it has a dark, lifeless sound. I would like a fat round sound, very smoth, but with life and a slight brightness, in the line of these meyer mouthpieces, mouthpieces of medium chambers, but with great projection for solos (flexibility). Within that I’m looking for what you suggest I should try for mouthpieces?
    a Meyer? Otto Link Tone EDGE? the new d adario selec jazz? Some of these or other alternatives, what do you suggest?

    Or should I try to lower the numbering of the mouthpiece a bit to try to force heavier reed type v-2.5 (which is currently heavy for me)?

    Thank you again, your website is incredible.

  12. Pedro, If you tried the V16 A7M and found it too dark and lifeless I would suggest trying the A7S+. It has a chamber that is between the medium and small so it would give you more of the slight brightness you are looking for that the A7M doesn’t have for you. You could also try a Vandoren Java 2 1/2 reed. I find the V16s you are using run a bit harder and stiffer than the Javas. You might find the Javas to be brighter for you. I do…… Steve

  13. Steve, thank you very much.
    I’ll try S +

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